It is said that when one person in a family is unstable, the whole family is destabilized. Meet the Shreds. Olivia is the sister in the spotlight until her stunning confidence becomes erratic and unpredictable, a hurricane leaving people wrecked in her wake. Younger sister Amy, cautious and studious to the core, believes in facts, proof, and the empirical world. None of that explains what’s happening to Ollie, whose physical beauty and charisma mask the mental illness that will shatter Amy’s carefully constructed life.

As Amy comes of age and seeks to find her place—first in academics, then New York publishing, and through a series of troubled relationships—every step brings collisions with Ollie, who slips in and out of the Shred family without warning. Yet for all that threatens their sibling bond, Amy and Ollie cannot escape or deny the inextricable sister knot that binds them.

Spanning two decades, Shred Sisters (Grove Press, 2024) is an intimate and bittersweet story exploring the fierce complexities of sisterhood, mental health, loss and love. If anything is true it’s what Amy learns on her road to self-acceptance: No one will love you more or hurt you more than a sister.

Betsy Lerner is the author of The Bridge Ladies, The Forest for the Trees, and Food and Loathing. With Temple Grandin, she is the co-author of the New York Times bestseller Visual Thinking: The Hidden Gifts of People Who Think in Pictures, Patterns and Abstractions. She received an MFA from Columbia University in Poetry where she was selected as one of PEN’s Emerging Writers. She also received the Tony Godwin Publishing Prize for Editors. After working as an editor for 15 years, she became an agent and is currently a partner with Dunow, Carlson and Lerner Literary Agency.

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Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

Fennell’s journey brings him to the west coast of Africa, where he uncovers a story about the raw human labor behind the dazzling veneer of the technological world. He meets a fellow Irishman, John Conway, the chief of mission on a cable repair ship. The mysterious Conway is a skilled engineer and a freediver capable of reaching extraordinary depths. He is also in love with a South African actress, Zanele, who must leave to go on her own literary adventure to London.

When the ship is sent up the coast to repair a series of major underwater breaks, both men learn that the very cables they seek to fix carry the news that may cause their lives to unravel. At sea, they are forced to confront the most elemental questions of life, love, absence, belonging, and the perils of our severed connections. Can we, in our fractured world, reweave ourselves out of the thin, broken threads of our pasts? Can the ruptured things awaken us from our despair?

Resoundingly simple and turbulent at the same time, Twist (Random House, 2025) is a meditation on the nature of narrative and truth from one of the great storytellers of our times.

Colum McCann is the author of eight novels, three collections of stories and two works of non-fiction. Born and raised in Dublin, Ireland, he has been the recipient of many international honours, including the U.S National Book Award, the International Dublin Literary Prize, a Chevalier des Arts et Lettres from the French government, election to the Irish arts academy, several European awards, the 2010 Best Foreign Novel Award in China, and an Oscar nomination. In 2017 he was elected to the American Academy of Arts. His work has been published in over 40 languages. He is the President and co-founder of the non-profit global story exchange organization, Narrative 4. He lives in New York with his wife Allison and their family.

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Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Paris, 2019. An apartment in Belleville. Following a miscarriage and a breakdown, Anna, a psychoanalyst, finds herself unable to return to work. Instead, she obsesses over a kitchen renovation and befriends a new neighbor—a younger woman called Clémentine who has just moved into the building and is part of a radical feminist collective.

Paris, 1972. The same apartment in Belleville. Florence and Henry are renovating their kitchen. She is finishing her degree in psychology, dropping into feminist activities, and devotedly attending the groundbreaking, infamous seminars held by the renowned analyst Jacques Lacan. She is hoping to conceive their first child, though Henry isn’t sure he’s ready for fatherhood.

Two couples, fifty years apart, face the challenges of marriage, fidelity, and pregnancy. They inhabit this same small space in separate but similar times—times charged with political upheaval and intellectual controversy. A novel in the key of Éric Rohmer, Lauren Elkin’s Scaffolding is about the way our homes collect and hold our memories and our stories, about the bonds we create and the difficulty of ever fully severing them, about the ways all the people we’ve loved live on in us.

