It's quite enjoyable, mainly because it remains straightforward and doesn't attempt to be something it's not: it's an action/revenge film, and that's all there is to it. It could have been improved if Jason Momoa's character wasn't so irritating and body-shaming others; I don't understand its inclusion, but it's off-putting, even if it's not frequent.

The actors look fantastic and perform well (except for the aforementioned): Dave Bautista is outstanding, Frankie Adams and Jacob Batalon bring fun energy, Morena Baccarin is flawless, and all the antagonists are solid. Overall, Jason Momoa fits the role, but at times he either overacts or underperforms. Still, he does a decent job overall.

Strong, brutal action, straightforward plot, and relatable characters. While there's nothing groundbreaking, everything is quite solid.

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If you're looking to relax and enjoy a surprisingly violent yet funny action film, this is the one. Jason Momoa and Dave Bautista provide entertainment right from the start. No one is going to win an Oscar for their acting, but who minds when the movie is this enjoyable? Just overlook the absurd and unrealistic action sequences and let yourself unwind.https://reminiscent-farmer-582.notion.site/Marty-Supreme-Melissa-Anderson-2f84335cfd94800e927af0ea7a9dd8cd?source=copy_link

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I truly enjoyed this film! What a delightful surprise. While watching, I felt strong vibes reminiscent of classics like Lethal Weapon and Bad Boys. It also carries a hint of that Fast and Furious excitement and even some John Wick-inspired moments during the fight sequences.

It has been quite a while since I’ve seen a solid action film like this: humor, combat, explosions, and absolutely no nonsense. Beyond the action, it effectively portrays themes of family and brotherhood. In any case, this is not a trendy superhero flick; it is an excellent movie, the type of old-school blockbuster that simply isn’t made anymore.

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I really enjoyed this one. I saw it as a well-known John Wick-style film with a fantastic cast and excellent acting. The characters seemed like they had strong connection. 

 

I also adore how amusing it was from the beginning; the humor along with the action made for an enjoyable viewing experience.

I appreciate that integrated customs from the culture, such the father's burial service and the monuments for their moms. 

 

Overall I believe this film was a great enjoyable watch that kept you on the edge of your seat and giggling throughout the movie.

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I finally caught The Rip on Netflix last night, featuring Matt Damon and Ben Affleck. To be honest, I approached it with low expectations, thinking it would just be background noise, but I found myself completely absorbed and watched it all in one sitting.

Here's the deal: this isn't your typical, over-the-top drug lord thriller filled with non-stop gunfights. If that's what you're after, you might be let down. However, if you're in the mood for a film that steadily builds a deep, unsettling suspense, then this is exactly what you need.

For me, the highlight was watching Damon and Affleck interact. Their genuine friendship is palpable. It’s not about grand dramatic scenes; it’s in the way they converse, bicker, or exchange a knowing glance. Everything feels incredibly authentic, as if you're witnessing two long-time partners gradually come to terms with the fact that they’re in way over their heads.

The storyline is simple: police discover a massive stash of cash they shouldn't have, and chaos ensues from there. It’s not about shocking plot twists that catch you off guard. Instead, it focuses on the tension inherent in the situation. The film creates a strong sense of claustrophobia, even when the characters aren’t confined to a single space. You find yourself anticipating the inevitable fallout, and that lingering question of "what would I do?" is what kept me engaged.

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I stayed up for the 3 am UK premiere and, after watching one episode, it's already evident that this is a notable improvement over House of the Dragon. I never really finished the second season of HotD because it just didn't engage me, but I adored the original Game of Thrones and have read all the books. Already, I sense that this new series captures that early GoT essence.

The casting is outstanding so far. Peter Claffey is suitably tall for Ser Dunk. In addition to his physical presence, there's a lot more humor here that was desperately lacking in House of the Dragon. The production quality is superb; the landscapes, costumes, and the overall grittiness of the environment feel genuine, as one would anticipate from such a high-budget production.

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In 2025, Danny Boyle revived the '28 Days Later' franchise with '28 Years Later', a daring installment that divided audiences sharply. Many viewers appreciated its ambition and considered it a thrilling, atmospheric return to the Rage-infected universe, while others were not as persuaded. For some, the film's grim tone felt suffocating, its length excessive, and its more subdued take on gore a disappointing shift from the series' wild intensity.

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Almost precisely six months later, Nia DaCosta's sequel arrives: '28 Years Later: The Bone Temple.' It picks up where the previous film concluded, featuring our brave young protagonist Spike now on the mainland, running with Sir Lord Jimmy Crystal's gang of Satan-worshipping sadists. At the same time, Dr. Kelson's ongoing investigation into the outbreak produces unexpected findings that could alter the world in unimaginable ways.

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This chaos is balanced by Dr. Kelson, whose narrative serves as the emotional core of the film. His efforts to connect with and assist Samson—an "alpha infected" individual whose actions challenge our previous understanding of the Rage virus—infuse the story with unexpected tenderness. Their interactions are slow-paced, gentle, and often humorously warm, presenting a glimpse of connection in a fear-driven world. The stark difference between Jimmy's malicious joy and Kelson's kindness is what lends significance to the horror.

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Kelson's narrative subtly explores whether empathy can persist in a world dominated by violence. His resolve to view Samson not as a monster but as a being still capable of connection represents the film's most radical act. In a setting where brutality is the norm, Kelson's commitment to compassion appears almost revolutionary—a refusal to yield to the moral decay surrounding him. These instances provide the story with philosophical depth, implying that humanity's survival relies not only on resilience but also on the conviction that understanding remains achievable, even when everything else has crumbled.

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The film's essence is captured by Fiennes and Lewis-Parry, but its wild and unpredictable energy is driven by Jack O'Connell. Portraying Sir Lord Jimmy Crystal, he is brilliantly unhinged—electric, volatile, and completely deranged. His performance balances on the edge of chaos while maintaining control, perfectly reflecting the film's mix of theatricality and terror. O'Connell's scenes are charged with danger; his presence infuses the story with a frenetic energy that keeps the audience constantly on edge.

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Despite its chaos, sorrow, and insanity, Nia DaCosta's '28 Years Later: The Bone Temple' serves as a daring and refreshing reminder that this franchise still has vitality. DaCosta and Alex Garland explore new, intriguing dimensions of the series while remaining true to the raw humanity that has allowed it to thrive. This film is captivating, delivering thrills, unease, and surprises in equal parts. Sir Lord Jimmy Crystal frequently inquires of his followers, "How's that?" In the case of Nia DaCosta's '28 Years Later: The Bone Temple', the response is clear: absolutely brilliant.

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It's an entertaining thriller, and to be honest, even though I'm just starting, I saw the trailers. I initially thought it might be a bit underwhelming because I was cautious, but considering that Matt Damon and Ben Affleck have a strong history of collaboration, I decided to give it a chance. I'm really glad I did because it turned out to be enjoyable. It was fun and engaging. I appreciate a good deception, and I loved how it was filmed; it really contributed to the narrative. The soundtrack was fantastic. The intense moments were truly gripping, and the confusing camera work was impressive.

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