Today I talked to Kim Taylor Blakemore about her new book The Good Time Girls Get Famous (Sycamore Creek Press, 2023).
Get ready for the latest rip-roaring "Good Time Girls" adventure with Ruby Calhoun and Pip Quinn, two accidental outlaws now on the run for too many crimes to count.
As the silent film industry booms and Westerns steal the spotlight, a movie producer sees potential gold in Ruby and Pip's outlaw story. With their misdeeds now legendary, the duo is offered a chance to play themselves on the big screen. It's an opportunity for fame, fortune, and a safe getaway to Mexico once the film wraps.
However, the world of filmmaking proves to be a turbulent ride, even for these seasoned outlaws. The law is hot on their heels, pursuing them from Kansas across the plains to the Rockies, determined to bring them to justice. The newspapers tell half-truths and tall tales of their exploits. To make matters worse, a feared foe from their past has resurfaced, putting the film troupe and Ruby's sister in grave danger.
Can the women outsmart the law, rescue Ruby's sister, and secure their freedom? With a little help from their friends, they just might pull it off. "The Good Time Girls Get Famous" is a heartwarming and uproarious novel that celebrates fierce female friendships and the audacious spirit of two unforgettable women in a world that's anything but ordinary.
Kim Taylor Blakemore is an author, developmental editor and founder of the Novelitics Writers Collective. She writes historical novels that feature fierce, audacious, and often dangerous women. She writes about the thieves and servants, murderesses and mediums, grifters and frauds - the women with darker stories, tangled lies and hidden motives.
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Kim Taylor Blakemore, "The Good Time Girls Get Famous" (Sycamore Creek Press, 2023)

Interviews with Writers about their New Books
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Justin Gardiner is the author of two nonfiction books and a collection of poetry. His most recent title is the book-length lyric essay Small Altars, published by Tupelo Press in 2024. Besides his role as Nonfiction Editor for Southern Humanities Review, Justin is also an Associate Professor at Auburn University.
Founded in 1967, SHR considers subject matter both within and beyond the South. The magazine has had Justin Gardiner as its nonfiction editor for the past half decade. Four essays are discussed in the episode, with most of all of them showing evidence of the associative qualities that Gardiner, as a poet, enjoys in whatever genre. In this case, we started with Lisa Greenwell’s essay “Your Soul Doesn’t Need You.” While ostensibly an essay about a carjacking she experienced, it goes wider to consider alike how well both more cognitively based therapy and poetry that speaks to one’s soul can aid recovery. In Leslie Stainton’s “Here with You,” an understanding of how the artist Joseph Cornell’s boxes reflect his life with a brother who suffered from cerebral palsy parallels the circumstances of the author’s own, younger sister. Delicacy is the order of the day. In Ceridwen Hall’s essay, “Submarine Reconnaissance: Bodies, Permutations, Voyages,” Hall delves into whether submarines are “female” (as her mom believes) or a “he” when in combat, along with many fascinating aspects of serving aboard a submarine and the “aquatic” nature of our memories and the way we must constantly “refit” our thinking. The other, remaining essay, Jennifer Taylor-Skinner’s “I Don’t Want Somebody in My House,” highlights the grand piano that serves as her companion, in contrast to how an esoteric French composer (Erik Satie) had two baby grand pianos stacked atop each other in his southern France villa. Again, expect the unexpected.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site.
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"Southern Humanities Review" magazine

Building parallels between technology and the human imagination, Masande Ntshanga’s conversation with Magalí Armillas-Tiseyra explains how cities are like machines and how South African history resembles some of the most sinister versions of techno-futurism. Masande is the author of two novels: The Reactive, winner of a Betty Trask Award in 2018, and Triangulum, nominated for the 2020 Nommo Awards for Best Novel in 2020 by the African Speculative Fiction Society. His responses to Magalí’s questions interweave autobiography and history, showing how when you venture into “underwritten spaces” in South Africa, realism starts to seem like speculation. Masande moves from playing bootleg Nintendo and hacking Lego sets in Ciskei, a “homeland” under the apartheid government’s Bantustan system, to data mining and novel writing in the global cities of Cape Town and Johannesburg. All the while, technology is never something “we’re resigned to experiencing” and “endorsing” in fiction—it can be a medium of contemplation as well as conquest. Masande and Magalí are also interested in the queer intimacies of young people busy forming their own “micro-tribes.” Especially young people who are reading the global phenomenon that is Stephen King by moonlight, when they might be just a little too young for it.
Mentions:

Masande Ntshanga, The Reactive, Triangulum, and the short story “Space”

Samuel R. Delany, Equinox


“Hauntology,” from Jacques Derrida in Spectres of Marx


Ciskei

Masande Ntshanga’s essay “Technologies of Conquest” in The Creative Arts: On Practice, Making, and Meaning (Dryad Press, 2024)

Stephen King, The Dark Tower I: The Gunslinger


Bonus mention: Lost Libraries, Burnt Archives, an edited volume of short stories, artworks, poems and essays that engage with the tragic destruction of the African Studies Library at the University of Cape Town in April 2021.


