'Scream' is one of those franchises where, even when an instalment doesn’t quite measure up to the best, there’s usually still some twisted fun to be found. And then there’s 'Scream 7'... Oh boy. For the first time in this beloved series, we have a genuinely bad entry on our hands.

It’s undeniably great to have Neve Campbell back, but nostalgia can only carry a film so far. When the rest of the cast is given little to no character development - or even distinct personalities - and exist purely as future body bags, the whole experience starts to feel hollow. What should be tense and emotionally charged, instead comes across as forced and, unfortunately, soulless

There are a handful of solid moments and a couple of satisfying kills, and the opening sequence is genuinely strong. But after that, the film steadily unravels. The longer it goes on, the more its flaws pile up - clunky, unnatural dialogue, cringeworthy performances, and a growing sense that the story is limping toward an inevitable disappointment. All of it culminates in a killer reveal so laughable and poorly executed that it stands as the weakest twist the franchise has ever delivered.

You're not laughing with 'Scream 7', you're laughing at it.

Full thoughts in this review.

Emerald Fennell returns to the director’s chair, this time taking on one of the most influential and beloved novels of all time; 'Wuthering Heights'

Though the film wasn't at the top of my 'must see list', it certainly delivers with excellent style and use of wardrobe - arguably the films strongest component (outside the leads' performances). Whatever you think of the storytelling choices, visually it’s clear that Fennell knew exactly what tone and atmosphere she was aiming for.

Of course, Margot Robbie and Jacob Elordi are THE stand outs in this thing. Their on-screen chemistry is electric, capturing the volatile, all-consuming, and at times feral love that defines Cathy and Heathcliff’s relationship.

However, beyond these strengths, the film occasionally drifts into indulgence. Certain sequences linger longer than necessary, causing the narrative momentum to dwindle and making the runtime feel more extended than it perhaps needed to be.

Still, definitely worse films out there! Full thoughts in this review.

It's always an exciting time when Sam Raimi returns with another slice of fun horror - and that trend continues with his latest flick 'Send Help'.

Being stranded on a deserted island is bad enough. Being stranded there with your insufferable boss? That’s enough to push anyone to the brink; and Raimi has a wicked amount of fun with the premise. Rachel McAdams and Dylan O’Brien both deliver terrific performances, charting distinct emotional arcs as their characters unravel (and evolve) in very different ways

Of course, this is Sam Raimi, so expect all of the nasty and yucky imagery flung at you with super wild camera work. The film revels in its nastiness, yet there’s a mischievous energy to it that keeps a grin on your face. While it perhaps could have benefited from one or two extra surprises to elevate it further, its straightforward narrative ultimately works in its favour - delivering a tight, entertaining ride that’s simply a blast to watch.

Full thoughts in this review.

'Wonder Man' recently dropped on Disney+ which wasn't exactly at the top of my list to check out, however, having done so, I can safely say that this is the best Marvel project for as long as I can remember.

It's something utterly unique and different from Marvel, straying away from capes and spectacle, and instead shifting the focus to its lead characters. Both Yayah Abdul-Mateen II and Sir Ben Kingsley are outstanding in this thing, creating a relationship and dynamic that is so infectious, you only want to see more of them. And its a credit to the writing team as well by making these characters extremely well-rounded and fleshed out.

'Wonder Man' feels like the antidote to Disney+ fatigue, Marvel burnout, and even superhero overload. It's sharp, confident and a beautifully written and performed series - and, as stated, one of Marvel’s strongest projects in years.

Full thoughts in this review.

'X-Men' changed the game for superhero releases when it dropped back in 2000. Not only did it respect long-time fans of the comics, but it also inspired a whole new generation of fans in the process - making it such a huge success at the box office.

Its a film that I look back on fondly at; still placing it as one of my all time favourite superhero movies. It says something that even after 25 years or so, these actors and characters are still held in high regard, that we cannot wait to see their return in the upcoming 'Avengers: Doomsday'.

