There are two things Nina Jacobs is determined to do over the summer of 1986: avoid her mother’s depression-fueled rages, and lose her virginity before she starts college in the fall. Both are seemingly impossible—when her mother isn’t lying in bed for days, she’s lashing out at Nina over any perceived slight. And after a blowjob gone spectacularly wrong, Nina is the talk of Flanagan’s, the Upper East Side bar where young Manhattan society congregates. It doesn’t help that she’s Jewish, an outsider among the blue-eyed blondes who populate this rarified world. She can fit in, kind of, with enough alcohol and prescription drugs stolen from her parents’ medicine cabinet.

Flanagan’s is where she pines for the handsome, preppy, and charismatic Gardner Reed. Every girl wants to sleep with him and every guy wants to be him. After she’s introduced to cocaine, Nina plunges headlong into her pursuit of Gardner, oblivious to the warning signs. When a new medication seemingly frees her mother from darkness, and Nina and Gardner grow closer, it seems like Nina might finally get what she wants. But at what cost?

Freud called cocaine “a gorgeous excitement,” but a gorgeous excitement for the wrong guy can be lethal.

Cynthia Weiner has had a long career writing and teaching fiction. Her short stories have been published in Ploughshares, The Sun, and Epiphany, and her story “Boyfriends” was awarded a Pushcart Prize. Recently, her story “A Castle in Outerspace” was republished in Coolest American Stories 2024. She is also the assistant director of The Writers Studio in New York City. A Gorgeous Excitement is her debut novel.

Recommended Books:

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Adoption is often painted as a happy, inspirational act—a baby finds a family and lives happily ever after. But the truth is that adopted children experience displacement and rupture from their mother and that trauma can impact an individual for a lifetime. Adoption can lead to feelings of loss and grief not just for the adoptee, but for the biological and adoptive parents as well.

This startling fact comes vividly to life in Janet Sherlund’s heartbreaking memoir, Abandoned at Birth: Searching for the Arms that Once Held Me (Worth, 2024). In her literary debut, Janet Sherlund explores the complex issues so many adoptees and their parents grapple with, including the complicated emotions of rejection, loss, grief, denial, and shame.

Sherlund, who was given up for adoption within days of her birth, shares her journey to fulfill her lifetime longing for connection with her family of origin, her instinctive ache for connection with her birth mother, and what it was like to have a “borrowed identity.” In poignant detail, Sherlund describes her quest to find out who she is, where she came from, and why she was given away. And she reveals the pain and courage required to discover one’s true identity.

With 5 million adoptees in the U.S., many of whom are discovering their biological roots on DNA websites, Abandoned at Birth is the book for our time. The insight Sherlund derived from her journey will encourage and console others on the same path, while examining the inherent need of all of us to belong, and understand our origins, our culture, and our genetic roots.

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As Nazi tanks roll toward Leningrad in August 1941, an unmarried nineteen-year-old ballerina gives birth to twin girls in the soon-to-be besieged city. Bereft of hope, the dancer—once a rising star at the Kirov—slashes her wrists, but her babies survive, rescued by the devoted friend who arrives just too late to save their mother. The friend, too, is a dancer with the Kirov, and her tutelage and self-sacrifice ensure that the girls, Maya and Natasha, become students at the Vaganova Academy after the Siege of Leningrad is broken.

We meet the twins as they enter their senior year in 1958. At once inseparable and competitive, Maya and Natasha have developed quite different personalities, with Natasha the leader and future star, Maya her loyal follower. But as they turn seventeen, various factors pull them apart: boys; the changing climate of Khrushchev’s USSR; and the approaching end to their schooling, which even in a state-run economy doesn’t guarantee anyone a specific place in the world. But it’s when the state declares that, in response to recent defections by artists to the West, only one member of any given family can join the Kirov Ballet that Maya and Natasha must confront the reality that one sister’s success will come at the cost of the other’s. How each of them responds to that challenge drives the rest of this thoroughly engrossing novel. And although neither girl really recognizes it until near the end of the book, the choices each makes are driven at least in part by their determination to fulfill the goals their mother never had the chance to achieve.

Weaving together such disparate elements as the Cuban Missile Crisis, the Cold War competition that drove the exchange between the New York City Ballet’s visit to Moscow and the Kirov’s tour of the United States in 1962, the filming of Sergei Bondarchuk’s monumental version of War and Peace, and the difficult yet rewarding training that produces elite dancers, Maya and Natasha (Mariner Books, 2025) explores the eternal bond between sisters while prompting readers to consider just how far they would go to achieve a cherished goal.

Elyse Durham, a graduate of the MFA Program for Writers at Warren Wilson College, lives in Kalamazoo, Michigan, with her husband, who is a Greek Orthodox priest. Maya & Natasha is her debut novel.

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After their mother dies, Jackson Jones is too busy selling drugs and bedding young women to pay attention to his two motherless children. Sienna and her little brother Siddhartha grow up in a Miami Beach mansion without schools, doctors, or attention. It’s the 1980s and their dad uses the mansion, with its dock on the water, as a base for his drug dealing and to house the seekers and lost souls who follow his lackadaisical cult, leaving Sienna and Siddhi to raise themselves. Their dotty grandmother and distant occasionally picks up some slack but won’t take responsibility for her son’s failings as a father. Sienna realizes that she and Siddhi have to raise themselves in this intriguing and unusual story about siblings helping each other survive a dysfunctional family.

