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Hello, Hello!
Make It friends and family, Chris here to announce that starting today, with the episode you are about to hear, we’ll be publishing our segments and bonus content on this feed daily.
Why are we doing this? Because there’s a good chance you’re already listening to our episodes over the span of the week, we decided to publish our segments from each long-form episode to make it easier for you to enjoy the entire thing.
Also, Nick and I are always looking for new ways to spice things up, meet our audience in the middle, and improve the show for you. There you have it: daily goodness in segments, plus bonus content from MAKE IT.
Of course, we’ll still be releasing long-form episodes every two weeks on Friday—that hasn’t changed. Thanks as always for your support, and be sure to let us know what you think on any of our platforms at Beacons.
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In this Audience Polls segment, filmmaker and producer Tia A. Smith joins us to discuss audience poll results comparing preferences between being a music producer versus a TV/film producer, with 74% choosing music production despite the show's focus on film. The conversation explores why music producers have achieved celebrity status while film/TV producers remain largely behind the scenes, and examines the perceived accessibility versus actual difficulty of success in each field. Guest Tia Smith joins the discussion to analyze the appeal and challenges of both production paths.
We also talk about:
• The evolution of celebrity music producers from Quincy Jones and LA Reid to modern figures like Pharrell Williams
• The misconception that music production is easier due to accessible technology and tools
• How the "wall of sound" technique and producers like Phil Spector established early producer celebrity
• The vast competition pool in music production versus film/TV production
• The untapped talent in the DC music scene and Recording Academy connections
Products, software, websites, people, or places mentioned:
Pharrell Williams
Timbaland
Quincy Jones
LA Reid
Babyface
Andre Harrell
Puff Daddy
Phil Spector
Trent Reznor
The Beatles
Grammy Awards
Recording Academy DC Chapter
DMV (DC/Maryland/Virginia area)
We are humbled to have a community of creatives who care deeply about our work. And your support makes our work possible. Every subscriber, rating, and review matters.
So, if you like what we're doing, please consider subscribing, rating, or giving us a review. Cheers, and best of luck on your filmmaking journey. #MAKEIT
All Links: https://themakeitpodcast.store
By Chris Barkley & Nicholas Buggs5
100100 ratings
Hello, Hello!
Make It friends and family, Chris here to announce that starting today, with the episode you are about to hear, we’ll be publishing our segments and bonus content on this feed daily.
Why are we doing this? Because there’s a good chance you’re already listening to our episodes over the span of the week, we decided to publish our segments from each long-form episode to make it easier for you to enjoy the entire thing.
Also, Nick and I are always looking for new ways to spice things up, meet our audience in the middle, and improve the show for you. There you have it: daily goodness in segments, plus bonus content from MAKE IT.
Of course, we’ll still be releasing long-form episodes every two weeks on Friday—that hasn’t changed. Thanks as always for your support, and be sure to let us know what you think on any of our platforms at Beacons.
---
In this Audience Polls segment, filmmaker and producer Tia A. Smith joins us to discuss audience poll results comparing preferences between being a music producer versus a TV/film producer, with 74% choosing music production despite the show's focus on film. The conversation explores why music producers have achieved celebrity status while film/TV producers remain largely behind the scenes, and examines the perceived accessibility versus actual difficulty of success in each field. Guest Tia Smith joins the discussion to analyze the appeal and challenges of both production paths.
We also talk about:
• The evolution of celebrity music producers from Quincy Jones and LA Reid to modern figures like Pharrell Williams
• The misconception that music production is easier due to accessible technology and tools
• How the "wall of sound" technique and producers like Phil Spector established early producer celebrity
• The vast competition pool in music production versus film/TV production
• The untapped talent in the DC music scene and Recording Academy connections
Products, software, websites, people, or places mentioned:
Pharrell Williams
Timbaland
Quincy Jones
LA Reid
Babyface
Andre Harrell
Puff Daddy
Phil Spector
Trent Reznor
The Beatles
Grammy Awards
Recording Academy DC Chapter
DMV (DC/Maryland/Virginia area)
We are humbled to have a community of creatives who care deeply about our work. And your support makes our work possible. Every subscriber, rating, and review matters.
So, if you like what we're doing, please consider subscribing, rating, or giving us a review. Cheers, and best of luck on your filmmaking journey. #MAKEIT
All Links: https://themakeitpodcast.store