Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation. 

Yet, in Ice Geographies: The Colonial Politics of Race and Indigeneity in the Arctic (Duke UP, 2025), Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty “nature” stripped of power relations. 

Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks?

Works mentioned in the episode:

Darcie Bernhardt, an Inuvialuk/Gwichin artist from Tuktuyaaqtuuq whose work is on the cover of Jen Rose Smith’s book, Ice Geographies.

“The Arctic is Not White” by asinnajaq in Inuit Art Quarterly, 35 (4), Winter 2022.

Borealis, by Aisha Sabatini Sloan

Jen Rose Smith is an Assistant Professor of American Indian Studies and Geography at the University of Washington. She is a dAXunhyuu (Eyak, Alaska Native) geographer interested in the intersections of coloniality, race, and indigeneity. 

Chrystel Oloukoï is an Assistant Professor of Geography at the University of Washington, Seattle. Their upcoming manuscript, black nocturnal explores imaginations of the night in Lagos and the afterlives of colonial technologies of temporal discipline.

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Discover the sweeping story of how Indigenous, European, and African traditions intertwined to form an entirely new cuisine, with over 90 recipes for the modern home cook—from the James Beard Cookbook Hall of Famer and star of the Netflix docuseries High on the Hog. One of our preeminent culinary historians, Dr. Jessica B. Harris has conducted decades of research throughout the Americas, the Caribbean, and Africa. In this telling of the origins of American food, though, she gets more personal. As heritage is history, she intertwines the larger sweeping past with stories and recipes from friends she’s made over the years—people whose family dishes go back to the crucial era when Native peoples encountered Europeans and the enslaved Africans they brought with them. Through this mix, we learn that Clear Broth Clam Chowder has both Indigenous and European roots; the same, too, with Enchiladas Suizas, tomatillo-smothered tortillas made “Swiss” with cheese and dairy; and that the hallmarks of African American food through the centuries have been evolution based on region, migration, and innovation, resulting in classics like Red Beans and Rice and Peach Bread Pudding Cupcakes with Bourbon Glaze. With recipes ranging from everyday meals to festive spreads, Braided Heritage: Recipes and Stories on the Origin of American Cuisine (Clarkson Potter, 2025) offers a new, in-depth, delicious look at American culinary history.

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In 2020, the US Supreme Court ruled, in a surprise decision, that treaties still on the books as US law meant that the Muscogee people of Oklahoma maintained legal jurisdiction over a large portion of the state; in short, that much of Oklahoma remained Indian Country. McGirt v. Oklahoma has been fought over in the court system since, but the implications are ongoing, in Oklahoma and elsewhere. In By the Fire We Carry: The Generations-Long Fight for Justice on Native Land (Harper, 2024), award winning journalist, writer, and podcaster Rebecca Nagle tracks this story back hundreds of years, through the history of the Muscogee and other Southeastern Indigenous nations, to the era of removal in the 1830s, and up through the present day. This includes the case of Patrick Murphy, and the murder that kickstarted McGirt's surprising and unlikely trek through the courts. A powerful of story of what can happen when people simply follow the laws as written, Nagle argues that Indigenous resistance, resilience, and power as just as much of the story of the West as disposession and land loss.

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The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) by Dr. Martin Austin Nesvig tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women – the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others – routinely adapted Native ritual into hybrid magic and cosmology. Through a radical rethinking of colonial knowledge, Dr. Nesvig uncovers a world previously left in the shadows of historical writing, revealing a fascinating and vibrant multi-ethnic community of witches, midwives, and healers.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Though a nonnuclear state, Australia was embroiled in the military and civilian nuclear energy programs of numerous global powers across the twentieth century. From uranium extraction to nuclear testing, Australia’s lands became sites of imperial exploitation under the guise of national development. The continent was subject to rampant nuclear colonialism. However, this history is not just one of imposition. Aboriginal communities, bearing the brunt of these processes, have persistently resisted, reclaiming their rights to Country and demanding reparations.
As Dr. Jessica Urwin shows in Contaminated Country: Nuclear Colonialism and Aboriginal Resistance in Australia (U of Washington Press, 2025 & Melbourne University Press, 2026), extraction, weapons testing, and nuclear waste disposal have caused incalculable physical, spiritual, and cultural harm to Aboriginal communities and lands. Yet Indigenous peoples all over the world have not only survived nuclear colonialism but challenged it time and time again. Tracking the colonial mechanisms Australia used to pursue a nuclear industry, Dr. Urwin simultaneously highlights how Aboriginal peoples refused and reshaped those same mechanisms over time. A groundbreaking book, Contaminated Country reveals how Australia’s deep nuclear past has been entangled with colonialism locally, nationally, and internationally.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In this episode of the Language on the Move Podcast, Ingrid Piller speaks with Sari Pietikainen about her new book Cold Rush (Palgrave Macmillan, 2024).

