Jazz Focus

The New Orleans clarinetist Fazola was a mainstay with the Bob Crosby Orchestra for almost two years in the late 1930's and recorded frequently with them.  His sides with the eight piece Bob Cats in the New Orleans style are classics - featuring trumpets Yank Lawson and Billy Butterfield, trombonist Warren Smith, tenor sax Eddie Miller and a rhythm section of Bob Zurke or Jess Stacy on piano, Nappy Lamare on guitar, Bob Haggart on bass and Ray Bauduc on drums

The Chicago cornetist Spanier was known primarily for small group records, but his early 1940's big band was in the mold of the Bob Crosby Orchestra . . .featuring clarinetist Irving Fazola, tenor saxophonist Nick Caiazza and pianist Dave Bowman, the band played respectable swing and firey Jazz - both on studio and live dates.

Great tenor player at the end of his greatest period.  These were sessions done on the West Coast in the middle 1940's for Aladdin records featuring Howard McGhee, Vic Dickenson, Willie Smith, Don Albany, Chico Hamilton and others.

The Whoopee Makers was a catch-all name for a series of recording dates made by mostly white jazz musicians in New York in  the late 1920's and early 30's.  These recordings feature mostly members of the Ben Pollack Orchestra of the period, including Jimmy McPartland, Jack Teagarden, Glenn Miller, Benny Goodman, Fud Livingston, Bud Freeman, Ray Bauduc and Pollack himself, with a few appearances by the Dorsey Brothers and others.

The first series of recordings by the influential, mostly New Orleans band based in Chicago in the early 1920's.  Featuring leader Paul Mares on cornet, George Brunies on trombone, Leon Roppolo on clarinet, Steve Brown on bass with Chicago musicians Ben Pollack on drums, Mel Stitzel on piano and others, these Gennett records were important sources of inspiration for the next generation of Jazz players.

The Chicago cornetist Spanier had been playing with Ted Lewis for almost a decade before returning to the small group jazz fold with " . . His Ragtime Band" which played briefly in New York and made four sessions for Victor.  With George Brunies on trombone, Rod Cless on clarinet, George Zack or Joe Bushkin on piano, Pat Pattison on bass, Bob Casey on guitar, Marty Greenberg, Don Carter or Al Sidell on drums and Nick Caiazza, Ray McKinstry or Bernie Billings on tenor sax.

Tenor sax player from New Orleans was most identified with Bob Crosby's Orchestra - here are a few transcriptions and live tracks of that group (including Muggsy Spanier) as well as some others with the Metronome All Stars (with Benny Goodman, Harry James, Bunny Berigan, Jack Teagarden, Ray Bauduc and Jess Stacy) and several of his own, WWII era big band that recorded for Capitol.

Great tracks by Bob Crosby and His Orchestra doing arrangements by Matlock, Kincaide and Moore featuring Billy Butterfield and Yank Lawson on trumpets, Warren Smith on trombone, Irving Fazola and Matlock on clarinets, Eddie Miller on tenor sax, Jess Stacy, Joe Sullivan and Bob Zurke on piano, Nappy Lamare on guitar, Bob Haggart on bass and Ray Bauduc on drums

Excellent sessions featuring the Jamaican trumpet player with Duke Jordan's band (including Stanley Turrentine) and various large and small British bands led by Victor Feldman and Tony Crombie

Selection of the great trumpet player Berigan's best recordings from the 1930's and 40's - with Benny Goodman, Tommy Dorsey, the Dorsey Brothers and Glenn Miller's orchestras as well as his own and also sideman appearances with Mildred Bailey and Billie Holiday.