Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity.

In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers’ experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre’s potential to provide a more expansive and nuanced understanding of interwar memorial culture.

Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016’s Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007’s The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory. 

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan  France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.

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For a century, magazines were the authors of culture and taste, of intelligence and policy - until they were overthrown by the voices of the public themselves online. Magazine (Bloomsbury, 2023) by Jeff Jarvis, part of the Object Lessons series is a tribute to all that magazines were.

From their origins in London and on Ben Franklin's press; through their boom - enabled by new technologies - as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet. This tale is told through the experience of a magazine founder, the creator of Entertainment Weekly at Time Inc., who was also TV critic at TV Guide and People and finally an executive at Condé Nast trying to shepherd its magazines into the digital age.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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A fascinating exploration of George Orwell--and his body of work--by an award-winning Orwellian biographer and scholar, presenting the author anew to twenty-first-century readers.

We find ourselves in an era when the moment is ripe for a reevaluation of the life and the works of one of the twentieth century's greatest authors. This is the first twenty-first-century biography on George Orwell, with special recognition to D. J. Taylor's stature as an award-winning biographer and Orwellian.

Using new sources that are now available for the first time, we are tantalizingly at the end of the lifespan of Orwell's last few contemporaries, whose final reflections are caught in this book. The way we look at a writer and his canon has changed even over the course of the last two decades; there is a post-millennial prism through which we must now look for such a biography to be fresh and relevant. This is what Orwell: The New Life (Pegasus Books, 2023) achieves.

Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.

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The Kannada language boasts an ongoing literary tradition spanning more than a millennium, with a rich array of social positions and roles, religious traditions, and poetic styles that developed over the dramatic history of the region. Yet translations from premodern Kannada to English have been inconsistent, with only a handful of works that have endured. Stories of Shiva's Saints is the first English translation of selected stories from a thirteenth-century text by Hampeya Harihara that sheds light on the rapid spread of Shiva devotion in the region through edified biographies of figures who lived a few decades earlier, and the stories' historical significance is matched by their gripping plots and emotional expressivity.

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Our contemporary world is inescapably Greek. Whether in a word like “pandemic,” a Freudian state of mind like the “Oedipus complex,” or a replica of the Parthenon in a Chinese theme park, ancient Greek culture shapes the contours of our lives. Ever since the first Roman imitators, we have been continually falling under the Greeks’ spell.

But how did ancient Greece spread its influence so far and wide? And how has this influence changed us?

In What the Greeks Did for Us (Yale UP, 2023), Tony Spawforth explores our classical heritage, wherever it’s to be found. He reveals its legacy in everything from religion to popular culture, and unearths the darker side of Greek influence—from the Nazis’ obsession with Spartan “racial purity” to the elitism of classical education. Paying attention to the huge breadth and variety of Hellenic influence, this book paints an essential portrait of the ancient world’s living legacy—considering to whom it matters, and why.

Tony Spawforth is emeritus professor of ancient history at Newcastle University. As well as leading cultural tours in Greece, he has presented eight documentaries for the BBC and has published thirteen books, including The Story of Greece and Rome.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it. 

In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels.

Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).

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Hello, this is Eric LeMay, a host on the New Books Network. Today, I speak with Daniel Pollack-Pelzner, author of the new artist’s biography Lin-Manuel Miranda: The Education of an Artist (Simon & Schuster, 2025). The book was recently named one of NPR’s Books We Loved for 2025. Pollack-Pelzner is a cultural historian, theater critic, and teacher at Portland State University, whose writing has appeared in The New Yorker, The Atlantic, and The New York Times.

Pollack-Pelzner’s biography offers a captivating exploration of Miranda’s artistic journey—from a sensitive child in Manhattan’s Washington Heights to the visionary creator of Hamilton whose voice has reshaped musical theater and popular culture. This book captures a living artist in motion, weaving together countless threads of collaboration, cultural synthesis, and personal revelation that define Miranda’s work.

In our conversation, we focus on the challenge of writing biography itself. How does a scholar and critic approach the story of someone whose art feels both deeply personal and expansively historical? How does one trace the education of an artist who learned not in isolation, but through community, heritage, and creative exchange? Pollack-Pelzner guides us through these questions with the grace of a storyteller and the precision of a historian, drawing on unparalleled access to Miranda’s inner circle and his own interviews with the artist.

This is a book about how an artist finds his voice, and a conversation about how a biographer finds the shape of a life. Join me for this engaging discussion with the delightful Daniel Pollack-Pelzner.

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KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers.

Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond’s creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination.

Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state’s efforts to neutralize and counter Western cultural influences on the Soviet population.

Dr. Filip Kovacevic’s research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. KGB Literati illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children’s literature. Animating the Victorians: Disney’s Literary History (University Press of Mississippi, 2025) explores Disney’s adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney’s writers engaged not just with the texts themselves but with the contexts in which they were written, their authors’ biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print.

But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney’s animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney’s adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age.

An audiobook will be available in January 2026.

Patrick C. Fleming is a scholar of Victorian studies and children's literature.

Peter C. Kunze is an assistant professor of communication at Tulane University.

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Wednesday, December 17—“The best play I’ve seen this season,” says New York Magazine’s Sara Holdren about Liberation, Bess Wohl’s moving exploration of the women’s movement through the story of an Ohio consciousness-raising group in the early 1970s and a daughter who yearns to understand her mother’s life and her own.
To discuss this timely play and the movement’s powerful literary roots, Wohl joins memoirist Honor Moore, co-editor of Library of America’s Women’s Liberation! Feminist Writings that Inspired a Revolution and Still Can, for a conversation about freedom, feminism, and visions for a better future, then and now.
LOA LIVE programs are made possible by contributions from friends like you, and we encourage you to consider making a donation to support future presentations.

Max Rudin is President & Publisher of Library of America.

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