The 2025 Curriculum & Assessment Review
This week, we wade into the newly published
Curriculum and Assessment Review
the biggest rethink of England’s education system since 2014. Chaired by Becky
the report promises a “world
class curriculum for all.” But behind the polite
phrasing lies a familiar battlefield: knowledge versus skills, rigour versus relevance,
Has the pendulum swung again? Or are we just circling the same deb
What Is English For, Anyway?
The review calls for a clearer sense of purpose
including a firmer distinction
Could this finally kill off the endless reproduction of GCSE question types at
Or will “clarity” just mean more bureaucratic fog?
Remember when KS3 had its own curriculum and the Year 9 SATs actually
tested something worthwhile?
Drama Returns to the Stage
not as an afterthought, but as a formal part of
English, alongside reading and writing.
Can English teachers still teach drama with confidence? Or has that expertise
gone the way of the OHP and the acetate pen?
l, drama deepens understanding and builds voice; when
it’s bad, it’s awkward theatre therapy.
The Oracy Framework: Finding Our Voices, Losing Our Minds?
is coming to “complement” reading and writing.
The idea: oracy underpins
learning, wellbeing, and citizenship.
The worry: it becomes another smorgasbord of “amuse
distracts from the main course of English.
debate, interpretation, Socratic dialogue
If it’s another round of la
minated sentence stems and group talk rubrics, not
Grammar in Use, Not Grammar in Theory
At last, someone’s said it: move theoretical grammar out of primary and focus on
sequencing grammar so it’s taught when
students can actually use it.
A revised GPS test focusing on application, not terminology.
Imagine a “literacy passport”
a driving theory test for writing
Diagnostics and the Year 8 Test
A national diagnostic test in Engl
ish at Year 8: to identify reading weaknesses before
Because every child who can’t read at secondary is a failure of the system,
Measure it and it will come.
GCSE English: The Return of Purpose (Maybe)
The review proposes a total rethink of English Language and Literature at Key Stage
nature and expression of language
Greater range of text types
But will this mean deep analysis or “describe yo
ur favourite app” nonsense?
Keep Shakespeare. Keep the 19th
century novel. Keep poetry. But add more
“diverse and representative” texts.
Sounds fine, unless “diverse” just means “short and modern.”
Without a central list, we risk
or a slide back to the 1980s: Angel
Delight, pastel colours, and low expectations.
“The best that’s been thought and said
EBacc: The Empire Strikes Out
The review doesn’t quite kill the EBacc, but it quietly prepares the
A “rebalancing” of accountability measures signals its long fade.
The arts and technical subjects might finally be allowed to breathe again.
But will schools trust that the accountability system really means it?
Is this the end of “five pillars o
f rigour,” or just a rebrand before the next
The Broader Frame: Inclusion, AI, and Moral Purpose
Beyond English, the review leans heavily into digital literacy, sustainability, and
Are we educating people or optimising products?
Civic education from Year 1: universal virtue or creeping ideology?
AI readiness: the new “future
The report promises “professional autonomy within entitlement.”
A phrase so elegantly meaningless it could only h
Is it genuine trust, or centralisation in polite language?
And who will train teachers to deliver all this nuance?
“It’s a middle path no one will walk.”
“Or as we call it in schools
s English reforms are a time machine: part 1990s drama classroom, part
2010s accountability regime, part 2030s AI marketing deck.
But the question remains the same:
What do we really want English to
: teach communication, preserve culture, or
From SATs nostalgia to Shakespeare’s survival, it’s all here
The cast has changed, the set is modernised, but the script? Still a tragicomedy of
Schools Week Link: https://schoolsweek.co.uk/interview-becky-francis-on-the-big-ideas-in-her-curriculum-review/