How does time figure in racial domination? What is the relationship between the capitalist organization of time and racial domination? Could utopian thinking give us ways of understanding our own time and its dominations? In Race, Time, and Utopia: Critical Theory and the Process of Emancipation (Oxford University Press, 2025), William Paris uses the tools of critical theory to draw out the utopian interventions in the works of W.E.B Du Bois, Martin Delany, Marcus Garvey, Frantz Fanon, and James Boggs. Arguing that utopian thinking gives us normative purchase on the problems of our own time, Paris shows not that these historical figures can tell us how or to what end we navigate our current crises. Rather, their insights and failures help us denaturalize our mode of life and develop self-emancipatory practices to realize what is not yet possible under the current conditions of injustice in which we have come to be.

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In Absorption Narratives: Jewishness, Blackness, and Indigeneity in the Cultural Imaginary of the Americas (U Toronto Press, 2025), Stephanie M. Pridgeon explores cultural depictions of Jewishness, Blackness, and Indigeneity within a comparative, inter-American framework. The dynamics of Jewishness interacting with other racial categories differ significantly in Latin America and the Caribbean compared with those in the United States and Canada, largely due to long-standing and often disputed concepts of mestizaje, broadly defined as racial mixture. As a result, a comprehensive understanding of Jewishness and the construction of racial identities requires an exploration of how Jewishness intersects with both Blackness and Indigeneity in the Americas.

Absorption Narratives charts the ways in which literary works capture differences and similarities among Black, Jewish, and Indigenous experiences. Through an extensive and diverse examination of fiction, Pridgeon navigates the complex connections of these identity categories, offering a comparative perspective on race and ethnicity across the Americas that destabilizes US-centric critical practices. Revealing the limitations of US-focused models in understanding racial alterity in relation to Jewishness, Absorption Narratives emphasizes the importance of viewing the narrative of race relations in the Americas from a hemispheric standpoint.

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In this episode my co-host and I had planned to talk about how the new Trump administration could create unity in America. The episode title had been, “Starting with a Clean Slate: How the Trump administration could create unity in America.” By starting anew, without a political agenda, we intended to explore how a new sense of community and pride in America could evolve. However, after the group in charge eliminated Diversity, Equity and Inclusion (DEI) programs in a day, we felt we needed to talk about the new way a greater divide in America is evolving and how psychoanalytic defense mechanisms can inform us about new dilemmas we are facing as a nation.

Denial, for example, appeared to be a part of what occurred. By refusing to acknowledge the existence or importance of systemic inequalities that DEI programs aimed to address, dismantling them is essentially denying reality. Since discrimination, inequity and racism are at an all-time high in our country, eliminating programs that were designed to improve them seems to overlook what is really occurring in America.

We also believe similar defense mechanisms are at play. The administration’s justification for ending DEI programs as “illegal” and “wasteful” can be seen as a form of rationalization. This defense mechanism involves creating logical-sounding reasons to justify actions that may be driven by underlying anxieties or biases. By framing DEI initiatives as discriminatory or ineffective, the administration rationalized their decision to eliminate them.

By attacking and dismantling DEI programs, it appears as though they have externalized internal conflicts, making them easier to confront and control. The strong push against DEI initiatives could be interpreted as reaction formation, where the administration overcompensated for underlying anxieties about diversity and inclusion by taking an extreme opposite stance.

Through the employment of these defense mechanisms, the Trump administration may be attempting to manage anxieties related to changing demographics, shifting power dynamics, and the challenges of addressing long-standing societal inequities. However, it’s important to note that these actions have significant real-world consequences for federal employees and the broader goals of creating a more inclusive and equitable society.

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In this groundbreaking biography, Mary Frances Phillips immerses readers in the life and legacy of Ericka Huggins, a revered Black Panther Party member, as well as a mother, widow, educator, poet, and former political prisoner. In 1969, the police arrested Ericka Huggins along with Bobby Seale and fellow Black Panther Party members, who were accused of murdering Alex Rackley. This marked the beginning of her ordeal, as she became the subject of political persecution and a well-planned FBI COINTELPRO plot.

Drawing on never-before-seen archival sources, including prison records, unpublished letters, photographs, FBI records, and oral histories, Phillips foregrounds the paramount role of self-care and community care in Huggins's political journey, shedding light on Ericka's use of spiritual wellness practices she developed during her incarceration. In prison, Huggins was able to survive the repression and terror she faced while navigating motherhood through her unwavering commitment to spiritual practices. In showcasing this history, Phillips reveals the significance of spiritual wellness in the Black Panther Party and Black Power movement.

