Cush Rodríguez Moz speaks to Emily Everett about his essay “Future Remains: The Mysterious Allure of a Town in Ruins,” which appears in The Common’s fall issue. The piece chronicles a trip to Villa Epecuén: once a vacation destination for the wealthy in Argentina’s golden age, now a site for disaster tourism after salt-water flooding first ruined and then preserved it. Cush discusses how the piece evolved from simple travelogue to a complex personal essay examining national and personal decline, climate and political change, and our fascination with destruction and decay.

Cush Rodríguez Moz is a journalist, writer and photographer currently based in Madrid. His investigative articles and long-form narrative pieces cover an array of themes that include environmental issues, agriculture and urbanism. His work has appeared in El Malpensante, Altäir, The New Yorker and Climática, among other outlets. He also collaborates regularly with Revista Late. He holds degrees in history, geography and journalism. Prior to Spain, he lived in Italy and Argentina.

­­Read Cush’s essay in The Common here.

Read more from Cush at linktr.ee/cush.moz, and follow him on Instagram @cush.moz.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

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In The Mozhaisk Road (Austin Macauley, 2025) the time is 1978 and Moscow is still the capital of a Communist country. The political police continues to suppress the protests of dissident leader Alexander Razumovsky and his tiny group of supporters. Western observers Howard Wilde and Gels Maybey face an uncertain Christmas after a public rally is roughly broken up in the city's Pushkin Square. But when the elderly Razumovsky suddenly steps down in the New Year and a new young leader emerges, the whole world sees a sign of hope. Can this sluggish, downtrodden Russia, despised by its own leaders, suddenly change, inspired by the courage of one Boris Marlinsky?As the Kremlin responds behind the scenes, how close can Western reporters come to grasping the hidden ways of power which seem to seal Russia's troubled fate?

This forcefully imagined prequel to the real events of 1991 changes the lives of Howard Wilde and Gels Maybey, and their American friends Arthur and Harriet. But what then of their Russian friends? Is it only Western hearts and minds that long for freedom along the Mozhaisk Road?

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Mia Tsai’s novel The Memory Hunters centers Kiana Strade, Key, a reckless young archaeologist and religious figure, who is capable of diving deeper into blood memories than anyone else alive and Valerian IV, Vale, her guardian, who is tasked with the challenging proposition of keeping her alive. The story follows the pair as Key uncovers ancient secrets that and tackles questions of generational memory and the right to knowledge.

In this interview, Tsai discusses the way human memory works and the impact on the novel, building a sapphic body guard romance, and the role of climate disaster in fantasy. We discuss family obligations, mentorship, and building institutions around technologies and magic systems.

The Memory Hunters is a complex and empathetic adventure and it was so much fun discussing it with the author.

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In this NBN episode, host Hollay Ghadert speaks with Kamloops, BC author Katie Welch about her novel, Ladder to Heaven (Wolsak & Wynn, 2025). 

In 2045 an earthquake ravages the Pacific Coast of North America and the world shifts. Suddenly people and animals can understand each other, while the chaos of climate change combines with the destruction of the earthquake in terrifying ways. Inland, where she should be safe, Del Samara finds her life spiralling out of control. Struggling with addiction and with her ranch in ashes around her, Del decides her family would be better off without her. Leaving her daughters behind, she retreats to her father’s fishing cabin with her dog, Manx. When she emerges three years later, she finds the world since the earthquake has become a very different place and she begins a dangerous journey to Vancouver Island to find her family and, perhaps, find peace.

Katie Welch lives in Kamloops and on Cortes Island, BC. Her debut novel, Mad Honey, was nominated for the 2023 OLA Evergreen Prize. She is a two-time alumnus of the Banff Centre and was a finalist for the 2023 CBC Short Story Prize. Find her online here.

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Cornwall, in the eighteenth and nineteenth centuries, was best known for its smuggling. The combination of an insular and impoverished countryside, a rugged coastline characterized by numerous inlets and coves, and price hikes caused by the ongoing wars between Britain and France—played out in high tariffs and embargoes—created the perfect conditions for people desperate to make a living to defy what they saw as an unfair law. Over the years, those same characteristics have appealed to novelists from Daphne du Maurier to the present day.

The Sea Child (Ballantine, 2026)—which takes place in an isolated village in Cornwall, although on a river leading to the sea rather than the coastline itself—certainly dips into the long and contentious struggle between Cornish villagers and the British Crown. But at the heart of the story we find Isabel Henley, a young woman who, as a child of four, was plucked from the sea with no knowledge of her parents or her home. Adopted by local landlords, Isabel has grown up, moved away, married a naval man, and, following his death at the Battle of Trafalgar (1805), returned to her childhood village. There she discovers that the legend surrounding her—that she is not entirely human but a daughter of the Sea Bucca, a merman who haunts the waters of the Cornish coast—survives and thrives.