Janna Brooke Wallack’s stories have been published by literary publications such as Hobart, Upstreet, Glimmer Train Press, American Literary Review, and more. Her short story "Campaigning" was a finalist for the Lascaux Prize in Short Fiction. Naked Girl’s prologue "Five Pictures" was a finalist for Glimmer Train Press's Short Story Award for New Writers, and her story "Cat and Rose" received a Pushcart nomination by The MacGuffin. Naked Girl was named a semifinalist for the 2024 Publishers Weekly Book Life Prize in Fiction. In addition to her writing career, Wallack has worked as a grant writer, a substance abuse prevention counselor, a wetlands manual editor, a theatre production assistant and an actress. After spending a couple of years in Hong Kong, she moved to Hoboken, NJ, raised five children and moved to Stone Ridge in the Catskills of New York, where she ran a permaculture gentleman’s farm. For more about Janna, visit https://jannabrookewallack.com/.

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NBN host Hollay Ghadery interviews Toronto author Caroline Topperman about her new book, Your Roots Cast a Shadow: One Family's Search Across History for Belonging (HCI, December 17, 2024).

Your Roots Cast a Shadow explores where personal history intersects with global events to shape a family’s identity. From the bustling markets of Baghdad to the quiet streets of Stockholm, Topperman navigates the murky waters of history as she toggles between present and past, investigating the relationship between migration, politics, identity, and home. Her family stories bring history into the present as her paternal grandmother becomes the first woman allowed to buy groceries at her local Afghan market while her husband is tasked with building the road from Kabul to Jalalabad. Topperman’s Jewish grandfather, a rising star in the Communist Party, flees Poland at the start of WWII one step ahead of the Nazis, returning later only to be another Jew rejected by the Party. Topperman herself struggles with new cultural expectations and reconciling with estranged relatives.

A study in social acceptance, Topperman contends with what one can learn about an adopted culture while trying to retain the familiar, the challenges of learning new languages and traditions even as she examines the responsibilities of migrants to their new culture, as well as that society’s responsibility to them.

More about Caroline Topperman:

Caroline Topperman is a European-Canadian writer, entrepreneur, and world traveller. Born in Sweden, raised in Canada with a recent stint of living in Poland, she holds a BFA in screenwriting. She is a co-founder of Mountain Ash Press and KW Writers Alliance, and currently runs Migrations Review, and Write, They Said. Her book, Tell Me What You See, serves as a toolkit for her writing workshops. She has written articles for Huffington Post Canada, Jane Friedman’s blog, was the Beauty Editor for British MODE Magazine, and served as managing editor for NonBinary Review. Her hybrid memoir, Your Roots Cast a Shadow, explores explosive intergenerational histories that link war zones and foreign shores with questions of identity and belonging. Her next book, The Road to Tang-e Gharu, integrates Afghan folktales and family memories with the story of one of the greatest roads ever built.

About Hollay Ghadery:

Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.

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Ethereal, soul-stirring, and playful, Baby Cerberus (Buckrider Books, 2024) by Natasha Ramoutar traces joy and kinship across a multitude of lives. Flitting from myths and folklore to video games to imagined futures, each piece asks us to consider how we care for one another. As we move through sentient galleries, swashbuckling adventures, and the doors of Atlantis, the collection reorients us in each section with the riddles as two lost souls try to find each other through time. These poems tug on the invisible threads between us all, trying to find what tethers us together and, in turn, what keeps us here.

While Baby Cerberus centers fun and nostalgia with allusions to video games, internet lore, and Tamagotchis, there are still heavy themes throughout which address misogyny, racism, and colonization. The unique integration of literary topics with some of the more pop culture references will distinguish the book in the minds of readers and expand what we can ask of poetry.

More about Natasha Ramoutar:

Natasha Ramoutar is a writer of Indo-Guyanese descent from Toronto. Her debut collection of poetry Bittersweet, published in 2020 by Mawenzi House, was shortlisted for the Gerald Lampert Memorial Award. She was the editor of FEEL WAYS, an anthology of Scarborough literature. She is a senior editor with Augur Magazine and serves on the editorial board at Wolsak & Wynn.

About Hollay Ghadery:

Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.

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After her husband Jonah asks for a divorce, Hailey Gelman’s difficult life in Binghamton turns into six weeks of litigation and custody battles in Tova Mirvis’s new novel, We Would Never (Avid Reader Press 2025). After she files a motion to move with their young daughter to Florida, the tension escalates, and Jonah is suddenly murdered. Hailey is the prime suspect. Hailey’s father, who had to rebuild his life after his academic advisor took credit for his work is dying of Parkinsons; her mother, whose reason for living is to make sure her family is safe, makes reckless decisions, her brother Nate, the troublemaker who managed to graduate from medical school and works in his father’s dermatology practice. tries to protect his sister, and her other brother Adam, can’t stand their mother’s interference, moves to Maine, and refuses to participate in family events of any kind. Based on a true story, We Would Never is about family loyalty, the damage of divorce, and the fierceness of parents’ love for their children.

