Hello from Jihad and the World – a podcast that explores the intersection of Western and Islamic cultures. I am Mark Silinsky of Kensington Security Consulting, Let’s delve into the Kensington archives of women we love. Let’s start with an Italian. In earlier videocasts, we looked at some boutique social issues in Italy, illustrating Muslim-non-Muslim friction. There was the plastic pig of Padua, standing in the window of a delicatessen as a symbol of resistance to Muslim demands that it be removed. Then there was the nonsense about Italian and French women who adopt pigs as pets to keep Muslim men at bay. How this silly fable took hold in Europe and in India escapes me. It is easy to have fun with inane stories. But Islam in Italy and throughout Europe is serious business, and Oriana Fallaci was a very serious social critic. So, I would like to take a look at her life and the impact her writings had on shaping European opinions. Why did I select this celebrated, vilified, quoted, scorned, admired, and hated Italian journalist? Because, in my judgment, her insights into European-Islamic relations were second to none. She died 20 years ago.
She argued, “there is no place for muezzins, minarets, fake teetotalers, their f****** middle ages, and their f****** chadors.” Yeah, So lets buckle up.
The independent scholar Hugh Fitzgerald condenses her writings into the argument that Muslim immigration was turning Europe into “a colony of Islam.” She borrowed the neologism “Eurabia,” coined by Bat Ye’or, to refer to the Islamification of Europe, which, in her words, would “end up with minarets in place of the bell-towers, with the burka in place of the mini-skirt.”
Fallaci argued that, from its inception, Islam was driven to conquer Europe and force it under its rule. It came damn close a few times. Until the 21st Century, the apogee was probably the siege of Vienna in 1683. The armies were beaten back, and Europe became resurgent in technology and science. The invasion had been halted. Now, here is where Fallaci becomes controversial. She claims that “children and boats” instead of “troops and cannons.” She continued, “The art of invading and conquering and subjugating” is “the only art at which the sons of Allah have always excelled.”
Wow! Such sulfurous rhetoric. Well, you can see she certainly speaks her mind. Is this over the top? Was the only art in which Muslims excelled subjugation? What about the architecture, calligraphy, some poetry, and decorative arts? Also, is the historical analogy between invading Muslim armies and today’s migration solid? Aren’t European countries allowing them in? Aren’t they inviting them in? Well, let’s dive into her argument. But first, who was this woman?
She was one of Italy's most celebrated and later reviled journalists, who died in her late seventies in 2006, covered the Vietnam War, and interviewed Henry Kissinger, Indira Gandhi, and Ruhollah Khomeini. And I particularly enjoy the story of her truncated interview with Ayatollah Khomeini. We will get into that. Her spunky persona developed early. Her father was a partisan during the war, captured and tortured by the Germans. As a 14-year-old, she was a courier for the Italian Resistance in Nazi-occupied Florence. As a young journalist, she took risks while covering the 1956 Hungarian Revolution and its crushing by the Soviet army. In my view, she developed wisdom while covering the Vietnam War. She was a loud critic of American efforts to defeat communism. She was hardly alone. She also gained insights into the American and European left. And with these insights came contempt and anger.
She began as a strident critic of the American effort but became increasingly alarmed at the ruthlessness of the North Vietnamese and consequently, more sympathetic to the Americans. She developed a great hatred for certain American leftists poseurs, threatening to “kick Jane Fonda in the ass and spit in her face for lying about her coverage of the Vietnam War and betraying the confidence of American POWs.” She developed a respect for Israel, particularly for Golda Meir.
Fallaci developed an early concern about Islam, Arabs, and Muslim leaders, and she interviewed a slew of them. These included Khomeini, Arafat, Gaddafi, and PFLP leader George Habash, a Christian Arab and a terrorist. She wasn’t impressed. My favorite story is her tryst with Ayatollah Khomeini, whom she described as a humorless fanatic. Standing in front of him, she ripped off her chador in his presence, yelling about “these medieval rags!” Well, as the story goes, even the grim old man laughed at her bravado. What a woman!
After September 11, her views on Islam crystallized. According to Al Jazeera, she adopted an “anti-Islam stance.” Maybe, but these ideas didn’t spring from nowhere. By the mid-1960s, she distrusted Islam and began to see it as a threat to the Western liberalism that she and her father fought for in World War II. After 9/11, she saw it as THE threat, and her journalism reflected that conviction.
Hugh Fitzgerald stressed that Fallaci did not “stir anti-Muslim sentiment.” She did not call for violence. Was she an activist? Her writing was intended to be both objective and thought-provoking. Could this have led to action? Yes. But she was never a rabble-rouser. She would have thought that low rent. She was convinced that Islamic law was antithetical to Western values. She took Muslims seriously, unlike many thinkers on the left. When many Western professors and opinion-makers dismissed the triumphalism of Muslim immigrants to Europe, Fallaci took them seriously and at their word. When Muslims boasted that Islam is an unstoppable force in Europe, Fallaci sounded the alarm. This earned her both followers and enemies.
