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For many years now MidAmerica Productions has been organizing concerts in New York City and enlisting choral ensembles from the U.S. and abroad to come to the Big Apple to perform at prestigious Manhattan venues.
On today’s date in 1990, choirs from Arkansas, Connecticut, Minnesota and Texas were on stage at Carnegie Hall for the world premiere of John Rutter’s Magnificat, specially commissioned by MidAmerica, and with the British composer himself on hand to conduct.
“The chorus numbered over 200 voices, every one of them happy and excited at the prospect of joining forces in the magnificent setting of Carnegie Hall … [so] I wanted to write something joyous because that would reflect the mood of the performers … the Magnifcat is known as the Canticle of the Blessed Virgin, and it is mainly in the sunny southern countries — Spain, Mexico, Puerto Rico — that Mary is most celebrated … this led me to conceive the music as a bright, Latin-flavored fiesta,” he recalled.
Despite composing and conducting religious music, Rutter confessed during a 2003 interview that he was not particularly religious — just a composer deeply moved and inspired by the spirituality of sacred verses and prayers.
John Rutter (b. 1945): Magnificat; Elizabeth Cragg, soprano; Choirs of St. Albans Cathedral; Ensemble DeChorum; Andrew Lucas, conductor; Naxos 8.572653
By American Public Media4.7
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For many years now MidAmerica Productions has been organizing concerts in New York City and enlisting choral ensembles from the U.S. and abroad to come to the Big Apple to perform at prestigious Manhattan venues.
On today’s date in 1990, choirs from Arkansas, Connecticut, Minnesota and Texas were on stage at Carnegie Hall for the world premiere of John Rutter’s Magnificat, specially commissioned by MidAmerica, and with the British composer himself on hand to conduct.
“The chorus numbered over 200 voices, every one of them happy and excited at the prospect of joining forces in the magnificent setting of Carnegie Hall … [so] I wanted to write something joyous because that would reflect the mood of the performers … the Magnifcat is known as the Canticle of the Blessed Virgin, and it is mainly in the sunny southern countries — Spain, Mexico, Puerto Rico — that Mary is most celebrated … this led me to conceive the music as a bright, Latin-flavored fiesta,” he recalled.
Despite composing and conducting religious music, Rutter confessed during a 2003 interview that he was not particularly religious — just a composer deeply moved and inspired by the spirituality of sacred verses and prayers.
John Rutter (b. 1945): Magnificat; Elizabeth Cragg, soprano; Choirs of St. Albans Cathedral; Ensemble DeChorum; Andrew Lucas, conductor; Naxos 8.572653

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