New Books in Literature

Imagine growing up between Sacramento, California and Logar, Afghanistan; you hear stories about war, watch coverage of the United States’ War on Terror on television, and then visit your family in the very places that the U.S. army invaded and occupied. These experiences shape the work of novelist Jamil Jan Kochai, author of 99 Nights in Logar and The Haunting of Hajji Hotak and Other Stories, which was a finalist for The National Book Award. Jamil joins Northwestern prof. Kalyan Nadiminti and host Aarthi Vadde for a wide-ranging conversation about narrative form and the cycles of war.

We begin by discussing the second person, a technique Jamil uses throughout Hajji Hotak. He describes it as the most “dangerous perspective” for a fiction writer to take because it brings readers to the edge of the immersive world fiction is supposed to create. The second person in The Haunting of Hajji Hotak, from which Jamil reads, forces readers to grapple with our own complicity in the surveillance of Afghan families in the United States and to consider the paradoxical affection that develops between people on opposing sides of war. From there, Jamil, Kalyan, and Aarthi discuss the relationship between video games as mass media and the novel as literary form. Jamil is a huge fan of Final Fantasy 7 (who isn’t?) and talks about how games like Call of Duty (a game he played more ambivalently) perform a recruitment function for the U.S. army. He rewrites that vision of war in more complex terms in his own story “Playing Metal Gear Solid V: The Phantom Pain." Kalyan reflects on how the category of the post-9/11 writer intersects with the War on Terror, and the three of us consider the symbolic function of 9/11 in contemporary fiction written from inside and outside the United States.

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Today I spoke with Emily Dinova about her new novel The Antagonist (Bruce Scivally, 2024). Dinova, a psychoanalytic candidate working towards a license to practice psychoanalysis, wrote The Antagonist as a way of healing her own trauma. Written as a creative act of revenge, Dinova found herself in a fragmented state while writing the book. “I really feel like a fragmented part of myself wrote this book.” From this fragmented state she created characters who represent several psychoanalytic concepts including repression, negation, the uncanny, and Spotnitzian narcissistic object protection. 

The structure of the novel is an enactment of Nachträglichkeit. I found the novel intoxicating and disorienting. It kept me happily off balance throughout. Rooted in the psychological adage that the urge to destroy does not have to be taught, Dinova renders her characters with layers of beguiling complexity. The horrors of this deeply informed psychological thriller unfold gradually. It is a masterful demonstration of unconscious processes.

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How do we become the persons we are? Cornelia Maude Spelman's Solace (Jackleg Press, 2024) seeks to answer that question. A portrait of the emotional legacies and psychological landscapes that shaped the author's life, Solace unfurls in a series of vignettes drawn from diaries and personal stories about her relationship to others as daughter, mother, friend, wife, therapist, and grandmother. These are stories of compassion and attention bringing about healing from grief and brokenness and the necessity of our deep and caring connection to others: the comfort offered to us and the comfort we offer to others.

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Life is tough for people of color in the early twentieth century—not only in the Southern states, which have put Reconstruction firmly behind them in favor of Jim Crow laws. Even so, Lucille Love, known as the Little Girl with the Big Voice, dreams of making her name on Broadway and eventually moving to Paris, leaving behind the prejudices that restrict black women in the United States. When Marcus Williams offers to manage Lucille’s singing career, she’s sure that reaching her goal is just a matter of time. Until some old enemies of her father track her down …

This richly developed story intertwines a love of music and musicians, an exploration of color prejudice, and a tense drama of criminals with long memories and no scruples. At its heart stands Lucille—a passionate, determined young woman who doesn’t always make the best choices but whose heart is in the right place. I found it an engrossing read, and I bet you will too.

Monica Chenault-Kilgore is the author of Long Gone, Come Home and, most recently, The Jewel of the Blues (Graydon House, 2024).

C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, is due in 2025.

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Megan Tennant speaks to managing editor Emily Everett about her story “Little Women,” which appears in The Common’s brand new fall issue. Megan talks about the process of writing and revising this story, which explores the complex dynamics between two sisters in a religious family in South Africa after one sister gets engaged. Megan also discusses how she layered the beauty, atmosphere, and complicated history of South Africa’s Wild Coast into the story, and how she worked to balance subtlety and clarity when bringing together the story’s many threads.

Megan Tennant is a writer based in Cape Town, South Africa. She holds master’s degrees in creative writing from the University of Cape Town and in London studies from Queen Mary University of London.

­­Read Megan’s story “Little Women” in The Common at thecommononline.org/little-women/.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.

Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

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Born and raised on Manhattan Island, Eric Drooker began to slap his art on the streets at night as a teenager. Since then, his drawings and posters have become a familiar sight in the global street art movement, and his paintings appear frequently on covers of the New Yorker.

His first book, Flood, won the American Book Award, followed by Blood Song (soon to be a feature film). Naked City is the third volume in Drooker’s City Trilogy. His graphic novels have been translated into numerous languages in Europe, Latin America, and Asia. After designing the animation for the film Howl, he was hired for a project at DreamWorks Animation.

