
Sign up to save your podcasts
Or


Australian composer Jodie Blackshaw is passionate about music for wind band and is fond of quoting her famous compatriot composer Percy Grainger on the subject:
“Why this cold-shouldering of the wind band?” Grainger asked. “Is the wind band — with its varied assortments of reeds (so much richer that the reeds of the symphony orchestra), its complete saxophone family that is found nowhere else ... its army of brass — not the equal of any medium ever conceived? As a vehicle of deeply emotional expression it seems to me unrivalled.”
For her part, Blackshaw has chosen to compose primarily for wind band. She also appears as a guest clinician and adjudicator for band festivals throughout Australia. “The Wind Band offers a varied and colorful contribution to instrumental music, and with literally millions of children worldwide entering musical performance through this medium, it is worthy of our serious attention,” she said.
On today’s date in 2014, a new work by Blackshaw intended for middle-school band students was premiered by the Rosemount Middle School Band of Rosemont, Minnesota, under the direction of John Zschunke. The new piece, Letter from Sado, was inspired by a Japanese haiku and traditional Japanese taiko drumming. This work is part of the BandQuest series commissioned by the American Composers Forum, intended to offer young musicians a diverse variety of fresh new wind band works by leading composers of our day.
Jodie Blackshaw: Letter from Sado; University of Minnesota Wind Ensemble; Hal Leonard HL04004132 (sheet music)
By American Public Media4.7
176176 ratings
Australian composer Jodie Blackshaw is passionate about music for wind band and is fond of quoting her famous compatriot composer Percy Grainger on the subject:
“Why this cold-shouldering of the wind band?” Grainger asked. “Is the wind band — with its varied assortments of reeds (so much richer that the reeds of the symphony orchestra), its complete saxophone family that is found nowhere else ... its army of brass — not the equal of any medium ever conceived? As a vehicle of deeply emotional expression it seems to me unrivalled.”
For her part, Blackshaw has chosen to compose primarily for wind band. She also appears as a guest clinician and adjudicator for band festivals throughout Australia. “The Wind Band offers a varied and colorful contribution to instrumental music, and with literally millions of children worldwide entering musical performance through this medium, it is worthy of our serious attention,” she said.
On today’s date in 2014, a new work by Blackshaw intended for middle-school band students was premiered by the Rosemount Middle School Band of Rosemont, Minnesota, under the direction of John Zschunke. The new piece, Letter from Sado, was inspired by a Japanese haiku and traditional Japanese taiko drumming. This work is part of the BandQuest series commissioned by the American Composers Forum, intended to offer young musicians a diverse variety of fresh new wind band works by leading composers of our day.
Jodie Blackshaw: Letter from Sado; University of Minnesota Wind Ensemble; Hal Leonard HL04004132 (sheet music)

6,752 Listeners

38,872 Listeners

8,770 Listeners

9,196 Listeners

5,780 Listeners

927 Listeners

1,389 Listeners

1,287 Listeners

3,160 Listeners

1,975 Listeners

523 Listeners

183 Listeners

13,768 Listeners

3,082 Listeners

248 Listeners

28,131 Listeners

430 Listeners

5,470 Listeners

2,195 Listeners

14,142 Listeners

6,420 Listeners

2,515 Listeners

4,836 Listeners

575 Listeners

244 Listeners