It's too early for March Madness, but just in time for the bastards to wrap up their survey of the New York Times' Top Ten list of 2025 jazz albums. Some of the choices give the boys mixed emotions and some barely any emotions at all, but at the end of this journey we can all say one thing for certain- that sure was definitely ten albums of jazz. Pop matters stretches to include a discussion of a life-enhancing live set from Indianapolis mainstay Steve Allee. Billy Hart – JUST; Jacob Garchik - Ye Olde 2:  At the End of Time; Kassa Overall - CREAM; Joe Farnsworth – THE BIG ROOM.

It's episode two of three covering the New York Times list of Top Ten 2025 jazz albums, and since we generally cover 4 albums a show, and the Times only picked 10 for their top 10 list, we add a couple of our own picks to this "middle" episode to make the math work. We've got a drummer led live date that sounds studio bound, a duet veering towards new age, a bizarre and challenging disc from a long running Underground ensemble, and an album of Monk covers by a quartet featuring a tenor saxophone - how original! Marcus Gilmore – JOURNEY TO THE NEW – LIVE AT THE VILLAGE VANGUARD ; Chicago Underground Duo – HYPERGLYPH; Shuteen Erdenebaatar – UNDER THE SAME STARS; Dayna Stephens – MONK’D.

It's sort of nearly a yearly ritual - Pat and Mike pick an outlet's top 10 list for the previous year, work their way through it, and pass FINAL JUDGMENT. Because of course these lists are anything but subjective. Mike picked the list this year: the good old New York Times, whose choices have been discussed before in these parts. He's not as grumpy as sometimes about the paper's East Coast bias, but this episode covers only 4 of the 10, so no long-term promises. Marshall Allen’s Ghost Horizons – LIVE IN PHILADELPHIA; Brandee Younger - GADABOUT SEASON; Amina Claudine Myers - SOLACE OF THE MIND; Trio of Bloom - TRIO OF BLOOM.

Welcome to 2026! As what will certainly prove to be an interesting year kicks off, the boys dive deeply into little-discussed keyboard master Kirk Lightsey's discography, checking out a couple of leader dates, an unusual duet exploration of a single composer, and a sideman appearance in a saxophonist's band who at least one Allaboutjazz reader finds worthy of a box set. Kirk Lightsey – ISOTOPE, COLTRANE REVISITED AT BIRDSEYE; Kirk Lightsey and Harold Danko – SHORTER BY TWO; Ricky Ford – SHORTER IDEAS.

For our last podcast of 2025 we delve into two very different big band projects, check out a recording by a brass band formed to cheer a guy up on his half-centenary, and dig through crates to pull out a harmolodic gem from the early eighties, when bass knew how to be big. Pop matters is light this week, focusing mostly on an English trio who took on a nickname for residents of Indiana for no apparently reason. Odean Pope - ALMOST LIKE ME; Mark Masters – SAM RIVERS 100; John Yao - POINTS IN TIME; Wild Iris Brass Band – WAY UP.

It's that time of year again, when Mike insists on a holiday music themed episode and Pat is too worried about upsetting Santa to say "no." This year's bag o' tunes has very little coal in it, unless you are allergic to smooth jazz. Mike, anyway, thinks his choice is one of the least offensive as the genre goes. You be the judge. Lincoln Center Jazz Orchestra – BIG BAND HOLIDAYS II; Cincinnati Contemporary Jazz Orchestra – THE NUTCRACKER REMIX; April Varner - WINTER SONGS VOL 2; Dave Koz – DECEMBER MAKES ME FEEL THIS WAY.

Join us for a very special interview with Chicago jazz trio Twin Talk, who have made it over a decade without swapping any of the three - count 'em - musicians comprising this fascinating group. Two of those musicians - saxophonist Dustin Laurenzi and drummer Andrew Green - join the boys for a wide-ranging discussion about their formative years, goals as a group, musical heroes, and much, much more. We intersperse the talkin' with twins with selections from their releases: SIGHTLINE (released under the Laurenzi Enrst Green moniker), LIVE, TWIN TALK, and WEAVER. 

There's a historical selection this podcast, with an alto player whose mid-eighties comeback comprised one of the great jazz narratives. But the rest of the episode is devoted to new releases, with a familiar twangin' guitarist, and two newcomers. Mike brings forth his latest vocal find with trepidation - how much bastardy will Pat bestow upon it? Download and/or stream to find out. Tyreek McDole – OPEN UP YOUR SENSES; Frank Morgan – MOOD INDIGO; Mary Halvorson – ABOUT GHOSTS; Dabin Ryu – TRIO! 

It's been a hot minute since the boys did a "pop" episode, but given this very special installment is devoted to jazz-rock gods of the seventies Steely Dan, maybe this doesn't count. The Dan's somewhat controversial 1980's sign-off gets a good look in and then various tributes are dissected, with Pat arguing that jazz musicians need to take the kid gloves off when confronting this most seminal of cross-over hit-makers. Also, Keith Jarrett called and he wants his royalties. Steely Dan - GAUCHO;  Chris Ingham – WALTER/DONALD; Sara Isaksson and Rebecca Tornqvist - FIRE IN THE HOLE; Marian McPartland’s Piano Jazz – STEELY DAN ; Woody Herman – CHICK, DONALD, WALTER, AND WOODROW.

Some indie labels find a happy home in the afterlife - think Prestige, Contemporary, et al who thrived for years under the Fantasy banner and are now sheltered under the wing of Craft Records. Others aren't so lucky. Super-producer and Record Store Day regular Zev Feldman has now made an enterprise of rescuing records from the long-dormant Muse label. What do the boys think of Zev's first three picks for deluxe vinyl reissues? How about the bonus Muse recording they included to fill out the episode? And what will Mike say when he talks about Talk Talk? You know how to find out, so I'm not going to tell you. Barry Altschul – ANOTHER TIME/ANOTHER PLACE; Carlos Garnett – COSMOS NUCLEUS; Kenny Barron – SUNSET TO DAWN; Roy Brooks – THE FREE SLAVE.