
Sign up to save your podcasts
Or


This is PART 2 of talking about how you can get good quality, from budget AUDIO gear...and we're going into a number of specific recommendations, for both METHODS AND GEAR.
I'm starting to see a pattern for budget AUDIO gear too regarding how to get good quality with a few specific items (the emphasis is on AUDIO, since I normally talk about CAMERAS, lenses, etc.)
Here are more THREES, and a little about how I back up these three.
LINKS MENTIONED:
https://www.silverlightphotoco.com/kit
I keep finding so many THREES in my KIT PLANS!
LINKS MENTIONED:
https://www.silverlightphotoco.com/kit
Our focus changes TO CAMERAS, now that we have our Thrifty 3 lenses...So should you put your money into buying 3 CAMERAS, before you buy expensive LENSES?
WEBSITE:
https://www.silverlightphotoco.com/thrifty-3
It's becoming clear to me that you don't need to spend much money on lenses (at first). So, what lenses are my Thrifty 3?
WEBSITE:
https://www.silverlightphotoco.com/thrifty-3
I've been putting all of the lenses I've tested into 3 general categories for a bit (WIDE, TIGHT and TELE)...and now I'm starting to wonder if I should make this into some kind of METHOD?
All-Manual Canon EF to M43 Adapter:
https://ebay.io/m/ysoOl9
In the third and final episode about wide angle lenses, we change our focus to the actual images they produce; not the hype, not the claims, but what the image actually "projects".
This episode gets into the history of how ultra-wide angle lenses were marketed, and why some say they can't live without them.
This might seem like a strange question to ask, but the question is why do we NEED wide angle lenses?
From the publisher's feed