What happened to freedom singing after Martin Luther King, Jr.’s assassination? Stephen Stacks considers this question in The Resounding Revolution: Freedom Song After 1968 (U Illinois Press, 2025). He argues that the cultural myths around the Civil Rights Movement from 1954 to 1968, which are partially supported by the appeal of Freedom Songs, have hindered and inspired later activists as they grappled with the shadow of a simplistic and sanitized memory of what it takes to create political change. Stacks’s analysis shifts the focus of attention from genre—freedom song—to process and practice—freedom singing. In a wide-ranging book, he contemplates the role of nostalgia in political advocacy, investigates the work of one of the movement’s great singers, Bernice Johnson Reagon after 1968, and explains how the media and crucial musical figures shaped and sometimes complicated the collective memory of the Civil Rights movement and its music. The Resounding Revolution examines sixty years of Black music to challenge and reshape the entrenched story of the Civil Rights Movement.

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What happens if we turn to James Baldwin, not just for the amazing quotations and excellent photos, but as a critical theorist? What if we read his nonfiction philosophically? What can Baldwin help us understand and do now? In So Unimaginable a Price: Baldwin and the Black Atlantic (Northwestern UP, 2025), John Drabinski takes up this project to give a sustained philosophical reading of Baldwin’s nonfiction. Drabinski does so to understand the event of Baldwin’s contributions in the context of the Black Atlantic. Baldwin was a thinker who looked to the United States, even when in exile. But he was also in the broader context of the mid-twentieth century Black Atlantic, of which he was surely aware but wrote little—what if we read for what was absent from Baldwin’s texts?

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A superstar in both football and track and field Sol Butler pioneered the parlaying of sports fame into business prosperity. In Sol Butler: An Olympian's Odyssey through Jim Crow America (U Illinois Press, 2026) Brian Hallstoos tells the story of a Black athlete’s canny use of mainstream middle-class values and relationships with white society to transcend the athletic, economic, and social barriers imposed by white supremacy. Butler built on his feats as a high school athlete to become a four-year starter for the football team at Dubuque German College (later the University of Dubuque), a record-setting sprinter and long jumper, and an Olympian at the 1920 Summer Games. Hallstoos follows Butler’s sporting accomplishments while charting how family and interracial communities influenced the ways Butler tested the limits of social and physical mobility and gave him an exceptional ability to discern where he might be most free. From there, Hallstoos turns to Butler’s use of fame to boost his entrepreneurial efforts and his multifaceted success capitalizing on his celebrity in the Black communities of Chicago, New York, and Los Angeles. An engaging look at a forgotten trailblazer, Sol Butler illuminates the multifaceted life of a Black sports entrepreneur.

Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South.

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Settler Colonialism is the Disaster: A Critique of New Orleans After Hurricane Katrina and During the COVID-19 Pandemic (U Illinois Press, 2026) is the new book from Dr. Cassandra Shepard, Assistant Professor in the Department of African American and Diaspora Studies at Xavier University of Louisiana. Published with University of Illinois Press, this encompassing and engrossing book focuses on the crises that have engulfed New Orleans, including the disasters of colonialism, Hurricane Katrina in 2005, and COVID-19, taking the reader through their causes and impacts on not only a broad level but through the everyday and often traumatic experiences of the residents of New Orleans. The analysis moves from the Lower Ninth Ward in New Orleans, to state-level post-disaster reconstruction contracts, to international forms of colonialism, and even encompasses Beyonce. This book, which is also includes poetry and a recommended playlist, is also very relevant to the current global moment.

Shepard analyses the overlapping and intersecting disasters that have affected New Orleans through ideas of disaster capitalism and settler colonialism, demonstrating how Black and Indigenous peoples have been deprived of critical resources. The reconstruction processes following, and during, these crises have often sought to exploit the authentic New Orleans culture and vibrancy to further the consolidation of power, profit, and privilege of white elites, to the detriment of Black and Indigenous peoples. Shepard’s book, Settler Colonialism is the Disaster, takes a multi-scalar view of settler colonialism and investigates how it has not only operated historically in New Orleans, but clearly demonstrates that it is a continual process that still determines reconstruction, relief, and other projects today. Shepard connects the ongoing violence and dispossession inherent in settler colonialism within New Orleans, expressed through structural responses to Hurricane Katrina and COVID-19, to other settler colonial projects around the world, such as in Canada, Israel, New Zealand, and Australia.

Cassandra Shepard’s new book is an exceptional, theoretically and empirically rich book that offers a new critique into ‘best practice’ reconstruction, which demands attention. Settler Colonialism is the Disaster offers an urgent, critical view of the political economy of reconstruction, aid, and government responses; a view which is crucial to take seriously in our world today, plagued as it is by crisis, war, and settler colonialism.

Elliot Dolan-Evans is a sessional lecturer in law at Monash University and RMIT. His research investigates the political economy of global capitalism, forms of international governance, and questions of war and peace. His first book, Making War Safe for Capitalism: The World Bank, IMF and the Conflict in Ukraine, is now out with Bristol University Press.

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In this masterful, groundbreaking work Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage (Pantheon, 2026), Pulitzer Prize-winning author Heather Ann Thompson shines surprising new light on an infamous 1984 New York subway shooting that would unveil simmering racial resentments and would lead, in unexpected ways, to a fractured future and a new era of rage and violence.

