Full EP on Spotify : https://open.spotify.com/album/7bR4Lp21M58i9kVXTZWtiW?si=myFcIcyhTG6Hn61PTZg9JA

"Nobody" is a video installation, a collaboration between Vida Kashani, an Iranian-born artist, and Johan Delétang, a French-born artist, both currently residing in the Netherlands.

The artwork explores their shared experience of loss of spatial and cultural references due to migration. Through the use of dance, poetry, and reconstructed spaces born of colorful and moody lights, the film effectively and physically delves into their mutual longing for a home. In doing so, the work reflects on the challenges to one’s sense of self when confronted with a new environment. The dance piece featured in the video, performed by the talented Maria Mavridou, seamlessly blends delicate mythical postures with evocative and restless movements, evoking a profound sense of inner search. Complemented by the music composed by Iranian producer Kamran Arashnia, the viewer embarks on a textured and emotionally charged journey through a contemporary existential inquiry.

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By:

Vida Kashani

Johan deletang

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Performer:

Maria Mavridou

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Music: Kamran Arashnia

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Amsterdam 2023

Nobody on Spotify : https://open.spotify.com/album/7bR4Lp21M58i9kVXTZWtiW?go=1&sp_cid=c682692a3461d91044df2269d119778e&utm_source=embed_player_p&utm_medium=desktop&nd=1

on Spotify : https://open.spotify.com/album/71B2UE5NYg5BEpqo8NwD25?si=EGe3a7d0SgmRXKUZkAKk8Q

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"

-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.

A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia

Mastered by Porya Hatami

Art: Kate Carr and Kamran Arashnia

all rights reserved

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"

-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.

A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia

Mastered by Porya Hatami

Art: Kate Carr and Kamran Arashnia

all rights reserved

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"

-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.

A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia

Mastered by Porya Hatami

Art: Kate Carr and Kamran Arashnia

all rights reserved

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"

-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.

A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia

Mastered by Porya Hatami

Art: Kate Carr and Kamran Arashnia

all rights reserved

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"

-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.

A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia

Mastered by Porya Hatami

Art: Kate Carr and Kamran Arashnia

all rights reserved

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"

-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.

A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia

Mastered by Porya Hatami

Art: Kate Carr and Kamran Arashnia

all rights reserved

"Behold, now let my heart confess to thee what it was seeking there when I was being gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved my own undoing. I loved my error—not that for which I erred but the error itself. A depraved soul, falling away from security in thee to destruction in itself, seeking nothing from the shameful deed but shame itself"

-- Augustine of Hippo, Confessions.

From the ancient to the digital, Bounds Elimination examines the creative and emotive possibilities of errors. This is a mesmeric album of hypnotic returns, and glorious malfunctions, as Iranian composer Kamran Arashnia fixates on the mistake itself, and its machinic reproduction. In Arashnia's compositions the glitch is not reviled or even ironically celebrated, but passionately embraced for its riotous deviations, and rebellious departures.

A redemptive undoing for all of our depraved souls.

Released September 30, 2022

All tracks by Kamran Arashnia

Mastered by Porya Hatami

Art: Kate Carr and Kamran Arashnia

all rights reserved