This book is an original study of “Cold Rush,” an accelerated race for the extraction and protection of Arctic natural resources. The Northernmost reach of the planet is caught up in the double developments of two unfinished forces – rapidly progressing climate change and global economic investment - working simultaneously in tension and synergy. Neither process is linear or complete, but both are contradictory and open-ended.

This book traces the multiplicity of Cold Rush in the Finnish Arctic, a high-stakes ecological, economic, and political hotspot. It is a heterogeneous space, understood as indigenous land within local indigenous Sámi people politics, the last frontier from a colonial perspective, and a periphery under the modernist nation-state regime. It is now transforming into an economic hub under global capitalism, intensifying climate change and unforeseen geo-political changes.

Based on six years of ethnography, the book shows how people struggle, strategize, and profit from this ongoing, complex, and multidirectional change.

The author offers a new theoretical approach called critical assemblage analysis, which provides an alternative way of exploring the dynamics between language and society by examining the interaction between material, discursive, and affective dimensions of Cold Rush. The approach builds on previous work at the intersection of critical discourse analysis, critical sociolinguistics, nexus analysis and ethnography, but expands toward works by philosophers Michel Foucault, Gilles Deleuze, and Felix Guattari.

This book will be of interest to researchers on language, discourse, and sociolinguistics interested in engaging with social critique embedded in global capitalism and accelerating climate change; as well as researchers in the social and human sciences and natural sciences, who are increasingly aware of the fact that the theoretical and analytical move beyond the traditional dichotomies like language/society, nature/human and micro/macro is central to understanding today´s complex, intertwined social, political, economic and ecological processes.

For additional resources, show notes, and transcripts, go here.

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The game of basketball is perceived by most today as an “urban” game with a locale such as Rucker Park in Harlem as the game’s epicenter (as well as a pipeline to the NBA). While that is certainly a true statement, basketball is not limited to places such as New York City.

In recent years scholars have written about the meaning of the game (and triumphs on the hardwood) to other groups, such as Asian Americans (Kathleen Yep and Joel Franks) and Mexican Americans (Ignacio Garcia). To this important literature one can now add an examination of the sport in the lives of Native Americans, through Wade Davies' Native Hoops: The Rise of American Indian Basketball, 1895-1970 (University Press of Kansas, 2020).

The game, as Davies notes, was not just something imposed upon Natives in locales such as the Indian Industrial Training School in Kansas (and elsewhere). The game provided linkages to the Native past, and was embraced as a way to “prove their worth” within a hostile environment designed to strip students of all vestiges of their cultural inheritance. The sport provided both young men and women with an opportunity to compete against members of other institutions (both Native and white) and to challenge notions of inferiority and inherent weaknesses.

Davies’ work does an excellent job of detailing the role of the sport in the lives of individuals, schools, and eventually, Native communities. Additionally, it examines how these players competed against sometimes seven opponents (the five players on the court and the two officials) to claim their rightful place on the court. They also often had to deal with the taunts and racism of crowds at opposing gyms. Still, most of these schools managed to field competitive teams that created their own “Indian” style of basketball that proved quite difficult to defeat.

Wade Davies is professor of Native American studies at the University of Montana, Missoula.

Jorge Iber is a professor of history at Texas Tech University.

