These days, in the opinion of most music lovers, the towering genius of Johann Sebastian Bach far overshadows all but a handful of other Baroque Age composers. But in his own time, there were many other composers far more famous than Bach, a few who are today all but forgotten.

Take the case of Johann David Heinichen, who was buried in Dresden on today’s date in 1729. At the time, his royal patron, August the Strong of Saxony, made no attempt to fill the suddenly vacant post of Dresden court composer because, to his ears, no one’s music could possible have been as good as Heinichen’s.

The great 18th century music historian Charles Burney, impressed by Heinichen’s skill at colorful instrumentation, called him “the Rameau of Germany,” and in 1739, ten years after Heinichen’s death, and longf before talk of the “Three B’s,” another contemporary music historian coined the phrase "the three H's” to describe the importance of Hasse, Handel, and Heinichen” to 18th century German music.

During most of the 19th century, Heinichen’s music lay forgotten in a Dresden Library. Miraculously, these scores survived the Dresden fire-bombing by Allied forces during World War II. The post-war revival of interest in music by Bach’s contemporaries and the success of the period-instrument movement of more recent times piqued musicians’ interest, and some of the old scores were pulled off the shelves.

In 1993, a CD of some of Heinichen’s “Grand Concertos” performed by Musica Antiqua Koeln won—belatedly—several awards and some renewed attention for the long-neglected Johann David Heinichen.