Tova Mirvis grew up in Memphis, Tennessee and attended Columbia College in New York City, followed by the Columbia School of the Arts where she received an MFA and was a teaching fellow. Her first novel The Ladies Auxiliary, which was set in the Memphis Jewish community, was a national bestseller and an Independent Bookstore bestseller. She is also the author of the novels The Outside World and Visible City. Her memoir The Book of Separation stemmed from an essay she wrote for the New York Times “Private Lives” column and was a New York Times Book Review Editor’s Choice and excerpted in the New York Times Modern Love Column. She has been a visiting scholar at the Hadassah-Brandeis Institute at Brandeis University and a fellow at the Brandeis Women’s Studies Research Center. Her essays have appeared in many publications including The New York Times, The Washington Post, The Boston Globe Magazine, Real Simple, and Psychology Today, and her fiction has been broadcast on NPR. She lives in Newton, MA with her family where she is working on a new novel. When she is not writing, she enjoys running, learning to play tennis and talking to her dog.

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On this NBN podcast, host Hollay Ghadery speaks with acclaimed author Ayelet Tsabari about gorgeous debut novel, Songs for the Broken Hearted (Random House, September 10, 2024).

Many people know of Ayelet from her memoir in essays The Art of Leaving, winner of the Canadian Jewish Literary Awards, a finalist for the Hilary Weston Writers' Trust Prize for Nonfiction, and The Vine Awards for Canadian Jewish Literature, and an Apple Books and Kirkus Review Best Book of 2019.

Songs for the Broken Hearted tells the story of a young Yemeni Israeli woman who learns of her mother’s secret romance in a dramatic journey through lost family stories, revealing the unbreakable bond between a mother and a daughter. This is a salient exploration of the cost of secrets and the power of women’s voices.

"In her new novel, Ayelet Tsabari’s craft is at its apex. Her characters are alive, the story skillfully structured, and the tragic, hidden history of Yemenite Jews expertly woven into the lives of people you will laugh with and shed tears for. To read this book is also to encounter an Israel and Palestine few of us are familiar with nowadays; when words like “peace” and “hope” were common, and nuance and complexity possible. A love song for a time long past, overflowing with emotional intelligence and psychological insight, Songs for the Brokenhearted will break your heart."

— Jonathan Garfinkel, author of In a Land without Dogs the Cats Learn to Bark and Ambivalence

More about Songs for the Broken Hearted:

1950. Thousands of Yemeni Jews have immigrated to the newly founded Israel in search of a better life. In an overcrowded immigrant camp in Rosh Ha'ayin, Yaqub, a shy young man, happens upon Saida, a beautiful girl singing by the river. In the midst of chaos and uncertainty, they fall in love. But they weren't supposed to; Saida is married and has a child, and a married woman has no place befriending another man.

1995. Thirty-something Zohara, Saida's daughter, has been living in New York City-a city that feels much less complicated than Israel, where she grew up wishing her skin were lighter, her illiterate mother's Yemeni music quieter, and that the father who always favoured her was alive. She hasn't looked back since leaving home, rarely in touch with her mother or sister, Lizzie, and missing out on her nephew Yoni's childhood. But when Lizzie calls to tell her their mother has died, she gets on a plane to Israel with no return ticket.

Soon Zohara finds herself on an unexpected path that leads to shocking truths about her family-including dangers that lurk for impressionable young men and secrets that force her to question everything she thought she knew about her parents, her heritage, and her own future. Songs for the Brokenhearted is a story about voice and voicelessness, traditions lost and found, and the unbreakable bonds between mothers and daughters.

Ayelet Tsabari is the author of The Art of Leaving, finalist for the Writer’s Trust Hilary Weston Prize, winner of the Canadian Jewish Literary Award for memoir, and a Kirkus Reviews Best Book of 2019.

Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph.

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When the nobility and gentility of England are at their wits end, they send a discrete note to Miss Vivienne Clarke’s Governess Bureau. Only accepting the very best clients, their governesses are coveted, with every governess following three rules:

1.You must have an impeccable record.

2.You must bring a special skill to the table.

3.You must never fall in love…

In this interview with Dr. Miranda Melcher, Emily E K Murdoch takes listeners behind the scenes to explore the historical research that went into the six-book Governess Bureau series (Dragonblade) published by Dragonblade from 2021 to 2022. They also discuss how the novels bring together the genres of historical fiction, mystery, and romance, how the series is structured and why, and much more. If you’ve ever been interested in how series are created and genres are smashed - this is the conversation for you!

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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“In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.”

Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse.

Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.

Less a bildungsroman than a story of miseducation, Playworld: A Novel (Knopf, 2025) is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.

ADAM ROSS is the author of Mr. Peanut, which was selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist. He has been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. He is editor of The Sewanee Review. Born and raised in New York City, he now lives in Nashville, Tennessee, with his two daughters.

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Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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