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Native American History of Washington, DC (History Press, 2023) by Dr. Armand Lione is a comprehensive recounting at the overlooked history of the Indigenous people who lived in the area for many years before the arrival of colonists. The book, dedicated to increasing public awareness of this history, aims to fill the historical gap that has long been ignored in the nation's capital. Lione, a toxicologist and historian, began his research after being inspired by the public acknowledgment of Indigenous people in Melbourne, Australia.

The book's central argument is that the history of Native Americans in Washington, DC, has been essentially "overlooked" or "erased from public view". Lione's research debunks the common "myth of a swamp," which suggests the land was empty before the capital was founded. Instead, he presents extensive evidence of a rich Native presence, focusing on the Anacostan people of the Piscataway tribe.

The author meticulously documents numerous archaeological sites and artifacts found throughout the city. These findings prove that the land was inhabited for centuries. Highlights include:

Lione also explores the historical record of the Anacostans, explaining how their name was derived from a linguistic mistake by English settlers and how the tribe was a hub of traders. The book introduces Henry Fleete, a young English settler who lived with the Anacostans for five years in the 1620s and returned with fluency in their language, later becoming a successful trader.

In the epilogue, Lione asks why this rich history has been overlooked. He suggests that a mix of indifference, an underlying shame about colonial history, and a lack of public markers are to blame. The author advocates for actionable steps, such as using Native land acknowledgments, teaching this history in schools, and supporting local Piscataway tribes through donations and land trusts. He created the DC Native History Project to bring this history to public attention and has seen small victories, such as a land acknowledgment at the DC Public Library and the Joint Base Anacostia-Bolling updating its history to include the Anacostan presence. Lione concludes with a call to action for readers to help ensure this history is no longer forgotten.

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You’ve got to speculate to accumulate. We apply that notion to individuals in pursuit of wealth, but what about countries? The Debt of a Nation: Land and the Financing of the Canadian Settler State, 1820–73 (U of British Columbia Press, 2025) is the first comprehensive history of Canada’s nineteenth-century public debt. Beginning in the 1820s, loans gave British North American settler governments access to unprecedented amounts of capital at low interest rates. The credit for such loans derived from colonial appropriation of Indigenous territories, and this process essentially created a market value for stolen land.

Dr. Angela Tozer explores the role of public debt financing in the consolidation of the Canadian settler state: Upper Canada’s first public debt, issued as securities on the London Stock Exchange; the unique government land tenure of Prince Edward Island and attendant impact on Mi’kmaw homelands; and the purchase of Rupert’s Land via a loan. She analyzes how an economic system centred on credit and debt relied on two factors: settlers had to become the risk bearers – though not necessarily the beneficiaries – of loans, and colonial governments had to have the power to appropriate Indigenous territories in order to appear creditworthy.

This history of the intimate relationship between public debt and colonization underscores the importance of the appropriation of Indigenous lands to global markets.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Behind the braided wigs, buckskins, and excess bronzer that typified the mid-century "filmic Indian" lies a far richer, deeper history of Indigenous labor, survival, and agency. This history takes center stage in historian Liza Black's new book, Picturing Indians: Native Americans in Film, 1941-1960 (University of Nebraska Press, 2020), which looks at Indigenous peoples' experiences in the American film industry that so often relied upon and reproduced racialized stereotypes of "authentic Indians" to produce profit. Black shows how non-Native film producers, in producing monolithic and historically static Native caricatures for profit, reinforced settler colonial narratives on screen while simultaneously denying Indigenous actors, extras, and staff of their modernity.

Thorough in detail and innovative in analysis, Black incorporates film studies, Native and Indigenous studies, and history, shedding new light on the mid-century film industry and Native peoples' roles in it. Black chronicles the contours of American settler colonialism and its cultural and economic manifestations both on- and off-screen, giving the "authentic Indian" so familiar to non-Native audiences a much-needed dose of historical context. The result is an engaging story of Indigenous talent, labor, and livelihood that transcends critical moments in Native and U.S. histories alike.

Listeners can now purchase Picturing Indians using code 6AF20 for a 40% discount on the University of Nebraska Press' site.

Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.

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