On December 22, 1984, in a graffiti-covered New York City subway car, passengers looked on in horror as a white loner named Bernhard Goetz shot four Black teens, Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur, at point-blank range. He then disappeared into a dark tunnel. After an intense manhunt, and his eventual surrender in New Hampshire, the man the tabloid media had dubbed the “Death Wish Vigilante” would become a celebrity and a hero to countless ordinary Americans who had been frustrated with the economic fallout of the Reagan 80s. Overnight, Goetz’s young victims would become villains.

Out of this dramatic moment would emerge an angry nation, in which Rupert Murdoch’s New York Post and later Fox News Network stoked the fear and the fury of a stunning number of Americans.

Drawing from never-before-seen archival materials, legal files, and more, Heather Ann Thompson narrates the Bernie Goetz Subway shootings and their decades-long reverberations, while deftly recovering the lives of the boys whom too many decided didn’t matter. Fear and Fury is the remarkable account and a searing indictment of a crucial turning point in American history.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

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Police Against the Movement: The Sabotage of the Civil Rights Struggle and the Activists Who Fought Back (Princeton UP, 2025) shatters one of the most pernicious myths about the 1960s: that the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds. In return, organizers found themselves the targets of overwhelming political repression in the form of police surveillance, infiltration by undercover officers, and retaliatory prosecutions aimed at discrediting and derailing their movement.
The history of the civil rights era abounds with accounts of physical brutality by county sheriffs and tales of political intrigue and constitutional violations by FBI agents. Turning our attention to municipal officials in cities and towns across the US—North, South, East, and West—Davis reveals how local police bombarded civil rights organizers with an array of insidious weapons. More than just physical violence, these economic, legal, and reputational attacks were designed to project the illusion of color-blind law enforcement.
The civil rights struggle against police abuses is largely overlooked today, the victim of a willful campaign by local law enforcement to erase their record of repression. By placing activism against state violence at the center of the civil rights story, Police Against the Movement offers critical insight into the power of political resistance in the face of government attacks on protest.

Joshua Clark Davis is associate professor of history at the University of Baltimore. He is the author of From Head Shops to Whole Foods and the coeditor of Baltimore Revisited, and he has written for The Nation, Slate, Jacobin, and The Atlantic.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here 

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Baldwin: A Love Story (FSG, 2025) the first major biography of James Baldwin in three decades, reveals how profoundly the writer’s personal relationships shaped his life and work. Drawing on newly uncovered archival material and original research and interviews, this spellbinding book tells the overlapping stories of Baldwin’s most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac, whose long-overlooked significance as Baldwin’s last great love is explored in these pages for the first time.

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In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, A Protest History of the United States (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in early 2026, the nation would be in the midst of widespread and ongoing protests.

So Browne-Marshall is back, this time with conversation focused specifically on the chapter of the book titled, “Protesting Violent Policing.”

In this episode, we mention Terence Keel’s The Coroner’s Silence (Beacon Press, 2025). Keel’s New Books Network episode is available here.

A Protest History of the United States: In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, offering insights into past successes and setbacks.

Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States expands the definition of protest beyond traditional marches and rallies. Acts of resistance also include journalism, legal battles, boycotts, everyday defiance, and more. Browne-Marshall highlights stories of individuals from all walks of life and time periods who helped bring strong attention to their causes.

As contemporary movements struggle with inertia and doubt, Browne-Marshall underscores the essential role of protest as an American tradition in shaping and preserving democratic principles. By illuminating the strategies and sacrifices of activists past and present, A Protest History of the United States empowers readers to find their own voice in today’s fights for justice.

Find author Gloria J. Browne-Marshall at her website and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

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In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3).

Today’s guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello’s Black Handkerchief.” Ian is the current President of the Shakespeare Association of America.

John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.

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The first biography of the revolutionary political prisoner who laid the foundation for contemporary abolitionist struggles and Black anarchism.

A Continuous Struggle: The Revolutionary Life of Martin Sostre (AK Press, 2025) is a political biography of one of the most important revolutionary figures of the twentieth century in the United States. Martin Sostre (1923–2015) was a Black Puerto Rican from East Harlem who became a politicized prisoner and jailhouse lawyer, winning cases in the early 1960s that helped secure the constitutional rights of incarcerated people. He opened one of the country’s first radical Black bookstores and was scapegoated and framed by police and the FBI following the Buffalo rebellion of 1967. He was sentenced by an all-white jury to thirty-one to forty-one years.

Throughout his nine-year imprisonment, Sostre transformed himself and the revolutionary movements he was a part of, eventually identifying as a revolutionary anarchist and laying the foundation for contemporary Black anarchism. During that time, he engaged in principled resistance to strip frisks for which he was beaten eleven times, raising awareness about the routinized sexual assault of imprisoned people. The decade-long Free Martin Sostre movement was one of the greatest and most improbable defense campaign victories of the Black Power era, alongside those to liberate Angela Davis and Huey Newton. Although Sostre receded from public view after his release in 1976, he lived another four decades of committed struggle as a tenant organizer and youth mentor in New York and New Jersey. Throughout his long life, Martin Sostre was a jailhouse lawyer, revolutionary bookseller, yogi, mentor and teacher, anti-rape organizer, housing justice activist, and original political thinker. The variety of strategies he used and terrains on which he struggled emphasize the necessity and possibility of multi-faceted and continuous struggle against all forms of oppression in pursuit of an egalitarian society founded on the principles of “maximum human freedom, spirituality, and love.”

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.

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