For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.
Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”
While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry.

Winner of the 2025 PEN/Voelcker Award for Poetry.

A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation.

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Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master's Clock: On Race, Space, and Time (AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved.

Rasheedah Phillips is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the New York Times, The Wire, New York Magazine, Boston Review, Hyperallergic, and e-flux.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Rasheedah continue their conversation.

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Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch (Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music.

10 Songs chosen by the authors:

Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for Billboard magazine.

Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University.

Caleb Zakarin is editor at the New Books Network.

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An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.
In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.
Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves.

Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature

Finalist, 2025 PEN America Open Book Award

James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation.

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On the 200th anniversary of Abraham Lincoln's birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln's writings as they examined key moments in his life and his enduring legacy. Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past (U Michigan Press, 2022) explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography.

The project addresses how different communities choose to commemorate historical figures, events, and places through art--whether performance, oratory, song, statuary, or portraiture--and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America's relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company's largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones's career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.

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In the latest episode of Unlocking Academia, Tarin Ahmed, the host, is joined by guest, William Jennings, a senior lecturer in French at the University of Waikato in New Zealand, and author of Dibia's World.: Life on an Early Sugar Plantation (Liverpool UP, 2023). William discusses the importance of names, voice and the community life of a hundred slaves on an early sugar plantation.

Dibia's World follows the story of Dibia, an educated man in Africa, stolen across the sea and sold into slavery. He spent the rest of his life on a sugar plantation, where he worked with Agoüya, drank Aboré's rum, married Izabelle and had a son named Paul. This book tells the story of the community he lived in with a hundred others in a colonial outpost of the Caribbean. It depicts the everyday life of enslaved Africans and Native Americans in remarkable detail, showing their names, relationships, skills, health and interactions, as they contended with and resisted their enslavement. Most studies of plantation life examine well-established colonies in the century before abolition. 

This work provides a counterpoint by depicting the founding population of an African-American community in the early years of the industrial sugar plantation complex. Drawing on a planter's manuscript, shipping records, missionary accounts and seventeenth-century scraps of paper, Dibia's World will appeal to specialists as well as general readers interested in the early Atlantic world, Creole societies, slavery and African-American history.

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Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame.

In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.

This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State.

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From the Shadow of the Blues: My Story of Music, Addiction, and Redemption (Rowman & Littlefield, 2025) is powerful memoir of redemption from the son of blues legend John Lee Hooker.

Born in Detroit and exposed to the music world from an early age, John Lee Hooker Jr. began singing as a featured attraction in his father's shows as a teenager. His father was a sharecropper's son who became known for hit songs like "Boogie Chillin," "I'm in the Mood," and "Boom Boom," and in 1972, he and his father performed live and recorded an album in Soledad Prison. Junior seemed to have a golden ticket to a successful music career as a child, but trouble brewed as his father's marriage was in trouble and ripped apart the family.
Drug addiction and a series of related crimes, including as a con player, landed Junior in and out of jails & prisons for several decades. An early brush with the law led to a sentence at Synanon, the infamous drug rehabilitation program turned religious cult. Later arrests resulted in time served in prisons including at Soledad, San Quentin, and Avenal.
Shot, stabbed, and convicted multiple times, Junior was at his lowest point doing time at a Santa Rita jail, but it was at that moment that he found the Lord. He emerged clean and sober and began a successful career as a blues singer, earning two Grammy nominations as well as the Bobby "Blue" Bland Lifetime Achievement Award. He eventually devoted himself fully to his faith. Reverend John Lee Hooker Jr. testifies, preaches, and performs gospel music in churches and prisons in both Germany and America.

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How do the disillusioned, the forgotten, and the persecuted not merely hold on to life but expand its possibilities and preserve its beauty? What, in other words, does utopia look like in black?

These questions animate Aaron Robertson’s exploration of Black Americans' efforts to remake the conditions of their lives. Writing in the tradition of Saidiya Hartman and Ta-Nehisi Coates, Robertson makes his way from his ancestral hometown of Promise Land, Tennessee, to Detroit—the city where he was born, and where one of the country’s most remarkable Black utopian experiments got its start. Founded by the brilliant preacher Albert Cleage Jr., the Shrine of the Black Madonna combined Afrocentric Christian practice with radical social projects to transform the self-conception of its members. Central to this endeavor was the Shrine’s chancel mural of a Black Virgin and child, the icon of a nationwide liberation movement that would come to be known as Black Christian Nationalism. The Shrine’s members opened bookstores and co-ops, created a self-defense force, and raised their children communally, eventually working to establish the country’s largest Black-owned farm, where attempts to create an earthly paradise for Black people continues today.

Alongside the Shrine’s story, Robertson reflects on a diverse array of Black utopian visions, from the Reconstruction era through the countercultural fervor of the 1960s and 1970s and into the present day. By doing so, Robertson showcases the enduring quest of collectives and individuals for a world beyond the constraints of systemic racism.

The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024) offers a nuanced portrait of the struggle for spaces—both ideological and physical—where Black dignity, protection, and nourishment are paramount. This book is the story of a movement and of a world still in the making—one that points the way toward radical alternatives for the future.

The Black Utopians is a finalist for the Los Angeles Times Book Prize for History. 

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

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In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?
Unrig the Game: What Women of Color Can Teach Everyone About Winning (Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.
For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve.

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