Israel Story

Israel has, of course, branded itself as the Start-Up Nation. And in many ways, Raz Newman is the classic Israeli tech entrepreneur. He’s 32, lives in Rishon Le’Zion, has two daughters, and spends most of his time researching AI and meeting with potential angel investors. On October 7th, as people began thinking how to best contribute, Raz immediately opened up his laptop and began building the AI Ezra Bot.

This piece was produced by Yochai Maital.

The end song is Kol Hadvarim Hayafim Be’emet (“All The Really Beautiful Things”) by Daniela Spector.

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For months Sivan Avnery – a physical therapist from Kfar Shmaryahu – was active in the demonstrations against the judicial reforms. Like hundreds of thousands of other Israelis, he felt he was fighting for his home, for the very nature of his country. But he had no idea how true that was about to become.

On Saturday morning, October 7, Sivan received a message which is every parent’s worst nightmare: His 18-year-old son Tal was – unbeknownst to him – at the Nova party in Re’im, and was now fleeing for his life. Without a second of hesitation, Sivan knew exactly what he needed to do.

This piece was produced by Adina Karpuj.

The end song is Yeled Shel Abba (“A Father’s Son”) by Mooki.

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There’s a long tradition of musicians and entertainers performing on the frontlines during times of war. And, indeed, almost immediately, Israel’s leading artists began crisscrossing the country in a joint effort to lift morale.

For David Broza, this kind of work isn’t, unfortunately, new. He’s been performing for troops since the mid-seventies, and for the last two weeks hasn’t stopped for a minute. Broza has given more than fifty concerts since the start of the war — in hotel lobbies, army bases, bomb shelters, kibbutz lawns and even at the bris of a baby from Kfar Aza. Basically wherever his talent can bring some joy and offer a temporary escape from reality, Broza has performed. We joined him at Kibbutz Gal’ed in the north, where he was performing for families evacuated from their homes.

The end song is Yihiye Tov (“It Will Be Good”) by David Broza.

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Wars are often told through numbers – of the dead, the wounded, the missing, the misplaced. But behind each one of those numbers, there is – of course – a person, a family, a community whose life has been altered forever.

For two weeks now we’ve been hearing survival stories, the likes of which we never imagined we’d hear again, at least not on this scale. This is one such story. The story of Yarnin Peled from Kibbutz Be’eri, who survived the carnage of October 7th.

The end song is a community effort from 2019 by Kibbut Be’eri.

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This war has forced many people to reevaluate their identities and political sensibilities—not an easy task during these shocking and painful days. Mor Maisel’s opinions are complicated and don’t conform to the norm, which may be challenging for some listeners, and reassuring for others.

The end song is Anachnu Me’oto Hakfar (“We Are From The Same Village”) by Lehakat Pikud Merkaz.

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During this dark time, Israeli civil society has risen to the occasion. Hedai Offaim – a chef, farmer and social entrepreneur – has transformed his café into a relief kitchen where 750 volunteers prepare more than 10,000 nutritious meals a day for evacuated communities, families in mourning, families of hostages and reservists.

Donors from Israel can use this link: https://payboxapp.page.link/gj55cdBQMNV81qmU7 - "ארוחות ללוחמים ולמפונים - משק עפאים"

Donors who wish to make their gift to a USA public charity and receive a charitable tax deduction for the full amount of gifts to public charities as allowed by law can give to Impact Cubed (tax ID 83-2215503) through cash, credit card or other options for transfer. More information is at https://impactcubed.org/give/.

In the designating section please choose "other" and add "Ofaimme - Arava spirit initiative".

The end song is Hora He’achzut (“Hold On Hora”) by Kaveret.

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After the entire team of Kibbutz Kissufim’s dairy farm was murdered, Ofer Tamir from Nahalal rushed down south to rescue the local cows.

The end song is Kissufim by Etti Ankri.

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In 1956, Moshe Dayan – then the IDF’s Chief of Staff – delivered a eulogy for a fallen member of Kibbutz Nahal Oz. That eulogy had a tremendous impact on Israeli society and is just as poignant today as it was sixty-seven years ago.

The end song is Shir Eres Negbi (“A Southern Lullaby”) performed by Shoshana Damari.

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Despite everything, life continues amid the horror. For Katherine Leff, this meant going ahead with the day she’d been dreaming about for so long — her wedding day.

The end song is Od Yishma (“Again It Will Be Heard”) by Ishay Ribo.

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This episode includes graphic descriptions of violence.

At age 50, Itai Kramer is no longer obligated to serve in the reserve forces, yet he volunteered anyway. Itai tells us about what went through his mind when he decided to drop everything and put on his uniform.

The end song is Machar Ani Babayit (“Tomorrow I’ll Be Home”) by Ethnix.

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