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Machine, System, Code: Masande Ntshanga and Magalí Armillas-Tiseyra (EH)

Joan Leegant’s new story collection, Displaced Persons (New American Press 2024) delves into human stories of living in the 21st century. Characters transform after illness or divorce, move to a new city or a new country, get caught between different cultures and traditions, or stumble into scary situations. People can be resilient about change and might rebuild themselves after loss, suffering, and illness, but they don’t all bounce back with equal fervor. Characters struggle with Jewish identity, family issues, social expectations, and health, and stories are set now and, in the past. Some stories are in the states, others are in Europe and Israel. This is a brave collection during a time when antisemitism is bubbling up again, and memories of times past seem surprisingly current.
Joan Leegant’s first book of stories, An Hour in Paradise: Stories (W.W. Norton, 2003), won the PEN/New England Book Award and the Edward Lewis Wallant Award, and was a Finalist for the National Jewish Book Award and a Barnes & Noble Discover Great New Writers pick. She is also the author of a novel, Wherever You Go (W. W. Norton, 2010). Her prize-winning stories have appeared in over two dozen literary magazines and anthologies. She has also written essays and pieces on writing craft. Formerly an attorney, she taught at Harvard, Oklahoma State, and Cornish College of the Arts in Seattle where she was also the writer-in-residence at Hugo House. For five years she was the visiting writer at Bar-Ilan University in Tel Aviv where she also lectured at Israeli schools on American literature and culture under the auspices of the U.S. Embassy, and taught English to African refugees and asylum seekers. She lives in Newton, Massachusetts with her husband, Allen Katzoff, who works in nonprofit administration. When she’s not working, Joan spends a lot of time at the piano playing show tunes, light jazz, and klezmer.
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Joan Leegant, "Displaced Persons: Stories" (New American Press, 2024)

Failed Pitbull impersonator Ismael Reyes--you can call him Izzy--might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull's legal team and living in his aunt's garage-turned-efficiency, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana.
When Izzy's efforts lead him to the tank that houses Lolita, a captive orca at the Miami Seaquarium, she proves just how powerful she and the water surrounding her really are--permeating everything from Miami's sinking streets to Izzy's memories to the very heart of the novel itself. What begins as Izzy's story turns into a super-saturated fever dream as sprawling and surreal as the Magic City, one as sharp as an iguana's claws, and as menacing as a killer whale's teeth. As the truth surrounding Izzy's boyhood escape from Cuba surfaces, the novel reckons with the forces of nature, with the limits and absence of love, and with the dangers of pursuing a tragic inheritance. Wildly narrated and expertly rendered, Say Hello to My Little Friend (Simon and Schuster, 2024) is Jennine Capó Crucet's most daring, heartbreaking, and fearless book yet.
Jennine Capó Crucet is a novelist, essayist, and screenwriter. She’s the author of three books, including the novel Make Your Home Among Strangers, which won the International Latino Book Award, was named a New York Times Book Review Editor's Choice book, and was cited as a best book of the year by NBC Latino, the Guardian, the Miami Herald, and other venues; it has been adopted as an all-campus read at over forty U.S. universities. Her other books include the story collection How to Leave Hialeah, which won the Iowa Short Fiction Prize, the John Gardner Book Award, and the Devil’s Kitchen Reading Award; and the essay collection My Time Among the Whites: Notes from an Unfinished Education, which was long-listed for the 2019 PEN America/Open Book Award.
Recommended Books:

Percival Everett, Erasure

Charles Yu, Interior Chinatown


Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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Jennine Capó Crucet, "Say Hello to My Little Friend" (Simon and Schuster, 2024)

In this episode, Jenna Tang shares with us her translation of Lin Yi-Han's Fang Si-Chi's First Love Paradise: A Novel (HarperVia, 2024), one of the most iconic works of Taiwan's #MeToo movement.
Thirteen-year-old Fang Si-Chi lives with her family in an upscale apartment complex in Taiwan, a tightknit community of strict yet doting parents and privileged children raised to be ambitious, dutiful, and virtuous. She and her neighbor Liu Yi-Ting bond over their love of learning and books, devouring classic works--Proust, Gabriel García Márquez, the very best Chinese writers. Yet, it is their lack of real-world education that makes them true kindred spirits. Si-Chi's innocence is irresistible to Lee Guo-hua, a revered cram literature teacher and serial predator who lives in her building. When he offers to tutor the academic-minded girls for free, their parents--unaware of Lee's true nature--happily accept. While Yi-Ting's studies with Lee are straightforward, Si-Chi learns about things no one teaches them in school--lessons about sex and love that will change the course of her life. Confused and uncertain, Si-Chi turns to her beloved books for guidance. But literature tells her nothing honest about rape or how to cope with the trauma of abuse. For her own salvation, the young girl begins to think of her personal hell as her "first love paradise," where the power of love, no matter how twisted, gives her the strength to survive. 
One of the biggest books to come out of Taiwan in the last decade, Fang Si-Chi's First Love Paradise is a chilling tale of grooming and its lingering trauma, and the power structures that allow it to flourish. Insightful, unsettling, emotionally raw, it is a staggering work of literature that reverberates across cultures and forces us to confront painful truths about the vulnerability and strength of women and those who use and hurt them.
Jenna Tang is a Taiwanese writer, educator, and translator who translates between Mandarin Chinese, Spanish, French, and English. She received her MFA in Creative Writing from The New School. Her translations and essays are published in The Paris Review, Latin American Literature Today, AAWW, Catapult, Mcsweeney’s, and elsewhere. She translated Lin Yi-Han’s novel, Fang Si-Chi's First Love Paradise.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
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Kim Taylor Blakemore, "The Good Time Girls Get Famous" (Sycamore Creek Press, 2023)

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