Jeffery Saddoris

Next month is the tenth anniversary of my dad’s death, so naturally I’ve been thinking about him a lot. Last year, I completely forgot about it, which I tried to tell myself was actually healthy, but I just ended up feeling guilty about forgetting. If you’ve been following me for a while, or you’re an OTP listener, you know that my relationship with my dad was often difficult, to say the least. But as I’ve been thinking about him lately and how I’ve talked about our relationship in the past, I feel like maybe I’ve been a little incomplete in how I’ve portrayed him. I loved my dad, no matter how close or how far we were in the moment, and the truth is that he’s just as responsible for my creativity and to an extent my curiosity as my mom and my stepmother were.

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Music For Workplaces by Jeffery Saddoris

Lately, I’ve been thinking a lot about inertia and motion and how it applies to my creative practice. We know that Newton’s First Law of Motion says that an object in motion tends to stay in motion unless some sort of external force acts against it. Conversely, an object at rest will tend to stay at rest. But I would argue that the Fist Law also applies to intangibles like thoughts and ideas. For example, this week has flown by. Actually, the past couple of weeks have and I think it’s because I’ve been working through so many ideas and potential projects—and I’ve been working on them differently than I have in the past, which I think is what’s making all the difference. And to be clear, when I say “working,” sometimes that means just letting an idea go until it needs to be addressed. For some things that means now, but for others, that may mean next year. 

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Music For Workplaces by Jeffery Saddoris

Are you overwhelmed? Do you ever get overwhelmed? Man, I do. All the time. My brain is always on and processing—either trying to process existing ideas or trying to figure out where to put all of the new ones that I haven’t had time to really think about. And it doesn’t stop. It’s all day, every day. There’s always a bunch of potential somethings bouncing around my head. And let me be clear—I love it and I’m grateful for it, but it is overwhelming and exhausting trying to keep track of it all and figure out where to put all of those ideas.

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MUSIC
Music For Workplaces by Jeffery Saddoris

I’m still not quite 100% myself, but I wanted to share a quick update. Yesterday was day 12 since testing positive for COVID, and it was the first day that I finally tested negative. Both Adrianne and I had very mild cases, especially compared to some of our friends and family members who really had a it bad. I had a temperature of 100.8 for one day and, other than feeling fatigued and brain fogged for the past week or so, that was pretty much it. Adrianne had it a little worse than me, but not much. The most frustrating part was continuing to test positive for days after the symptoms had subsided. And according to the latest from the CDC, you can continue to test positive for 90 days.

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Music For Workplaces by Jeffery Saddoris

I know I’m a little late on this Iteration and I apologize for that. As you can hear, my voice doesn’t sound the way it normally does and maybe that’s a good thing. Maybe it sounds better.

In the Iteration I was going to do, I was going to talk about finding that thing you live for, that thing that you love, that thing that lights you up. But I have to postpone it because I’m just having a hell of a time stringing two thoughts together. Even going through this right now, I’m live without a net, as it were. I don’t have a script or any outline like I normally would have when I record one of these. For this one, all I have is COVID and apparently have had it since sometime over the weekend—and let me tell you, it is not fun. Don’t listen to all of those stories telling you how great it is and how all the cool kids are getting it. It’s a lie. I’ve been vaxxed and vaxxed again boosted and, you know, while all of that probably means that it’s much less severe and means that the odds of me needing to go the hospital are much less, it still sucks.

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Music For Workplaces by Jeffery Saddoris

This Iteration was going to be about some of my recent musical explorations into things like VCV Rack and the Arturia MiniFreak (which I may actually end up selling), but instead I’d like to share a recent story with you that sort of blew my mind.

