South Indian Classical (Carnatic) Music Archive: Classes / Lessons

Kapali (Class / Lesson) : Mohanam ; Adi (2 kalai); Papanasam Sivan


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Notations -> http://www.shivkumar.org/music/#k

Meaning: (Courtesy: https://sujamusic.wordpress.com/2013/03/11/kapali/ and R Shankar: https://www.rasikas.org/forums/viewtopic.php?t=4126 )

In the pallavi, the composer describes the presiding deity of mylApUr (kapAlI) thus: He is the handsome (vadana - face, madiyan - like the moon - a handsome, charming man) one (oru) that grants/gives liberally/showers in abundance (pozhi) compasssion (karuNai) on his devotees on a permanent basis (nilavu).

His compassion (karuNai) pours (pozhi) like moonlight (nilavu), his face (vadana) is like a moon (madiyan) (=handsome), the one who holds a skull (kApAli).

In the anupallavi, the poet continues to describe him as the amazing/wondrous (adbhuta) one that is praised (pORRum/pOTrum) by one and all: by children/cowherds (Ap(b)AlagOpAlam), those (avar) who inhabit this land/earth (talam) that is surrounded (SUr) by the seas (Azhi), kings (bhUpAlar) and the deities/demi-gods that gaurd (pAlakarum) the eight (asTha) directions (dik).

The marvellous (arpuda) one who is worshipped by (pOtrum) by the young (bAla) cowherd gOpAlam) (= Krishna?), those from the place (dalattavar) surrounded (shUzh) by the ocean (Azhi), the kings (bhUpAlar) and the keepers (pAlar) (= deities) of the eight (ashta) directions (dik).

In the caraNam, SrI sivan goes on to describe him as the one whose matted locks (mASaDayAn) bear (punai) the moon (madi), the gangA (punal - river), and is adorned by konrai, tumbai, and unmattai (Umattai) flowers as well as the sacred aRuk(g)am grass, and a snake (aravam). He is the one whose chest (mArban) is adorned by a garland (mAlai) of heads (talai), one of which is brahmA's (vidhi) fifth head[1]. He wears garments made of skin (tOluDayAn) stripped (uritta) from an elephant (kariyin) and tiger (vempuli). He is the one who holds in his many bright/shining (ilangiDu) hands (kaiyAn) a drum (uDukkai) that sounds (muzhangum) very loudly (adira), a trident (triSUlam), the sacred fire (ank(g)i), and a deer (kurank(g)am). Even the ashes (SAmbal) that cover his skin (tirumEni) all over (muzhudum) seem to shine (tulangum) with the divine lusture that lights him up (dyutimigu) so much so, that this enchanter (mOhana)[2] of the world (jagam) captures (kavazh) the hearts/minds (manam) of women (magaiyar) who cross his path (edir).

He whose matted hair (masadaiyAn) is adorned (punai) with the moon (madi), the river (punal) (=Ganga), the snake (aravu), kondrai flower (=Indian laburnum, a yellow flower), tumbai flower (=leucas, a white wildflower), arugam grass and Umattai flower (=datura, a purple flower). He whose chest (mArbAn) is adorned by a garland (mAlai) of Brahma’s (vidi) head (talai), he who wears a skin (tOluDaiyAn) skinned (uritta) from a dark (kariya) [alternate : kariyin=of an elephant) mighty tiger (vem puli) . With his hands (kai) shining (ilangidum) with a drum (uDukkai) which makes a startling (adira) loud noise (muzhangum), a trident (tirushUlam), fire (angi) and a deer (kurangam). Worship well (tudi migu) the One who enchants the world (jagan mohana),  his sacred body (tiru mEni) shining (tulanga) with ashes (sAmbal), who captures the heart of (manam

kavar) the women (mangaiyar) who come before him (edir).

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South Indian Classical (Carnatic) Music Archive: Classes / LessonsBy Shivkumar Kalyanaraman

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