In Pinky Swear (Simon and Schuster, 2026) Lexi thought she knew everything about Mara Vannatta. Best friends since middle school, they drifted apart after a tragedy derailed their senior year. But when Mara shows up on Lexi’s doorstep sixteen years later fleeing an abusive husband, Lexi takes her in without question. Lexi’s own marriage has been strained by her desire to have a baby, and when Mara offers to become her surrogate, their friendship feels stronger than ever.
But four days before the due date, Mara disappears.
Lexi is shocked but certain there must be something wrong—Mara would never willingly leave with her unborn child. Or would she? As she embarks on a perilous cross-country hunt for the truth, Lexi is forced to reconsider a friendship she thought she knew—and what really happened that terrible night their senior year. How many secrets lie in their shared past, waiting to be uncovered? And just how far will Lexi go to bring her child safely home?

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Casey Walker speaks to Emily Everett about his story “Islands,” which appears in The Common’s fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel Mexicali, set in the US-Mexico borderlands during the first half of the 20th century.

Casey Walker's new novel Mexicali is forthcoming from Knopf in 2027. He is also the author of the novel Last Days in Shanghai and has published fiction and essays in The Common, Ninth Letter, The Believer, The New York Times, and El País, among others. He holds a PhD in English Literature from Princeton University and an MFA from the Iowa Writers' Workshop.

­­Read Casey’s story in The Common here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was a Reese’s Book Club pick. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

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Rising authoritarianism. Covid. Inflation. Wealth disparity. War. Climate change. While every time period is marked by apocalyptic fears, it certainly seems like our current anxieties aren't ill placed. And yet, art and literature persist.
In captivating and culturally savvy prose, Ed Simon grapples with the notion that writers and their work ought to distract readers from the dire situation we face in these fetid days of the Anthropocene. In Writing During the Apocalypse: Reflections on the Great Unraveling (Bloomsbury, 2026) he also addresses the wider question of what it's like to write during what could be the last decades of human civilization, arguing that to craft imaginative spaces through the magic of words isn't superfluous. Instead it exists at the core of human experience – as it always has and always will.

Ed Simon is the Public Humanities Lecturer in the English Department of Carnegie Mellon University and the founding editor of The Pittsburgh Review of Books. He is a contributing editor to The Montreal Review, and a monthly columnist for both 3 Quarks Daily and LitHub. Simon has authored over a dozen books, including An Alternative History of Pittsburgh from Belt Publishing, Pandemonium: A Visual History of Demonology from Abrams, and Devil’s Contract: The History of the Faustian Bargain from Melville House.

Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. Email here @carrielynnland.bsky.social

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Chicago is the main character, the setting, the obsession, and the historical grist for the mill of Peter Orner’s most recent novel, The Gossip Columnist’s Daughter (Little Brown and Company, 2025). In conversation about his hometown with Novel Dialogue host Sarah Wasserman, Peter brings us into a lost pocket of time. It is the early 1960s, when Chicagoans partied in a kind of “Midwestern Weimar” and the gossip columnist Irv Kupcinet, holding forth as many as six times a week for 60 years, wrote a garrulous, glamorous story of the city. While the increasingly unhinged narrator of his novel investigates the mysterious death of Kupcinet’s daughter in 1963, Peter delves into his own family’s history, anxiously asking “we can’t hurt our dead, can we?” The novel swerves between fact and fiction, including photographs that are both real artifacts from the historical record and staged photos that participate in the fictional world of the novel. Peter laughs off this contradiction, remarking “the closer I get to real things, the more fictional it becomes.” How to describe such a complicated novel? Sarah offers this gem: “It’s as if Philip Roth were less cancellable and wrote a murder mystery,” a line that results in a poignant conversation about what it means to be Jewish and socially striving in Chicago in middle of the 20th century and what it means to be a cultural outsider, “just slightly outside of the circle.” Peter brings the conversation to a close with a memory of going to the University of Tish.
Mentions:

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Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer—and her work is highly complex.” In On Morrison (Hogarth, 2026), Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form.

This is Morrison as you’ve never encountered her before, a journey through her oeuvre—her fiction and criticism, as well as her lesser-known dramatic works and poetry—with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence.

Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times’s Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University.

Derek Adams is Associate Professor of African American literature at Ithaca College and is currently teaching an upper-level seminar on Toni Morrison titled Across the Decades that challenges the origins of an assumed mythic status generally applied to her.