Drooker’s art is in the permanent collection of the Whitney Museum, the Museum of Modern Art, the Brooklyn Museum, and the Library of Congress. He is available for speaking engagements and frequently gives slide lectures at colleges and universities. Drooker is represented by the Wylie Agency.

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A Slight Angle (India Viking: 2024), the newest novel from Indian writer Ruth Vanita, is a story about love. Difficult love–her six characters are growing up in 1920s India, which takes a dim view of same-sex relationships, and those that transcend religious boundaries. Like Sharad, the jewelry designer who falls in love with his teacher, Abhik–only for the embarrassment to keep them apart for decades.

Ruth Vanita is the author of many books, most recently The Broken Rainbow: Poems and Translations (Copper Coin Publishing: 2023); the novel Memory of Light (Penguin Random House India: 2022); The Dharma of Justice in the Sanskrit Epics: Debates on Gender, Varna and Species (Oxford University Press: 2022); Love’s Rite: Same-Sex Marriages in Modern India (Penguin Books India: 2005). She has translated several works from Hindi to English, including Mahadevi Varma’s My Family (Penguin Books India: 2021). She co-edited the path-breaking Same-Sex Love in India, and edited and translated On the Edge: A Hundred Years of Hindi Fiction on Same-Sex Desire (India Viking: 2023).

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of A Slight Angle. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Today I talked to Benjamin Resnick about his novel Next Stop (Simon and Schuster, 2024)

A hole opens in the universe and suddenly consumes a building, then a neighborhood, and then the entire country of Israel. Conspiracies and antisemitic paranoia simmer, violence erupts, and life for Jews around the globe becomes even more hate filled. But Ethan and Ella, both Jewish, meet and fall in love in an unnamed American city. Their relationship has its challenges, including those involving Ella’s seven-year-old son, but their biggest struggle is trying to survive. Then thousands of airplanes disappear, borders close, and the world unravels more. Drones and robotic dogs patrol the streets and Jews are forced to live in a single neighborhood, slyly named after the historical Pale of Settlement. Some Jews escape to underground cities and others are join militias and resistance efforts, but Ella and Ethan are trying to find things to smile about in this thought-provoking, dystopian novel about cultural memory, societal crisis, and living in an upside-down world. 

Benjamin Resnick is a writer and the rabbi of the Pelham Jewish Center. Before joining the PJC in 2021, he served as Rav Beit HaSefer at Solomon Schechter Day School of Metropolitan Chicago and as Rabbi and Education Director at Congregation Ahavas Achim in Newburyport, Massachusetts. Resinick majored in Literary Arts at Brown University in 006 and was ordained at the Jewish Theological Seminary in 2014. He has written nonfiction for multiple publications, including the Washington Post, The Forward, Tablet, Modern Judaism and My Jewish Learning. Benjamin is married to journalist Philissa Cramer, who is currently editor-in-chief of the Jewish Telegraphic Agency. They have two boys, Jonah and Gabriel. In his free time, he enjoys gardening, playing squash, and the Chicago Cubs.

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What happens when a novelist wants “nonsense and joy” but his characters are destined for a Central European sanatorium? How does the abecedarian form (i.e. organized not chronologically or sequentially but alphabetically) insist on order, yet also embrace absurdity? Here to ponder such questions with host John Plotz are University of Wisconsin–Madison’s Sunny Yudkoff (last heard on ND speaking with Sheila Heti) and Adam Ehrlich Sachs, author of Inherited Disorders, The Organs of Sense, and the recently published Gretel and the Great War.

Sachs has fallen under the spell of late Habsburg Vienna, where the polymath Ludwig Wittgenstein struggled to make sense of Boltzmann’s physics, Arnold Schoenberg read the acerbic journalist Karl Kraus, and everyone, Sachs suspects, was reading Grimms’ Fairy Tales, searching for the feeling of inevitability only narrative closure can provide. Beneath his OULIPO-like attachment to arbitrary orders and word-games, though, Sachs admits to a desire for chaos.

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Sparks fly in Megan Staffel’s novel, The Causative Factor (Regal House 2024), when Rachel is randomly paired with Rubiat, a fellow student, for an assignment in their college art class. After a heavenly night together, they go hiking, and he dives off a cliff, disappearing without a trace. Although Rachel graduates with an art degree, moves to New York, and supports her painting as an ESL teacher, she’s scarred for years by the mystery of Rubiat’s disappearance. This is a sweet coming-of-age, but also a suspense-filled novel told in shifting viewpoints, about art, growing up, making choices, and finding love.

Megan Staffel splits her time between a farm in western New York State and an apartment in Brooklyn. She is an avid walker, bird watcher, and gardener. Her new novel, The Causative Factor, was inspired by a hike she took with her husband in a state park in October, 2020 and grew into a story about an artist trying to understand the mysterious disappearance of her lover. Staffel's interest in the arts and in the process of art-making has been a life-long passion. Her first novel, She Wanted Something Else, was a story about an artist as well. Staffel's other book publications include a third novel and three collections of short stories. She taught for many years in the MFA program at Warren Wilson College and writes a monthly Substack newsletter, "Page and Story."

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