Recorded at the Battle of Ideas festival 2025 on Saturday 18 October at Church House and the Abbey Centre, Westminster.

ORIGINAL INTRODUCTION

Jane Austen turns 250 this year, prompting the question: is one of the world’s greatest female novelists still relevant? With too many BBC and Netflix adaptations to count, Fitzwilliam Darcy, Colonel Brandon, George Knightley and Austen’s other love interests remain staples of romantic fiction that others continue to draw from.

Some argue that Austen’s female characters, while feisty and ‘knowing their own mind’, were not particularly radical. Moving relatively seamlessly into the institutions they so ‘resisted’, her protagonists end up falling into happy marriage – seemingly waiting for a man who can handle them. While Austen may be the pioneer of the love match, is her reverence for society’s patriarchal institutions her downfall in the twenty-first century?

Others point to the fact that Austen’s work changed the landscape of literature completely. She was not a political feminist, nor a political activist, yet her novels developed women as complex individuals with curious minds beyond their physicality and a world beyond their roles as mothers and wives. By making the space for strong and independent women within marriage, she sparked confidence to make matches that suit the individuals, not just the social order.

Some argue that Austen was a victim of her circumstance, most notably to her financial constraints and her dependence on her family. She herself did not marry, perhaps recognising the limitations on time and agency of settling down and running a household. Indeed, she was rather entrepreneurial for a woman of her time. By viewing Austen as the victim spinster, do we risk falling prey to the same shallow stereotypes of women that so many characters in her novels are railing against?

How should we judge Jane Austen, more than two centuries on? Does it matter if she is read by inner-city youth or merely celebrated with Georgian-themed fancy-dress parties? Should we judge her characters by the standards of modern feminism? Are there still lessons for Austen to teach us about relationships and social norms? Or was she simply a brilliant writer, with a turn of phrase and a talent for big finales unmatched for centuries?

SPEAKERS

Emma Gilland

Matilda Martin

Cheryl Robson

Sarah Tucker

CHAIR