Jazz Library

Despite a lifelong battle with narcotics, harrowingly related in his book "Straight Life", Art Pepper was one of the finest alto saxophonists in jazz. In this programme, British saxophonist Alan Barnes joins Alyn Shipton to choose Pepper's finest recordings, and also reveals the American's remarkable talents on the clarinet, on the tenor saxophone, and as a composer.

Duke Ellington's biographer Harvey Cohen joins Alyn Shipton to select highlights from the 1920s and 30s recordings.

From the Cotton Club to national icon, author Harvey Cohen traces Ellington's finest output from the decade starting in 1928. He guides Alyn Shipton through jungle music, the first extended works and the finest Ducal small groups, as well as offering insights from his recent book 'Duke Ellington's America'.

PIanist Michael Garrick died in November 2011. In this archive interview, he joins Alyn Shipton to look back over a fifty year span of some of the finest big band and small group records in British jazz.

Whether inspired by Hobbits, Thomas Hardy or J M Barrie, Garrick's musical settings were some of the most imaginative and colourful in jazz. His music took inspiration from a huge variety of sources, ranging from Indian and Burmese music and literature to English folksongs and novels. A brilliant pianist, Garrick was also known for his pioneering work with Don Rendell and Ian Carr, for his poetry and jazz sessions, and for continuing to lead groups large and small against all commercial odds for over half a century.

Joe Henderson was one of the finest tenor saxophonists in jazz. Fellow saxophonist Julian Siegel joins Alyn Shipton to assess Henderson's catalogue of discs from his early Blue Note days to his final triumphs playing the music of Strayhorn and Jobim. The programme also includes part of an archive interview with Henderson.

Joe Henderson's career falls into two distinct parts, his early days as a young lion, recording with the cream of 1960s modern jazz players for Blue Note, and his remarkable comeback after his celebrated trio disc "The State of the Tenor" in 1985, which led to a new international touring career. He discusses this later stage of his career with Alyn Shipton in a Radio 3 interview from the mid-1990s and the rest of his catalogue is assessed by Julian Siegel, a frequent UK poll winner who has been greatly influenced by Henderson.

Bassist Steve Swallow joins Alyn Shipton in front of an audience at the Cheltenham Jazz Festival.

A specialist on the electric bass, Swallow looks back at his early days on the acoustic instrument and talks about the wide variety of his work over a forty-year period.

Significant partnerships include reed-player Jimmy Giuffre, trumpeter Art Farmer, the Gary Burton Quartet (with whom Swallow came to England many times) and fellow-Cheltenham Jazz Festival star John Scofield.

This month, Chicago-born pianist Ramsey Lewis celebrates his 75th Birthday and the recent release of Songs From The Heart, his latest trio recording. This acoustic format has been a central component of Lewis' sixty-year career, bringing chart success in 1965 with 'The In Crowd', a track recorded live at Washington D.C.'s Bohemian Caverns where the audience's whoops and claps became, in Ramsey's words, the 'fourth member of the band'. But, as Alyn Shipton finds out in this programme, Lewis' catalogue of discs is richly varied, including interpretations of Beatles ballads, forays into fusion (with the help of Earth, Wind & Fire) and a large-scale gospel album alongside his many trio outings. A natural storyteller, Lewis remembers his father introducing him to the virtuosity of Art Tatum (prompting the question: 'Dad, who are they?') and, in conversation with Alyn Shipton, he describes how Western Classical tradition holds an important position in his musical thinking.

Prior to his appearance at the 2010 Cheltenham Jazz Festival, guitarist John Scofield joins Alyn Shipton to choose key albums from his extensive recorded catalogue. As well as his most recent disc, Piety Street, he chooses discs with Medeski Martin & Wood, Joe Lovano, Pat Metheny and Gary Burton.

Scofield is one of the most famous jazz guitarists on the planet. As he tells Alyn Shipton in this programme, he was once more popular in Europe than in the USA, but that all changed after his albums A-Go-Go and Bump, which put him firmly at the centre of the dance-based "jam-band" movement. So in this programme as well as sampling his work with jazz heavyweights such as Gary Burtion, Charlie Haden and Billy Higgins, we also hear him in full flight with members of Sex Mob, Deep Banana Blackout and Medeski, Martin & Wood.

Bassist Ron Carter is one of the most influential and revered instrumentalists in jazz, famous for his work with Miles Davis's 1960s quintet. He joins Alyn Shipton to select the highlights of his recording career, ranging from his work with Miles to string orchestras and his current quartet.

Producer: Alyn Shipton.

Trombonist Al Grey (1925 - 2000) was one of the most distinctive soloists in big band jazz, working with many of the most famous swing orchestras. In an archive interview, recorded just before his death 11 years ago, Al selects his key recordings with, among others, Count Basie, Lionel Hampton and Dizzy Gillespie.

With his gap-toothed grin, pith helmet and extrovert trombone style, Al Grey was one of the most colourful characters in jazz. He and Alyn Shipton first met when Radio 3 broadcast Lionel Hampton's Golden Men of Jazz, for whom Al was musical director. They kept in touch, and not long before Al's death in March 2000, Alyn visited him at his home in Great Neck Long Island to pick the trombonist's favourite recordings from his voluminous catalogue.

Celebrating Ornette Coleman's 80th birthday in March 2010, Alyn Shipton was joined by Scottish saxophonist Paul Towndrow to select the key recordings by Coleman, the saxophonist who developed free jazz in the late 1950s and early 1960s.