Lauren Elkin is also the author of Art Monsters and Flâneuse, a New York Times Books Review notable book and a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Her essays have appeared in The New York Times, Le Monde, Frieze, and The Times Literary Supplement, among others. A native New Yorker, Elkin lived in Paris for twenty years and now resides in London.

Recommended Books

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Set over the course of a single day, an electrifying debut novel from “a powerful new literary voice” (Vogue) following one woman’s journey across a transformed city, carrying the weight of her past and a fervent hope for the future.

Last night, you and I were safe. Last night, in another universe, your father and I stood fighting in the kitchen.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Making her way across the wreckage of Portland, Annie experiences human desperation and kindness: strangers offering help, a riot at a grocery store, and an unlikely friendship with a young mother. As she walks, Annie reflects on her struggling marriage, her disappointing career, and her anxiety about having a baby. If she can just make it home, she’s determined to change her life.

A propulsive debut, Tilt is a primal scream of a novel about the disappointments and desires we all carry, and what each of us will do for the people we love.

Emma Pattee is a climate journalist and a fiction writer living in Portland, Oregon. She’s written about climate change for The Atlantic, The New York Times, The Washington Post, The Guardian, and more. In 2021, she coined the term “Climate Shadow” to describe an individual’s potential impact on climate change. Her fiction has appeared in Bellevue Literary Review, Idaho Review, New Orleans Review, Carve Magazine, Citron Review, and Alaska Quarterly Review.

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After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility.

Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics

Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper’s, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame’s MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research.

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Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Joanne and Bernadette Fareown are raised on their family farm in rural Illinois, keenly affected by their parents' volatile relationship and mounting financial debt, haunted by the cursed history of the women in their family. Largely left to their own devices, the sisters educate themselves on Greek mythology, feminism, and Virginia Woolf, realizing they must find unique ways to cope in these antagonistic conditions, questioning the American Dream as the rest of the country abandons their community in crisis.

As Jo and Bernie's imaginative solutions for escape come up short against their parents' realities, the family leaves their farm for Chicago, where Joanne--free-spirited, reckless, and unable to tame her inner violence--rebels in increasingly desperate ways. After her worst breakdown yet, Jo goes into exile in Deadhorse, Alaska, and it is up to Bernadette to use all she's learned from her sister to revive a sense of hope against the backdrop of a failing world.

With her debut novel, Nora Lange has crafted a rambunctious, ambitious, and heart-rending portrait of two idiosyncratic sisters, determined to persevere despite the worst that capitalism and their circumstances has to throw at them.

Nora Lange’s debut novel Us Fools is a finalist for the National Book Critics Circle Award in Fiction, named a best book of 2024 by The Boston Globe and NPR, a Los Angeles Times bestseller, and a New York Times Editors’ Choice. An earlier iteration of it was shortlisted for The Novel Prize, a prize to recognize novels that explore and expand the possibilities of the form.

Nora’s writing has appeared in BOMB, Hazlitt, Joyland, American Short Fiction, Denver Quarterly, and elsewhere. She has received fellowships from Brown University and is a fellow at USC’s Los Angeles Institute of the Humanities. She recently moved to Salt Lake City with her family. And look for Nora’s in The Believer.

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Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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There are two things Nina Jacobs is determined to do over the summer of 1986: avoid her mother’s depression-fueled rages, and lose her virginity before she starts college in the fall. Both are seemingly impossible—when her mother isn’t lying in bed for days, she’s lashing out at Nina over any perceived slight. And after a blowjob gone spectacularly wrong, Nina is the talk of Flanagan’s, the Upper East Side bar where young Manhattan society congregates. It doesn’t help that she’s Jewish, an outsider among the blue-eyed blondes who populate this rarified world. She can fit in, kind of, with enough alcohol and prescription drugs stolen from her parents’ medicine cabinet.