But without 'X-Men', its hard to imagine team up superhero films being as successful as they are today. Granted 1998's 'Blade' walked so that the 'X-Men' and future Marvel releases could run, but the shift following 'X-Men's' success of having multi-character stories well and truly reshaped the genre for years to come.

It's a film I adore, with its wonderful balance of social commentary and spectacle, and one that I had to revisit on the podcast.

Full thoughts in this review.

Last year’s '28 Years Later' was one of my favourite releases of the year, so it’s no surprise that its sequel/spin-off, 'The Bone Temple' sat high on my most anticipated list for 2026 - and it absolutely delivers.

'The Bone Temple' weaves a chilling, thought-provoking tale that pits science against faith, anchored by commanding performances from Ralph Fiennes and Jack O’Connell. Both are exceptional, but O’Connell in particular stands out, delivering one of the most compelling villain performances in recent memory - arguably even surpassing his own chilling turn in 'Sinners'.

Director Nia DaCosta also deserves high praise for her bold vision and willingness to take risks with the film’s imagery. This is a world teeming with monsters, yet 'The Bone Temple' powerfully reminds us that humans are often far more dangerous than anything lurking in the shadows.

Another outstanding entry in the franchise, 'The Bone Temple' leaves me eager to see how this trilogy ultimately concludes.

Full thoughts in this review.

The remake/reboot/requel of 'Anaconda' was surprisingly high on my most anticipated list last year. The idea of four friends heading into the jungle to remake the original film - only to find themselves hunted by a giant snake - was a concept I was fully on board with. The fact that this version leaned into comedy, penned and directed by the filmmaker behind 'The Unbearable Weight of Massive Talent', only heightened my expectations.

Unfortunately, the film ends up being a misfire, largely because it never quite figures out what it wants to be. Even with Paul Rudd and Jack Black at the helm, both of whom deliver a few genuinely fun moments, it can’t escape a lingering sense of meh. While some jokes land, including light jabs at Hollywood’s obsession with remakes and reboots, the film is weighed down by underdeveloped subplots and surprisingly little screen time for the giant serpent itself.

It’s far from the worst film you’ll ever see, but it’s also nowhere near the best. Full thoughts in this review.

The fifth and final season of 'Stranger Things' has arrived on Netflix, offering fans long-awaited answers and a sense of closure for the characters, and the monsters, within Hawkins.

'Stranger Things' is a show I truly adore, so my excitement to see how this story would end was through the roof. And if we’re talking purely about the final episode; it delivers a brilliant, epic conclusion that closes the chapter beautifully. However, taken as a whole, the season is a little bumpier, with moments where its vision and narrative feel unfocused and, at times, disappointing.

Despite issues with pacing and an overcrowded cast, the season still delivers several excellent moments that are a joy to watch, alongside standout performances from Jamie Campbell Bower and Gaten Matarazzo in particular.

It’s bittersweet knowing we won’t be returning to Hawkins again, but the Duffer Brothers ultimately stick the landing - reminding us all just why we fell in love with this show in the first place.

Full thoughts in this review.

As the end of 2025 approaches, it's the time to share my list of 10 favourite films from this year!

A massive thank you for all of your support throughout the year, I very much appreciative of anyone listening to me waffle away about film and tv.

Here's to a wonderful 2026.

The latest addition to the 'Knives Out' series brings more murder and satire, as Benoit Blanc looks to unravel his most difficult case to date in 'Wake Up Dead Man' - and it's a blast.

I'm a big fan of Rian Johnson's murder mysteries. They are a wonderfully fresh, modern take on the classic whodunnit. Setting themselves apart apart with a distinctive tone, blending sharp humour and a touch of irony through the tension of the central murder mystery. Each have a terrific ensemble that only elevate the film even more.

This time, Blanc faces off against religion and beliefs- as a murder takes place within a sealed room of a church, with a list of suspects all capable of pulling off this impossible crime; and the journey the film takes you on is nothing short of brilliant.

Craig oozes charisma and flamboyance, but Josh O'Connor too stands out in a team up that will have you chuckling one minute, to being at the edge of your seat the next.

Full thoughts in this review (spoiler free).