We know Nikon cameras are going to get better for video purposes, because they bought RED (the Nikon ZR already looks really good) but are any of their older and more budget-friendly cameras (the Z5 v1) that can create professional-looking video?

So, I do agree that filters affect the image, but what if I told you there are times when using filters can sort of improve the dynamic range? So, before anybody gets too upset, let me emphasize that I think it works well with SOME lenses, but not with others.

Okay, let's agree first that using a filter doesn't actually change the dynamic range specifications of your camera's sensor. It is however, an optic that will affect the way light will hit the sensor, and THIS is what can change what I'll call the "perceptive dynamic range".

If you've ever thought of starting your own business, you've probably wondered if your idea is any good. Some people say you need to make sure your business is solving a problem and then you know there is demand (for what you're doing) but what if people don't know a problem exists?

The short answer is yes, but there's so much more to learn from what Panasonic is doing, and how they think.

Starting to work on a multi-camera production method, called SHOOT43!

www.SHOOT43.com

Introduction and Audio Setup (00:00:01)

Speaker introduces the episode, mentions testing a lavalier mic, and sets the context for discussing multi-camera video production.

Why Use Multiple Cameras? (00:00:40)

Explains the benefits of using multiple cameras for clean edits and different shot types (wide, medium/tight, telephoto).

Sensor Size and Camera Roles (00:01:10)

Discusses choosing cameras based on shot roles, sensor size considerations, and using Micro 4/3 for tight shots.

Full Frame Camera Experimentation (00:02:25)

Shares experience acquiring a Nikon Z5 full-frame camera and its potential use for wide and medium shots.

Assigning Roles to Each Camera (00:03:41)

Explores the concept of assigning specific roles to each camera for easier setup and editing.

Multi-Camera Cage Setup (00:04:51)

Describes building a multi-camera cage to mount multiple cameras on one tripod for efficient solo operation.

Applications and Static Shots (00:06:14)

Covers practical uses for the multi-camera setup, emphasizing the importance of static shots in interviews and coverage.

"Shoot for Three" Branding (00:07:12)

Introduces the "Shoot for Three" concept, inspired by basketball, as a branded technique for multi-camera shooting.

Solo Operation Efficiency (00:07:50)

Highlights how solo operators can efficiently capture multiple angles with minimal effort using the multi-camera setup.

Camera System Flexibility and Stabilization (00:08:17)

Discusses using different camera systems (Micro 4/3, APS-C, etc.) and the importance of in-body image stabilization.

Panasonic Camera Recommendations (00:09:30)

Recommends Panasonic G85, GH5, and FZ1000 for stabilization and telephoto capabilities in multi-camera setups.

Missed Opportunities with Single Camera (00:10:37)

Reflects on missed creative opportunities when only having one camera at scenic locations.

Necessity of Multiple Cameras for Time-Sensitive Shoots (00:11:44)

Stresses the need for multiple cameras in fast-changing situations, like sunsets, to maximize coverage.

Shifting Focus: Multi-Camera and Tilt-Shift Lenses (00:12:10)

Mentions shifting focus to multi-camera techniques and introduces interest in tilt-shift lenses and adapters.

Tilt-Shift Lens Acquisition and Future Content (00:13:02)

Shares recent purchases of tilt-shift lenses, plans for related content, and audience interest in the topic.

Conclusion and Website Promotion (00:14:03)

Wraps up the episode, promotes the "Shoot for Three" website, and hints at future content on multi-camera setups.

I'm starting to test more wireless LAV microphone systems and so far, the noise cancelling on this one is pretty good! Here's an Amazon affiliate link #ad: https://amzn.to/49GwSXj

SUMMARY:

We ask the question "Is there any such thing as an affordable full-frame camera (currently)?" and if it seems like there is no conclusion that's because I haven't reached one, but you can use these raw facts to come up with one.

BLOG POST:

https://www.silverlightphotoco.com/post/does-sensor-size-matter

SPECIAL THANKS:

UsedPhotoPro.com (Use below link to get free shipping): https://www.jdoqocy.com/click-100161146-13597005

http://www.GafferPower.com

#microfourthirds #fullframecamera

THE LENS: https://ebay.us/W3TSNK

THE CAMERA: https://ebay.us/pAfxF3

LENS-SENSOR SETTINGS: https://www.silverlightphotoco.com/camera-settings/promaster-70-300-4-5.6-panasonic-g7-natural

In this episode, we break down the complexities of camera shot types, lens choices, and sensor sizes. We propose a simple system: use “wide,” “tight,” and “tele” shots instead of the traditional categories, and match each with the ideal sensor size—full-frame for wide shots, micro 4/3 for tight and tele. The episode covers lens distortion, working distances, and why using multiple cameras improves editing and storytelling.

Introduction to Shot Types and Standardization (00:00:01)

Explains the need to simplify shot types to wide, tight, and tele, and the importance of lens and sensor size.

Defining Wide, Tight, and Tele Shots (00:01:25)

Describes what each shot type covers visually and why focusing on the look is more universal.

Lens Focal Lengths and Sensor Crop Factors (00:03:53)

Discusses how different focal lengths and sensor sizes affect image composition and distortion.

Non-Destructive Focal Lengths and Distortion (00:05:15)

Explains the concept of non-destructive focal lengths and how wide-angle lenses introduce distortion.

Rectilinear vs. Fisheye Lenses (00:06:42)

Covers the development of rectilinear wide-angle lenses and the visual effects of wide-angle distortion.

Wide-Angle Distortion in Real-World Use (00:08:53)

Gives real estate photography as an example of wide-angle distortion and its impact on perception.

Standardizing Shot Lists for Production (00:11:02)

Describes the practical approach of always using multiple shots (wide, tight, tele) for editing flexibility.

Sensor Size and Working Distance (00:12:09)

Explains how sensor size and lens focal length determine camera distance and shot composition.

Portraits, Working Distance, and Distortion (00:14:39)

Discusses traditional portrait focal lengths and how working distance affects distortion in headshots.

Macro Photography and Sensor Considerations (00:15:58)

Explains macro working distance and how sensor size impacts focus and composition.

Simplifying Shot Setup with Templates (00:17:03)

Introduces the idea of treating each shot type as a separate job, often requiring different cameras.

Assigning Camera Systems to Shot Types (00:19:43)

Explains the benefits of using different sensor sizes for each shot type rather than sticking to one system.

Telephoto Shots: Micro 4/3 Advantages (00:22:04)

Argues that Micro 4/3 is best for telephoto shots due to cost, size, and stabilization benefits.

Medium (Tight) Shots: Sensor Flexibility (00:26:57)

Discusses options for medium shots, favoring Micro 4/3 and crop sensors for practicality and cost.

Wide Shots: Full Frame Superiority (00:30:25)

Explains why full frame cameras are best for wide shots due to less distortion and more realistic rendering.

Historical Perspective on Focal Lengths (00:33:07)

Reflects on the historical use of 35mm for wide shots and its realistic look in photojournalism.

Conclusion: Assigning the Right Tool for Each Job (00:34:20)

Summarizes the approach of matching sensor size and lens to the shot type for optimal results.