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Music For Workplaces by Jeffery Saddoris

When I was a kid, one of the things I would look forward to every year was going to the fair. The LA County Fair was massive and in elementary school we always got free tickets—I think they were stapled to our report cards, but I could be wrong. Although I moved around a lot as a kid, it seemed like we never lived very far from the fairgrounds, which are right next to the Pomona Raceway. My dad would take us there to watch the NHRA Winternationals every year and see people like “Big Daddy” Don Garlits and Don “The Snake” Prudhomme drive like bats out of hell down the 1/4 mile. I remember reading that at one point the LA County Fair was the largest county fair in the nation, but I don’t know if that’s still true. That said, to a 10-year-old, it was huge.

QUESTIONS
What’s your favorite part of your creative process?
Do you give that part of your process the time it deserves?

Email me at [email protected]

LINKS
Santa Anita
Montgomery County Agricultural Fair
Maryland State Fair
Olympus EM1 MkII
12-40mm f/2.8 Pro lens
Jerry Uelsmann
Bob Burridge

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Twitter: @jefferysaddoris 
Instagram: @jefferysaddoris

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Subscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.

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Music For Workplaces by Jeffery Saddoris

Over the weekend, Adrianne and I watched a fantastic new documentary by Anton Corbijn called Squaring the Circle. It’s about Hipgnosis, the legendary design agency in London formed in the late 1960s by Storm Thorgerson and Aubrey Powell, or “Po” to his friends. I knew I was going to love it before I even saw the trailer because so much of their work has been etched into my brain over the past four decades of my life. The work they did for Pink Floyd alone would have made them industry icons, but they also worked with Led Zeppelin, Paul McCartney, T Rex, Yes, Genesis, 10cc, and a ton of other bands over the course of their 15-year run.

LINKS
Squaring the Circle (The Story of Hipgnosis) | Official Red Band Trailer | Utopia
Anton Corbijn on Squaring the Circle, Hipgnosis, Album Covers & Kurt Cobain
Category:Album covers by Hipgnosis
Storm Thorgerson | Designing The Impossible
Storm Thorgerson, Pt. 1
Storm Thorgerson, Pt. 2

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Website: https://jefferysaddoris.com 
Twitter: @jefferysaddoris 
Instagram: @jefferysaddoris

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Subscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.

MUSIC
Music For Workplaces by Jeffery Saddoris

I’ve come to the conclusion that I can no longer care what you think about my work. And it’s not that I don’t care about you as an audience, but if I’m worried about you liking what I make while I’m still making it or even in deciding what to make, I’m not putting 100% of myself into it. By not caring what you think, I get to put 100% of my ideas, my skills, and my experience—not to mention effort—into what I’m doing, and ultimately that’s better for everyone.

LINKS
Kate Bush
The Kick Inside
22 consecutive dates at the Hammersmith Apollo

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Website: https://jefferysaddoris.com 
Twitter: @jefferysaddoris 
Instagram: @jefferysaddoris

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Subscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.

MUSIC
Music For Workplaces by Jeffery Saddoris

I’ve hesitated to really talk much about AI, mostly because I’ve been on the fence about whether I think it’s got the potential to save us or destroy us, and depending on who and what you read, it seems like it’s 50/50 either way. It’s just too soon to tell and I think these technologies are being adopted so quickly that we haven’t given ourselves enough time to think about the ramifications or the potential. Instead, everyone is rushing to become an armchair expert so they can monetize it into oblivion before they even understand it. Honestly, a lot of the talk around AI feels like a YouTube short that promises to teach you how to make thousands of dollars a month from affiliate marketing and drop shipping. Still, some of the image generation tools are interesting and I’ve been wondering whether or not there’s a place for AI in my creative workflow. I know there are a ton of legal and even moral and ethical questions that I still need to sort out for myself, but for the purposes of this Iteration, I’m going to put those aside and just focus on the tools themselves.

LINKS
Stable Diffusion
MidJourney
MidJourney Timeline

CONNECT WITH ME
Website: https://jefferysaddoris.com 
Twitter: @jefferysaddoris 
Instagram: @jefferysaddoris

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Subscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.

MUSIC
Music For Workplaces by Jeffery Saddoris