
Sign up to save your podcasts
Or


It might seem odd that during his long career, Hungarian composer Zoltán Kodály wrote only nine works for orchestra. When someone asked him about this, he replied, “I was busy with more important work: I had to educate a public.”
Kodály and his countryman Béla Bartók were pioneers in the collection and study of Hungarian folk music, and, on top of that, his lifelong concern was to instill this rich heritage into the Hungarian people through an extensive and innovative program of musical education.
So successful was Kodály that even outside Hungary, the so-called “Kodály method” has been adapted for music education worldwide. Given his tireless educational efforts, it’s surprising he had any time or energy left for composing at all. For example, his started writing a symphony in the 1930s at the request of Italian conductor Arturo Toscanini.
The Symphony finally received its premiere decades later at the Lucerne Festival in Switzerland on today’s date in 1961, and by that time Toscanini had been dead for several years. Even so, Kodály did not forget the original request for the work, and dedicated his only Symphony to the memory of the great conductor.
In fact, Toscanini was also responsible for the creation of one of Kodály’s most popular orchestral works: it was at Toscanini’s prompting that Kodály orchestrated his Marosszék Dances, a set of folk tunes he had originally arranged for solo piano.
Zoltán Kodály (1882-1967): Symphony and Dances of Marosszék; BBC Philharmonic; Yan Pascal Tortelier, conductor; Chandos 9811
By American Public Media4.7
176176 ratings
It might seem odd that during his long career, Hungarian composer Zoltán Kodály wrote only nine works for orchestra. When someone asked him about this, he replied, “I was busy with more important work: I had to educate a public.”
Kodály and his countryman Béla Bartók were pioneers in the collection and study of Hungarian folk music, and, on top of that, his lifelong concern was to instill this rich heritage into the Hungarian people through an extensive and innovative program of musical education.
So successful was Kodály that even outside Hungary, the so-called “Kodály method” has been adapted for music education worldwide. Given his tireless educational efforts, it’s surprising he had any time or energy left for composing at all. For example, his started writing a symphony in the 1930s at the request of Italian conductor Arturo Toscanini.
The Symphony finally received its premiere decades later at the Lucerne Festival in Switzerland on today’s date in 1961, and by that time Toscanini had been dead for several years. Even so, Kodály did not forget the original request for the work, and dedicated his only Symphony to the memory of the great conductor.
In fact, Toscanini was also responsible for the creation of one of Kodály’s most popular orchestral works: it was at Toscanini’s prompting that Kodály orchestrated his Marosszék Dances, a set of folk tunes he had originally arranged for solo piano.
Zoltán Kodály (1882-1967): Symphony and Dances of Marosszék; BBC Philharmonic; Yan Pascal Tortelier, conductor; Chandos 9811

6,881 Listeners

38,950 Listeners

8,801 Listeners

9,238 Listeners

5,825 Listeners

941 Listeners

1,390 Listeners

1,290 Listeners

3,152 Listeners

1,973 Listeners

526 Listeners

182 Listeners

13,784 Listeners

3,091 Listeners

246 Listeners

28,143 Listeners

433 Listeners

5,480 Listeners

2,191 Listeners

14,152 Listeners

6,432 Listeners

2,525 Listeners

4,832 Listeners

574 Listeners

246 Listeners