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A lot of listeners worry that jazz has ossified in the last, say, fifty years or so, but Mike decides to do something about it, terminological speaking, anyway. So this fortnight's episode explores the difference between curating a tradition and trying to create something new within it. Our test subjects comprise three brand-new releases (two instrumental, one vocal) and a vocal album from the nineties paying tribute to the Prince of Darkness himself, Miles Davis. Curtis Taylor – TAYLOR MADE; Brandon Goldberg– LIVE AT DIZZY’S; April Varner – APRIL; Shirley Horn – I REMEMBER MILES.
4
2121 ratings
A lot of listeners worry that jazz has ossified in the last, say, fifty years or so, but Mike decides to do something about it, terminological speaking, anyway. So this fortnight's episode explores the difference between curating a tradition and trying to create something new within it. Our test subjects comprise three brand-new releases (two instrumental, one vocal) and a vocal album from the nineties paying tribute to the Prince of Darkness himself, Miles Davis. Curtis Taylor – TAYLOR MADE; Brandon Goldberg– LIVE AT DIZZY’S; April Varner – APRIL; Shirley Horn – I REMEMBER MILES.
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