Flanagan’s is where she pines for the handsome, preppy, and charismatic Gardner Reed. Every girl wants to sleep with him and every guy wants to be him. After she’s introduced to cocaine, Nina plunges headlong into her pursuit of Gardner, oblivious to the warning signs. When a new medication seemingly frees her mother from darkness, and Nina and Gardner grow closer, it seems like Nina might finally get what she wants. But at what cost?

Freud called cocaine “a gorgeous excitement,” but a gorgeous excitement for the wrong guy can be lethal.

Cynthia Weiner has had a long career writing and teaching fiction. Her short stories have been published in Ploughshares, The Sun, and Epiphany, and her story “Boyfriends” was awarded a Pushcart Prize. Recently, her story “A Castle in Outerspace” was republished in Coolest American Stories 2024. She is also the assistant director of The Writers Studio in New York City. A Gorgeous Excitement is her debut novel.

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“In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.”

Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse.

Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.

Less a bildungsroman than a story of miseducation, Playworld: A Novel (Knopf, 2025) is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.

ADAM ROSS is the author of Mr. Peanut, which was selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist. He has been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. He is editor of The Sewanee Review. Born and raised in New York City, he now lives in Nashville, Tennessee, with his two daughters.

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Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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As the child of a Hooters waitress and an ex-pro wrestler, Margo Millet's always known she’d have to make it on her own. So she enrolls at her local junior college, even though she can’t imagine how she’ll ever make a living. She’s still figuring things out and never planned to have an affair with her English professor—and while the affair is brief, it isn’t brief enough to keep her from getting pregnant. Despite everyone’s advice, she decides to keep the baby, mostly out of naiveté and a yearning for something bigger.

Now, at twenty, Margo is alone with an infant, unemployed, and on the verge of eviction. She needs a cash infusion—fast. When her estranged father, Jinx, shows up on her doorstep and asks to move in with her, she agrees in exchange for help with childcare. Then Margo begins to form a plan: she’ll start an OnlyFans as an experiment, and soon finds herself adapting some of Jinx’s advice from the world of wrestling. Like how to craft a compelling character and make your audience fall in love with you. Before she knows it, she’s turned it into a runaway success. Could this be the answer to all of Margo’s problems, or does internet fame come with too high a price?

Blisteringly funny and filled with sharp insight, Margo's Got Money Troubles (William Morrow, 2024) is a tender tale starring an endearing young heroine who’s struggling to wrest money and power from a world that has little interest in giving it to her. It’s a playful and honest examination of the art of storytelling and controlling your own narrative, and an empowering portrait of coming into your own, both online and off.

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How has a writer known principally for his contained domestic novels come to represent the most dynamic elements of world literature? In Kazuo Ishiguro Against World Literature (Bloomsbury, 2025), Chris Holmes expands our understanding of how world literature engages with the most pressing crises of the 20th and 21st centuries by examining Ishiguro's fascination with characters who are profoundly constrained in their ability to understand global systems to which they are subject. Rather than following the established pattern of so-called global novels, which crisscross the planet exhibiting a knowing cosmopolitanism, Ishiguro's fictional engagement with the world comes principally in the form of characters who are cut off from the global systems that abuse them.

By examining the ways in which Ishiguro foregrounds the in-process thinking of those who fail to comprehend their place in the flow of politics, culture, and ideas, Holmes positions Ishiguro as the great chronicler of everyday lives, and as such, prepares a mode of reading world literature that questions the assumptions for how we live and think with others when each of us is deeply limited.

Chris Holmes is Associate Professor and Chair of Literatures in English at Ithaca College. He is the host of the literary interview podcast, Burned by Books, and he is host and co-producer on Novel Dialogue, the podcast of the Society of Novel Studies, both of which are New Books Network partners. His most recent essays appear in NOVEL, MFS, Critique, and Public Books.

Caroline Levine is David and Kathleen Ryan Professor of the Humanities at Cornell University. She is the author most recently of The Activist Humanist: Form and Method in the Climate Crisis, and Forms: Whole, Rhythm, Hierarchy, Network.

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