Transcending the traditional male-centric study of the Black Panther Party, Black Panther Woman: The Political and Spiritual Life of Ericka Huggins (NYU Press, 2025) offers an innovative analysis of Black political life at the intersections of gender, motherhood, and mass incarceration. This book serves as an invaluable toolkit for contemporary activists, underscoring the power of radical acts of care as well as vital strategies to thrive in the world.

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Just in time for Black History Month, we share an episode we’ve been excitedly working on for a number of months now. Ethnomusicologist Maya Cunningham brings us “The Sound World of Harriet Tubman.” Maya Cunningham is an activist and jazz singer currently completing a Ph.D. at the University of Massachusetts, Amherst, in Afro-American studies with a concentration in ethnomusicology. 

We first came across Maya’s work last year as part of The Harriet Tubman Bicentennial Project, an online initiative from Ms. magazine honoring the 200th anniversary of Harriet Tubman’s birth in 1822. It’s a remarkable package that adds many dimensions of understanding of the underground railroad conductor and feminist icon: Her experience of disability due to a blow to the head by a white overseer; her creation of a home for the aged; her love of the natural world; and much more. And to us, the richest of these essays was Maya’s the “Sound World of Harriet Tubman,” which used field recordings, historical research, and ethnomusicological research to explore the roles of sound and music, and voice in Tubman’s life and leadership. The piece included a Spotify playlist so you could listen as you read. 

Today, we’re thrilled to bring you what we hope will be an even more immersive experience: Maya Cunningham reading her essay, and thanks to the editing and mixing skills of Phantom Power producer Ravi Krishnaswami, her field recordings and playlist selections are mixed into the story. 

And just a quick note, you’re going to hear about the American Christian revival known as the Second Great Awakening, which stirred both Black and white people from the late 1700s to the mid-1800s. You’ll also hear about the Invisible Church, where enslaved African Americans were able to worship secretly and autonomously and through the singing of folk spirituals, which differed greatly from white religious music at the time, but would go on to influence not only gospel music but pretty much every form of popular music we know today. If you want to learn more about this history, a great place to start is a book edited by two professors Mack studied with at Indiana University, Drs. Mellonee V. Burnim and Portia K. Maultsby. It’s called African American Music: An Introduction. 

And today, we share our Patrons-only segment, “What’s Good,” in our main feed. Maya will recommend something good to read, listen to, and do. 

Today’s musical selections and soundscapes are by Maya Cunningham. The show was mixed and edited by Ravi Krishnaswami. The Harriet Tubman image was created by Maddie Haynes.

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Our book is: The Vice President's Black Wife: The Untold Life of Julia Chinn (University of North Carolina Press, 2023) by award-winning historian Dr. Amrita Chakrabarti Myers. Dr. Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796–1833), the enslaved wife of Richard Mentor Johnson. Johnson was the owner of Blue Spring Farm, a veteran of the War of 1812, and the US vice president under Martin Van Buren. Johnson never freed Chinn, but during his frequent absences from his estate, he delegated to her the management of his property, including Choctaw Academy, a boarding school for Indigenous men and boys on the grounds of the estate. This meant that Chinn, although enslaved herself, oversaw Blue Spring's slave labor force and had substantial control over economic, social, financial, and personal affairs within the couple's world. Chinn's relationship with Johnson was unlikely to have been consensual since she was never manumitted. What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family—up to a point. When the family left their farm, they faced steep limits: pews at the rear of the church, burial in separate graveyards, exclusion from town dances, and more. Johnson’s relationship with Chinn ruined his political career but as Dr. Myers compellingly demonstrates, it wasn't interracial sex that led to his downfall but his refusal to keep it—and Julia Chinn—behind closed doors.

Our guest is: Dr. Amrita Chakrabarti Myers, who is the Ruth N. Halls Associate Professor of History and gender studies at Indiana University Bloomington. She is the author of Forging Freedom: Black Women and the Pursuit of Liberty in Antebellum Charleston, and The Vice President's Black Wife: The Untold Life of Julia Chinn.

Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast.

Listeners may enjoy this playlist:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!

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In 1492, Christopher Columbus arrived on the Caribbean Island of Guanahaní to find an Edenic scene that was soon mythologized. But behind the myth of paradise, the Caribbean and its people would come to pay the price of relentless Western exploitation and abuse. In Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis (Doubleday Books, 2025), Dr. Tao Leigh Goffe embarks on a historical journey to chart the forces that have shaped these islands: the legacy of slavery, indentured labor, and the forced toil of Chinese and enslaved Black people who mined the islands’ bounty—including guano, which, at the time, was more valuable than gold—for the benefit of European powers and at the expense of the islands’ sacred ecologies.

