At IBC2025, we speak with Thomas Tang from Apantac about their latest KVM over IP solutions. Designed for flexibility and high performance, the system supports 4K and 1080p video over a standard 1 Gig Ethernet network - maintaining just 17ms of latency.

Thomas also highlights Apantac’s free, license-free control software that makes system expansion seamless. Users can manage transmitters, receivers, USB over IP, serial connections, and more through a distributed interface that works across any computer on the network. With built-in previews, operators never have to work blind, ensuring efficient and reliable workflows for a wide range of applications.

At IBC2025, we speak with Mauricio Angel from Vizrt about their latest scalable sports solutions, including the newest version of Viz Arena and Viz Libero. With Viz Arena 6.0, calibration times have been drastically reduced, taking as little as 30 seconds to just a few minutes, making setup faster and more intuitive across a wide range of sports.

Mauricio also introduces Viz Libero, Vizrt’s advanced tool for post-game, halftime, and highlight analysis. With data-driven graphics, 3D flights, and dynamic visualisation, Viz Libero empowers broadcasters to deliver deeper insights and more engaging storytelling.

Join us at IBC2025 as we speak with Russell Johnson from Hitomi Broadcast about their expansion of MatchBox into software workflows.

Russell explains how MatchBox software introduces "probes" within workflows, like measurement points in a multimeter, allowing operators to track latency and lip-sync across multiple stages of production. With integrations such as Grass Valley’s AMPP suite and forthcoming cloud-based deployments, users can instantly identify where delays occur, diagnose lip-sync issues, and ensure precise timing across complex software chains.

At IBC2025, Russell Johnson from Hitomi Broadcast talks about the expansion of MatchBox into software workflows. Russell demonstrates how the new MatchBox software solution can monitor multiple camera feeds at once, with up to 22 inputs and measurement points available simultaneously. This means timing and synchronisation checks that would normally require extensive hardware can now be achieved entirely in software, making large-scale productions more efficient and more accessible.

At IBC2025, Russell Johnson from Hitomi Broadcast demonstrates how MatchBox is now delivering the same trusted accuracy in software workflows as it has long provided in hardware. With software-based production becoming central to broadcast operations, Hitomi Broadcast introduces probes, measurement points that track latency, AV synchronisation, and lip-sync across the workflow.

Russell explains how MatchBox integrates within Grass Valley’s AMPP, providing a timing map and live picture overlays with embedded audio and latency figures. Operators can now visualise delays, drill into signal paths, and confirm sync issues in real time - all within a virtualised environment.

At IBC2025, Russell Johnson from Hitomi Broadcast discusses how MatchBox is expanding into software workflows, offering the same trusted latency and lip-sync measurement previously only available in hardware. As more broadcasters adopt virtualised production, accurate timing remains essential, and Hitomi Broadcast is ensuring those standards are met.

Russell highlights MatchBox’s integration with Grass Valley’s AMPP software suite, describing it as a “broadcasting Lego” where Hitomi Broadcast provides the timing block. This allows engineers to measure latency either side of a process, instantly identify sync issues, and keep multiple channels running smoothly.

Join us at IBC2025 as we catch up with Russell Johnson from Hitomi Broadcast to hear about the latest evolution of MatchBox. As software-based workflows become more widespread in live production, Hitomi Broadcast has adapted its world-renowned latency and lip-sync measurement tools to meet the needs of virtualised environments.

Russell explains how MatchBox now delivers the same trusted accuracy in software as it has long provided in hardware. With an intuitive interface and reliable results, engineers can confidently measure AV timing and synchronisation across even the most cost-conscious productions.

At IBC2025, we speak with Russell Johnson from Hitomi Broadcast about the latest development for MatchBox: moving world-leading timing and synchronisation technology into software. Known globally as the standard for measuring latency and lip sync in hardware, Hitomi Broadcast is now addressing the growing demand for reliable tools in software-based workflows.

Russell explains how Hitomi Broadcast’s approach remains the same, measuring video latency and lip sync with absolute precision, but is now applied across virtualised environments. Using "probes" within software, engineers can measure delays at different points in a workflow, map timings, and ensure accuracy across production chains. With integrations such as Grass Valley AMPP already underway, MatchBox in software promises broadcasters the same trusted performance they’ve relied on in hardware.

At IBC2025, we catch up with Mike Egan from CyanView to discuss the RIO module. This compact solution extends CyanView’s universal camera control to cover lens focus and zoom. While many cinema cameras now feature direct IP connectivity, lens control often remains a challenge. The RIO bridges this gap, enabling operators to manage zoom and focus even when the camera body itself cannot - effectively bringing broadcast-style control into cinematic workflows.

Mike explains how RIO integrates seamlessly with CyanView’s RCP panels, providing vision engineers and operators with familiar broadcast controls like iris, gain, and ND, while adding full lens functionality. The result is a flexible, dynamic control platform that adapts to both live broadcast and cinematic production environments.

At IBC2025, we speak with Mike Egan from CyanView about their universal RCP solutions designed to simplify and streamline camera control. Starting with minicams, CyanView has built a reputation for providing reliable control across a wide variety of camera types, including onboard units, POVs, and compact broadcast cameras. Their IP-based workflow connects through the CIO interface, making integration straightforward and efficient while maintaining full control over power and communications.

Today, CyanView extends that same flexibility to cinematic and broadcast environments, offering engineers and operators the ability to manage multiple cameras, sometimes over 150, with a single RCP. This not only reduces complexity but also ensures adaptability across diverse production types, from live sports and motorsport events to studio, OB, and creative cinematic shoots. With a focus on user-friendly design and feedback-driven updates, CyanView is providing the tools to make camera control more flexible, scalable, and future-ready.