The collection of wisdom fables known as Kalila and Dimna began its long literary life in Sanskrit more than two millennia ago, and was subsequently translated to numerous languages. But it is the Arabic version, adapted from Middle Persian by the eighth-century scholar Ibn al-Muqaffa, that has left the most substantial literary footprint. A foundational text of classical Arabic prose and the basis for translations into Hebrew, Syriac, Castilian, Latin, Persian, and more, versions of Kalila and Dimna exists in hundreds of manuscript copies held in libraries around the world. 
Kalila and Dimna is the focus of Isabel Toral and Beatrice Gruendler's new work An Unruly Classic: Kalīla and Dimna and Its Syriac, Arabic, and Early Persian Versions (Brill: 2024). In this collected volume, members of the Kalila and Dimna project discuss, from different perspectives, a core aspect of their work with this textual tradition: the study of variation and mutability. The aim is to shed light on Kalila and Dimna’s so-called mouvance and establish typologies of textual mobility and instability across linguistic traditions and historical periods, as well as to develop analytical tools to describe, classify, represent, and interpret these dynamics. As will be shown, the progressive digitalization of philology in the last decades has offered the unique opportunity of putting the concept of mouvance into practice. Contributors include Theodore S. Beers, Jan J. van Ginkel, Khouloud Khalfallah, Mahmoud Kozae, Rima Redwan, and Johannes Stephan.

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A bold, unforgettable novel of war, imagination, and survival. Thirteen-year-old Kamiran is fleeing the collapse of Syria when his body begins to harden literally—turning to chalk. As his transformation unfolds, he pours his memories, secrets, and darkly funny confessions into a piece of chalk he stole at school. Through the eyes of this precocious, resilient boy, Safe Corridor explores what it means to survive the unthinkable—with tenderness, fury, and imagination.

Written by acclaimed Kurdish-Syrian novelist Jan Dost and translated by Marilyn Booth—winner of the 2019 International Booker Prize—Safe Corridor is a searing, surreal journey through displacement, coming of age, and the cost of war.

Winner of the 2024 Bait AlGhasham DarArab International Translation Prize.

Jan Dost, born in 1966, is a native of Kobani in the Aleppo region of Syria. A student of natural sciences at the University of Aleppo (1985-89), he embarked on a career in journalism in the roles of reporter and editor, currently for the Kurdistan Chronicle (published in English in Erbil, Iraq) He is editor-in-chief of the Arabic-language magazine Kurdistan.

Marilyn Booth is professor emerita, Faculty of Asian and Middle Eastern Studies and Magdalen College, Oxford University. 

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Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach’s—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.
Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library.

William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility.

Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley’s The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy.

Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022)

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A neighborhood of picturesque content-creation houses perched on too-green lawns in a California desert; a meandering stampede of unleashed dogs on the streets of San Francisco; a skein of snow geese alighting in a state park in Missouri; an uncanny fundraising auction at an upscale suburban-DC prep school. Inhabiting these worlds of disconnection and dislocation are the "sad grownups" a middle-aged queer couple arguing over whether to have children, a college professor dying from cancer, two recent high school graduates plotting a robbery, a sixty-year-old counselor at a boys' summer camp sheltering herself from the realities of life-all connected more closely to the landscapes around them than to other people, searching fervently for liberation, understanding, and even happiness, wherever and however they might be found.

Amy Stuber’s writing has appeared in the New England Review, Flash Fiction America, Ploughshares, The Idaho Review, Cincinnati Review, Triquarterly, American Short Fiction, Joyland, and elsewhere. She’s the recipient of the Missouri Review’s 2023 William Peden Prize in fiction, winner of the 2021 Northwest Review Fiction Prize, and runner-up for the 2022 CRAFT Short Fiction Prize. Her work received a special mention in Pushcart Prize XLIV, appeared on the Wigleaf Top 50 in 2021, has been nominated for Best of the Net, and appears in Best Small Fictions 2020 and 2023. She has a PhD in English, has taught college writing, and worked in online education for many years.

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Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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Hidden Heroes (Anthem Press, 2025) offers a rare and intimate glimpse into the lives of ordinary North Koreans through a collection of short stories by renowned DPRK authors. Spanning from the 1980s to the present, these works explore the theme of the “hidden hero,” a popular moniker in the DPRK to describe the average citizen who navigates the complexities of daily life with quiet dedication for their work and country.

In this interview, Dr. Kim and Dr. Berthelier discuss the appeal of North Korean literature, their approach to translating the collection, and how sharing stories reminds readers of our shared humanity.

Dr. Benoit Berthelier is a senior lecturer in Korean Studies at the University of Sydney. His research interests include North Korea’s cultural industries and digital technologies. View his university profile here. 

Dr. Immanuel Kim is The Korea Foundation and Kim-Renaud Professor of Korean Literature and Culture Studies at George Washington University. His research focuses on the changes and development, particularly in the representations of women, sexuality, and memory, of North Korean literature from the 1960s to present day. View his university profile here. 

Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at [email protected]

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In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy’s Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens’ book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon.

Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

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Israeli Documentary Poetry: Coming of Age with the State introduces and explores documentary poetry written by Israeli poets who came of age during the first two decades of the state and who, since the 1970s and 1980s, have recorded their experiences of that period. This study offers a literary-cultural analysis of forty-two poems by thirty Israeli poets of various backgrounds, divided into themes such as: memories of the Holocaust and portraits of survivors and their offspring; transit locations and situations both en route to and within Israel; displacement as a shared fate of Jews and Arabs; school and classroom experiences; Mizraḥi women between Levantine patriarchy and Western liberalism; and languages of the diaspora versus Hebrew.

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Traversing teeming metropolises and tiny towns, Prose to the People: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books.

Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.

Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.

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Superhero violence and graphic action sequences are prevalent on the screen and on the page, but this book takes an alternative route with practical guidance, frameworks, and tools for incorporating the principles of peacebuilding and nonviolence into compelling fiction. By mapping a path less travelled but just as vital in divisive times, in n A Fiction Writer’s Guide to Peace: Crafting Nonviolent Heroism (Bloomsbury, 2025) Dr. Gabriel Ertsgaard shows writers how they can enact nonviolent heroism in their characters, model civil resistance in their stories, and create worlds around a mythos that champions redemptive nonviolence.

With concepts applicable to writing for fiction, drama, the screen, and narrative poetry, A Fiction Writer's Guide to Peace deconstructs the necessity for violence in popular works, explores key concepts in peace studies, and helps writers establish their own peace poetics. Focused around the narrative craft techniques of character arcs, campaigns, duels, and worldbuilding, the book features numerous creative writing prompts and examples from key works. These include films such as Trading Places, Selma, Lage Raho Munna Bai, and Frozen and literature ranging from Shakespeare's plays to Dickens' A Christmas Carol to Julia Quinn's Bridgerton novels.

A timely and important expansion to any writer's toolkit, A Fiction Writer's Guide to Peace allows storytellers to understand the complex dynamics of, and the damage caused by, violent perspectives and actions, giving them a way into considering nonviolence as powerful and preferable.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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