In this episode, Noah and I speak from inside desire as it moves across fraternity, finance, philosophy, and painting—without attempting to reconcile or redeem the worlds it passes through.
The conversation unfolds through Noah’s experience of hazing as formative conditions of belonging, where masochism functions not as pathology but as a mechanism through which coherence, loyalty, and libidinal circulation are produced.
As these structures are named, art and philosophy enter as parallel economies—fields that carry their own disciplines, devotions, and sacrifices, even as they often refuse to acknowledge the violence implicit in their formation. Drawing on Bataille and Deleuze we attempt to allow theory to act as pressure within the speaking itself, expanding the limits on what kinds of communication are possible across language games and communal worlds.
This episode holds tension as something that acts—allowing incompatible economies of desire to brush up against one another without purification, refusal, or narrative closure.
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Noah Louis Trapolino (b. 1998) is a self taught artist with an emphasis in erotic figuration based in Brooklyn, NY. Noah was born and raised in Houston, Texas, and is the eldest of eight siblings.
Studying finance and philosophy at the University of Texas in Austin, Trapolino pursued art as a way to bridge the gap between two seemingly distinct fields of academia; desire as an absent center for each would manifest in his art. He has continued to study the overlap of such worlds through a part time research program in political-theology, which informs his works.
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This episode features sonic art produced by V
0:00-1:30 a reading from "In the Slaughterhouse of Love" by Ken Hollings, essays on George Bataille in the Penguin Edition of a compilation of My Mother, Madame Edwarda, The Dead Man
16:25-17:21 a reading from "In the Slaughterhouse of Love" by Ken Hollings, essays on George Bataille in the Penguin Edition of a compilation of short stories; My Mother, Madame Edwarda, The Dead Man by George Bataille32:34-33:34 a reading from Story of the Eye by George Bataille1:16:10-1:16:37 a reading from Story of the Eye by George Bataille1:28:35-1:30:48 a reading from Variations on the Right to Remain Silent by Anne Carson
1:53:19-fin a reading from Story of the Eye by George Bataille
All readings accompanied by manipulated fragments of Sound made by V: Againstfixedrep
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