Three of her books commanded the attention of her fans and opponents. The Rage and the Pride, The Force of Reason, and Oriana Fallaci Interviews Herself – in which she described the Muslim world as an “enemy we treat as a friend” and warned Europe about what she believed to be the danger of becoming “Eurabia.”
The Muslims refuse our culture and try to impose their culture on us. I reject them, and this is not only my duty toward my culture-it is toward my values, my principles, my civilization.
The increased presence of Muslims in Italy and in Europe is directly proportional to our loss of freedom.
I find it shameful that in nearly all the universities of Europe, Palestinian students sponsor and nurture anti-Semitism. I defend Israel’s right to exist, to defend itself, to not let itself be exterminated a second time.
Europe is no longer Europe, it is Eurabia, a colony of Islam, where the Islamic invasion does not proceed only in a physical sense, but also in a mental and cultural sense."
"Without Khomeini, we would not be where we are. What a pity that, when pregnant with him, his mother did not choose to have an abortion.”
Well, this Spitfire was plucky to the end. A few months before her death, Fallaci famously said she was ready to blow up the minaret of a mosque in Chianti [because she did not want to “see a minaret in the landscape of Giotto when I can’t even wear a cross !” Fallaci was famously a Tuscan patriot. And today, from the grave? She exists in memory. Italy and the rest of Europe is far more populated by Muslims than in Oriana’s day. She would be crestfallen at the situation and would have yelled in Italian, “I told you so.” And then she would have wept. In the words of one of her admirers, “Fallaci is no longer a simple journalist but has become a prophetess of misfortune who warned us that Islam wanted to attack us.”
There is another loss. This one is recent. French-Iranian artist and activist Marjane Satrapi, the gutsy author of “Persepolis,” a graphic account of her struggle for freedom in Iran, died far too young at age 56. She had been living in France with her Swedish husband. The French government announced, “Her passing marks the loss of a leading figure in French culture and an artist deeply committed to freedom, whose work carried a universal message and earned her immense international acclaim.”
Satrapi was born into a secular, activist family in 1969 in Rasht in northern Iran. Her family and millions of other Iranians saw their lives yanked back to the Middle Ages as the theocratic regime eliminated the freedoms that evolved in the 20th century. Marjane was 10 at the time and, even at that young age, was bitter about having to wear a scarf to cover her hair. Then, quickly came the avalanche of the Ayatollah’s edicts to narrow and eliminate basic human freedom. She was separated from boys in school and society, and she saw the emotional and intellectual devastation that befell the adults in her life. All this is in her bestselling sensation “Persepolis”, which came out in 2000. This graphic novel depicted the revolution through the eyes of a young girl and then young woman. Satrapi’s rebellious streak – captured in “Persepolis” with touching honesty and humor – inspired her parents, who feared she’d get into trouble with the regime, to send her abroad in 1984.
“Persepolis” was adapted into a film in 2007 and won the Jury Prize at the Cannes Film Festival that year. It was also nominated for an Academy Award. Satrapi’s work spanned numerous graphic novels – which she preferred to call “comic books” – and films. In 2019, she directed “Radioactive,” a British biographical drama film starring Rosamund Pike as Marie Curie. She was also an outspoken critic of Iran’s ruling establishment and a prominent supporter of the “Woman, Life, Freedom” movement that emerged after the death of a young woman in police custody in 2022. Like Oriana Fallaci, she never lost her spunk. Last year, she announced that she had refused France’s highest national award, the French Legion of Honor, over what she called the nation’s hypocrisy.
I don’t know how she died. Her family said she died of sadness after her husband died last year. She sank into a deep depression and was hospitalized. Did she take her own life? We will see. But before she died, she tried to channel her grief into something productive. She established the Mattias and Marjane Ripa-Satrapi Cinema Foundation, an organization that supports international students who dream of studying filmmaking in Paris. So her legacy continues. It is too bad she died so young. Maybe her prestige could have encouraged fellow Iranians to rise up against the current regime in the near future. Maybe, had she lived, she could have seen her country rid of the current regime. She gave so much..
Well, let's sum up this episode, which was about two courageous women fighting Islamofascism in Europe and Iran. Oriana Fallaci first fought the Italian fascists who allied with the Nazis in World War Two. In some ways, she took on the world. She called out hypocrisy and illiberalism among the world’s leaders across the political spectrum. I’m reminded of Holden Caulfield in J.D. Salinger’s masterpiece The Catcher in the Rye. Holden was very cynical about life, but what he hated most about grownups was that they were phonies. Oriana and Marjane felt the same way about establishment politicians. They made political statements about this and that, but they would not fight the Islamofascism in their midst. They often lied to win votes. So they spoke out against them and their collaboration with those who are destroying the liberalism of the West they cherish. And God bless them for that..
Thank you for listening. Nothing in this podcast or any other product of Kensington Security Consulting reflects the official position of the United States government. My latest book, Cauldron of Terror, will come out in the summer. On behalf of Kensington Security Consulting, thank you for listening. Until the next podcast, out here.