Recommended Books:

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Dana Mele talks abut her latest book, The Beast You Let In (Sourcebooks, 2026). Everyone in the rural town of Ashling knows the tale of Veronica Green, a teen who was murdered in the woods. But did a party trick bring her back to claim her revenge? A fast-paced, suspenseful YA horror from the author of Summer's Edge and People Like Us. There is no one Hazel trusts less than her self-centered twin, Beth. Like when Beth storms out of a party, abandoning Hazel when she didn't want to attend in the first place. Rather than chasing after her, Hazel throws herself into flirting and telling ghost stories over a Ouija board. She might not be the popular twin, but she can be fun too. Except Beth doesn't come home that night, and Hazel's anger morphs into anxiety. It only sharpens when Beth reappears a day later, disoriented and claiming to be Veronica Green, a teen who was murdered in their small town years before. If it isn't a possession, Beth is really good at faking it. Did they accidentally release a vengeful horror during the party? Hazel must uncover what happened to Veronica all those years ago if she's going to save Beth. But the truth may destroy them both--if they don't destroy each other first.

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"Honoured Investors,

As Zhongfu Group enters its eighth decade, we are pleased to announce the acquisition of two famous coal mines. These assets further demonstrate our steadfast commitment to promoting the interests of local government and the people of Jingzhou.

While the recent death of a Discipline Inspection Committee member has been regrettable, rest assured that any accusations of accounting irregularities or missing wages are unfounded, used by rumourmongers to incite valued employees to down tools.

To assuage any possibility of misconduct, Qi Ben’an along with his siblings Shi Hongxing and Lin Manjing will be promoted to oversee these new assets with immediate effect. They will ensure the operations are run according to company values without deviation.

Nothing can stop this bright era of unprecedented prosperity. We thank you for your continued support - The Board of Directors, Zhongfu Group.”

Find out more in Property of the People (Sinoist, 2025) by Zhou Meisen, translated by James Trapp.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Cameron Sullivan’s novel The Red Winter (Tor Books, 2026) follows Sebastian Grave, a centuries old monster hunter, recounting events that occurred in largely the woods of Gévaudan during the years leading up to the French Revolution. The story centers around a terrible beast that hunts the local people and has not been stopped by even the resources of the French crown itself. Sebastian is drawn in not just by the promise of slaying the creature, with whom he has something of a history, but also by his attraction to a young aristocrat, Antione, who Sebastian, for all his experience and better judgement, cannot quite seem to get over.

In this interview, Sullivan describes building a magic that feels deep and rooted to our world, the shadow of the French Revolution, and the challenges and excitement of turning historical legend into fantasy. He discusses the research process, queer relationships over time, and what we can and can’t know about the past. We also chat about the joys of footnotes and the importance of humor in the face of the horrific.

The Red Winter is a lush and complex novel full of longing and regret and it was so much fun discussing it with the author.

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When a young reporter comes to interview Margaret Kenyon, the oldest practicing nurse in the Texas panhandle, she tells him that he’ll have to listen to her story before she answers any questions. It’s 2000, but her story begins in 1925, with Frankie, a beautiful 15-year-old who has never known anything other than violence, hunger, and fear. Frankie grabs the opportunity to escape her home with a charismatic gambler who shows her the world of bootlegging and uses her beauty for his own ends. After being violently abused, Frankie finds solace in a quite hospital laundry room and begins to rebuild her shattered life. Today we're discussing Far From Uncertain: One Woman’s Life of Crime and Other Righteous Deeds (Stoney Creek, 2026).

Since completing a graduate degree in creative writing in 2012, Teddy Jones has made creating fiction her full-time occupation. She’s had six novels—including A Family of Good Women, which first introduced readers to Frankie—and a collection of short stories published and collected some prizes along the way.

Jackson’s Pond, Texas was finalist in the Women Writing the West Willa Award for contemporary fiction in 2014, and one of her short stories won the Faulkner-Wisdom Creative Writing Competition first prize medal in 2015. Marva Cope, another novel, was named finalist for the Sarton Award in 2024.

Jones earned a degree in nursing and a doctorate in education, worked as a family nurse practitioner and was founding dean of the School of Nursing at Texas Tech University Health Sciences Center. She focused on rural health promotion and was a monthly columnist for The Farmer Stockman for thirteen years. When she and her husband decided in 2001 to leave their “real jobs” and begin farming, opportunity presented itself. “If you’re going to write fiction, now’s the time,” she told herself. She’s been at it ever since.

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n this NBN episode, NBN host Hollay Ghadery speaks with Alison Gadsby about her collection of short fiction, Breathing is How Some People Stay Alive (Guernica Editions, 2026).

Breathing Is How Some People Stay Alive blurs the lines between horror, catastrophic speculative fiction, and psychological realism in a collection that might best be described as weird fiction. These connected stories offer dark reconstructions of lives brimming with desperate loneliness. They allow us to bear witness to the life-altering love of sisters, brothers, mothers... the life-altering love that buoys them as they struggle to stay afloat in the wake of childhoods they merely survived.

Alison Gadsby writes in Tkaronto/Toronto where she lives in a multigenerational home that includes several dogs. Her writing has appeared in various literary journals, including Blank Spaces, The Temz Review, The Ex-Puritan, Blue Lake Review and more. She is the founder/host of Junction Reads, a prose reading series.

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