Isabel discounts the locals’ tale, but she can’t deny that the river calls to her as she strolls along its banks at twilight …

Linda Wilgus—a former bookseller, knitting pattern designer, and writer of short stories, many of which have been published in literary magazines—lives in Cambridge, England, with her family. The Sea Child is her debut novel. Website here

C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Silk Weaver, will appear in the second quarter of 2026.

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Lisa Swayze has been the General Manager at Buffalo Street Books for 8 years and will transition to becoming the Executive Director of the bookstore’s new literary nonprofit in 2025. Lisa is on the board of directors of the American Booksellers Association and the Downtown Ithaca Alliance.

Laura Larson is the owner of Odyssey Bookstore. In 2019 Laura decided to return to her hometown of Ithaca NY to satisfy her life-long dream of opening her own bookstore. Now Laura enjoys spending her days talking about books, reading books and thinking about what to read next.

Recommended Books from our Booksellers:

Lisa's Favorites

Laura's Favorites

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In this NBN episode, host Hollay Ghadery speaks with Sean Minogue about this play, Prodigals (Latitude 46 Publishing, 2025).

When a big-city dreamer from a small northern Ontario city returns to his hometown to testify in a murder trial, he faces old uncovered wounds in his circle of friends and discovers that his missed opportunities are more than just regrets.

Sean Minogue has written for film, television and theatre. His poems, stories and essays have been published in ARC Poetry Magazine, Maudlin House, Shift, THIS Magazine, Full Stop, Huffington Post and The Globe and Mail.

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In this NBN episode, NBN host Hollay Ghadery speaks with acclaimed Manitoba author David Elias about his new novel, Into the D/Ark (Radiant Press, 2025). 

Rose Martens struggles with the aftermath of a terrible fire that has left her sons, Jake and Isaac, horribly disfigured. The boys have gone to live in an abandoned house they’ve named Bachelor’s Paradise, where they spend all their time watching American network television. Their father Clarence works day and night in his blacksmith shop, producing bizarre metallic creations no one can make any sense of. Martha Wiebe returns to the stifling conformity of the valley to discover that her brother Abe, a preacher, has abandoned his congregation to devote himself to the construction of “The Ark”, a massive and mysterious edifice whose purpose he will not divulge. When the first major snowstorm of the year roars into the valley, it unleashes a chain of bizarre events that the valley may never recover from.

About David Elias:

David Elias is the author of seven books, most recently The Truth about the Barn: A Voyage of Discovery and Contemplation, published by Great Plains Publications. It was featured in the Winnipeg Free Press as one of the top titles for 2020. His most recent work of fiction is an historical novel, Elizabeth of Bohemia: A Novel about Elizabeth Stuart, the Winter Queen. It was published in 2019 by ECW Press, and was a finalist for The Margaret Lawrence Award for Fiction at The Manitoba Book Awards. His previous works have been up for numerous awards including the McNally Robinson Book of the Year, the Amazon First Novel Award, and The Journey Prize. His short stories, novel excerpts, and poetry have appeared in literary magazines and anthologies across the country, and in addition to writing he spends time as a mentor, creative writing instructor, and editor. He lives in Winnipeg, Canada.

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In this NBN episode, host Hollay Ghadery speaks with Brad Smith about his new novel, Billy Crawford's Double Play (Wolsak & Wynn, 2025). 

Everything is legal – if you can get away with it.

Billy Crawford is a hero. The star of the Rose City Rounders, the baseball player has been thrilling fans of the city for years. But Billy’s not as young as he used to be and his tendency to play hard is catching up with him. A string of losses for the Rounders puts his position at risk as the team’s owner, local developer Carroll Miller, doesn’t like being associated with anything that loses. Miller’s thinking of making changes, and not just at the team. When he decides to enter politics Billy suddenly finds himself facing an offer he can’t refuse.

In this wise-cracking, fast-paced novel, Brad Smith lampoons today’s scandal-ridden politics and politicians. But among the laughter, Smith also shows us there can be hope, and even integrity, where we least expect it.

Award-winning author Brad Smith is a novelist and screenwriter, born and raised in southern Ontario. Billy Crawford’s Double Play is his fifteenth novel. His 2019 novel – The Return of Kid Cooper – won the Spur Award for Best Western Traditional Novel from the Western Writers of America. His novels One-Eyed Jacks and Copperhead Road were shortlisted for the Dashiell Hammett Prize. He adapted his book All Hat to feature film, starring Keith Carradine and Luke Kirby. He now lives in a ninety-year-old farmhouse near the north shore of Lake Erie, where he tinkers, respectively, on his vintage cars and his golf swing.

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The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs: Feminist Comedians and the Culture Wars (Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.

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