Braiding together family history, cultural reportage, and social studies, Goffe radically transforms how we conceive of Blackness, the natural world, colonialism, and the climate crisis; and, in doing so, she deftly dismantles the many layers of entrenched imperialist thinking that shroud our established understanding of the human and environmental conditions to reveal the cause and effect of a global catastrophe. Dark Laboratory forces a reckoning with the received forms of knowledge that have led us astray.

Through the lens of the Caribbean, both guide and warning of the man-made disasters that continue to plague our world, Goffe closely situates the origins of racism and climate catastrophe within a colonial context. And in redressing these twin apocalypses, Dark Laboratory becomes a record of the violence that continues to shape the Caribbean today. But it is also a declaration of hope, offering solutions toward a better future based on knowledge gleaned from island ecosystems, and an impassioned, urgent testament to the human capacity for change and renewal.

Tao Leigh Goffe is a London-born, Black British award-winning writer, theorist, and interdisciplinary artist who grew up between the UK and New York. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before pursuing a PhD at Yale University. She lives and works in Manhattan where she is currently an Associate Professor at Hunter College, CUNY. Dr. Goffe has held academic positions and fellowships at Leiden University in the Netherlands and Princeton University in New Jersey.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene by Samantha Ege (University of Illinois Press, 2014) is a collective biography of a group of Black women living in Chicago who were at the center of the support, promotion, and circulation of classical music by Black composers—often specifically Black women composers—in the years between the World Wars. Women like Nora Holt, Maud Roberts George, Estella Conway Bonds, and her daughter Margaret Bonds founded and led institutions, raised money, wrote music criticism, composed music, played in and arranged concerts, opened their homes to salons and their wallets to support concerts and even individuals. This “behind the scenes” book, shows how these Race Women made Chicago’s South Side into a center of Black classical music making.

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In August 1831, a group of enslaved people in Southampton County, Virginia, rose up to fight for their freedom. They attacked the plantations on which their enslavers lived and attempted to march on the county seat of Jerusalem, from which they planned to launch an uprising across the South. After the rebellion was suppressed, well over a hundred people, Black and white, lay dead or were hanged. As news of the revolt spread, it became apparent that it was the idea of a single man: Nat Turner. An enslaved preacher, he was as enigmatic as he was brilliant. He was also something more—a prophet, one who claimed to have received visions from the Spirit urging him to act.

Nat Turner, Black Prophet: A Visionary History (FSG, 2024) is the fullest recounting to date of Turner’s uprising, and the first that refuses to tame or overlook his divine visions. Instead, it takes those visions seriously, tracing their emergence from the world of nineteenth-century Methodism, with its revivals, camp meetings, interracial churches, and Black preachers. The rebellion and its aftermath would hasten the end of this world, as Southern states further restricted the personal freedoms of the enslaved, even as the ongoing threat of revolt shaped the country’s politics. With this work of narrative history, the late historian Anthony E. Kaye and his collaborator Gregory P. Downs have given us a new understanding of one of the nineteenth century's most decisive events.

Nat Turner, Black Prophet was named a Times Literary Supplement Book of the Year and one of Literary Hub's 50 Best Nonfiction Books of the Year.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

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Black Cake, Turtle Soup, and Other Dilemmas (Dundurn Press, 2025) by Gloria Blizzard is a diasporic collection of essays on music, memory, and motion.

In this powerful and deeply personal essay collection, Gloria Blizzard, in an international diasporic quest, moves up and down an urban subway line; between Canada and Trinidad; to and from a hospital emergency room; back and forth in time — and as a descendent of Africa living in the Americas, negotiates the complexities of culture, geography, race, and language. Through food, music, dance, and family history, Blizzard explores the art of belonging — to a family, a neighbourhood, a group, or a country. Using traditional narrative and the tools of poetry, Blizzard’s essays hover at the crossroads, in the spaces where art, science, and spirit collide. The intimate becomes universal, the questions are all relevant, and the answers of our times require a sleight of hand — the holding of simultaneous and overlapping worlds.

About Gloria Blizzard:

Gloria Blizzard is an award-winning writer and poet, and a Black Canadian woman of multiple heritages. Her work explores spaces where music, dance, spirit, and culture collide. She lives in Toronto.

About Hollay Ghadery:

Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.

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