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"High Concept" is sometime used as a derogatory term for movies that are more about a saleable idea than a good script. This installment of the podcast is definitely "high concept," but we can assure you, it still isn't particularly saleable. Struck hard upside the head by inspiration, Mike decided to do a show entirely dedicated to jazzers named Jason - without even one Moran in sight. The results may confound you or titillate you. Either way, we won't be winning any Oscars. Jason Charos – OPENING STATEMENT; Jason Miles – THE LISBON ELECTRIC QUARTET; Jason Palmer – THE CROSSOVER LIVE IN BROOKLYN; Jason Forsythe – IT’S ABOUT TIME.
By Patrick Burnette4
2121 ratings
"High Concept" is sometime used as a derogatory term for movies that are more about a saleable idea than a good script. This installment of the podcast is definitely "high concept," but we can assure you, it still isn't particularly saleable. Struck hard upside the head by inspiration, Mike decided to do a show entirely dedicated to jazzers named Jason - without even one Moran in sight. The results may confound you or titillate you. Either way, we won't be winning any Oscars. Jason Charos – OPENING STATEMENT; Jason Miles – THE LISBON ELECTRIC QUARTET; Jason Palmer – THE CROSSOVER LIVE IN BROOKLYN; Jason Forsythe – IT’S ABOUT TIME.

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