In this episode, I consider why the same western media obsessively reheating five-month-old allegations against Hamas is so reluctant to focus on Israel’s current, horrifying atrocities.

In this episode, I explain how film-maker Jonathan Glazer’s crime at the Oscars was to threaten the establishment's stranglehold on the West’s narrative about Israel – and itself.

In this episode, I discuss how the UK and other western capitals have come to treat Israel not as a state, as a political actor capable of slaughtering children, but rather as a sacred cause. That means any opposition to Israel's actions has to be a blasphemy.

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