Classical KUSC's Brian Lauritzen discusses Tchaikovsky's Symphony No. 6, “Pathétique,” in this first Inside the Music podcast from the LA Phil's 2018-19 season! Tchaikovsky concert tix: http://bit.ly/MTT-Tchaik6-SC

Starting Friday, Nov 30, 2018, Michael Tilson Thomas and the LA Phil perform Tchaikovsky's Symphony No. 6 — as well as the conductor's own Four Preludes on Playthings of the Wind — at Walt Disney Concert Hall.

Your ticket gives you access to pre- and post-concert content! Join Brian Lauritzen for an Inside the Music pre-concert talk — and stick around after the performance for a post-show Q&A with Brian and the artists.

Concert: LA Fest: Dudamel Kicks Off the 100th Season

Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: http://laphil.com/upbeatlive

About the Speaker:

Kristi Brown-Montesano, Chair of Music History at the Colburn Conservatory of Music, received her Ph.D. in musicology from UC Berkeley, with a specialization in 18th-century western European music. A trained vocalist, studying with Stephanie Friedman and Jeffrey Thomas, Brown-Montesano was a long-time member of the American Bach Soloists. Her book Understanding The Women of Mozart's Operas (Univ. of Calif. Press, 2007), offers a detailed study of the female characters in the Da Ponte operas (The Marriage of Figaro, Don Giovanni, and Così fan tutte) and The Magic Flute, re-evaluating common critical tropes and assumptions about this fascinating roles.

Brown-Montesano has presented and published essays on uses of classical concert music in film, trends in marketing opera, the Wagnerian influence on the films of Lars von Trier, and gender politics in contemporary classical-music culture. Current projects include unraveling the mystery of Arthur Conan Doyle’s choice of the violin for his fictional detective Sherlock Holmes, collaborating on a book on music and American television, an evaluation of postwar pop-culture reception of J.S. Bach in the US, and a study on opera, education, and children.

As a teacher and “public musicologist,” Brown-Montesano values every opportunity for connection and dialogue with students, teachers, musicians and audience members. In 2014, she was honored to participate in the UCLA Musicology Department’s Distinguished Lecture Series; in 2017, she was a panelist and presenter at the first “Women in Music Festival” at Mount Saint Mary’s University. An active speaker in the Los Angeles classical-music community, Brown Montesano collaborates with a number organizations in the Southern California area, including the Los Angeles Philharmonic, Salon de Musiques chamber series, Opera League of Los Angeles, Mason House Concerts, Performances a la Carte, and—beginning next year—La Jolla Music Society.

LA Phil Artist-Collaborator Yuval Sharon discusses his production of Europeras 1 & 2 as part of our Fluxus Festival. See it for yourself Nov 6, 10 & 11, 2018, at Sony Pictures Studios in Culver City. Tix and info: http://bit.ly/EuroperasSC

“For two hundred years the Europeans have been sending us their operas. Now I’m sending them back.” That’s how John Cage described Europeras 1 & 2, and he wasn’t kidding. The LA Phil, The Industry and LA Phil Artist-Collaborator Yuval Sharon team up again for a wild new production of Cage’s radical revelation.

Location: Sony Pictures Studios in Culver City (10202 W. Washington Blvd, Culver City, CA 90232)

Directions and Map: https://ucarecdn.com/2f800a94-2ff6-4cf6-aca1-32eb887a3051/

Parking address closest to gate: 4080 Overland Ave, Culver City, CA 90232)

Visit http://fluxuslaphil.tumblr.com, where essays by prominent artists and scholars on aspects of the Fluxus movement and documentation of festival events will be posted throughout the LA Phil's 2018/19 season.

KUSC’s Brian Lauritzen goes inside the multimedia aspect of "Das Paradies und die Peri" by Robert Schumann with media artist Refik Anadol and director Peter Sellars. "Das Paradies" will be performed June 1-3, 2018, at Walt Disney Concert Hall by the Los Angeles Philharmonic conducted by Gustavo Dudamel. Tix: http://bit.ly/2IZ6FsW

Your ticket gives you access to pre- and post-concert content! Join Brian Lauritzen for an Inside the Music pre-concert talk — and stick around after the performance for a post-show Q&A with Brian and the artists.

Concert: Mozart 1791 - Final Piano Concerto

Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive

Concert: Mirga Conducts Mahler

Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive

About the Speaker:

Eric Bromberger received his Ph.D. in American Literature from UCLA and taught literature and writing courses at Bates College (Lewiston, ME) and San Diego State University. A violinist, he joined the La Jolla Symphony Orchestra in 1980 and began writing the orchestra’s program notes the following year. Those notes drew the attention of presenters and performers, and soon he was able to quit his day job and devote himself to his first love, music. He is presently program annotator for the Minnesota Orchestra, San Diego Symphony, Washington Performing Arts at the Kennedy Center, Santa Fe Chamber Music Festival, 92nd Street Y in New York City, San Francisco Performances, University of Chicago Presents, La Jolla Music Society, and others. He wrote the liner notes for the Alexander String Quartet’s recent recordings of the quartet cycles of Mozart, Beethoven, Shostakovich, and Bartók.

Concert: Tchaikovsky & Sibelius

Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive

About the Speaker:

Composer, conductor, performer, and lecturer Russell Steinberg received a Ph.D. in Music from Harvard University, an M.M. from the New England Conservatory, and a B.A. from UCLA. He studied composition most notably with Leon Kirchner, Arthur Berger, Elaine Barkin, and Kenneth Klauss. His works range from solo to chamber to orchestra and have been performed worldwide. His orchestra tone poem Cosmic Dust, commissioned by a tri-consortium of orchestras—the New West Symphony, the Bay Atlantic Symphony, and the Hopkins Symphony—was featured in a Science News Magazine article on the Hubble Space Telescope’s 25th anniversary and has had a dozen performances worldwide. The Los Angeles Jewish Symphony recently premiered Canopy of Peace with mezzo soprano Diana Tash, based on meditations by noted scholar and philosopher Rabbi Harold M. Schulweis. Available recordings of Steinberg’s music include Sacred Transitions: A Song Cycle Based On Meditations by Harold M. Schulweis (sung by mezzo soprano Diana Tash), Stories From My Favorite Planet: A Musical Tribute to Journalist Daniel Pearl (performed by Los Angeles Philharmonic violinist Mitchell Newman) produced by the Daniel Pearl Foundation (available at www.danielpearl.org), Flute Sonata recorded by Michelle Stanley and produced by Centaur Records, Desert Stars, a recording of Steinberg’s solo music for piano and classical guitar, and Fantasy for Flute and Piano on the album Ascend featuring flutist Elizabeth Erenberg.

Steinberg is Artistic Director of the Los Angeles Youth Orchestra, a widely praised group that includes 120 students from over 60 schools in the LA area and performs at UCLA and the Colburn School. This past summer (2015) the orchestra traveled on its first international tour, collaborating with high school musicians from the Johann Sebastian Bach Music School in Vienna, and performing concerts in Vienna and Prague to full houses and enthusiastic acclaim. Steinberg is also a popular speaker for pre-concert events with the Los Angeles Philharmonic and annually offers a Winter Evening Lecture Series on a wide range of topics. This year’s series titled The Classical Guitar—An Intimate Mystery begins Wednesday evening January 13. For information about signing up for this series, or information about Steinberg’s current performances, recordings, and pre-concert lectures, please visit www.russellsteinberg.com.

Concert: Mehta & Shankar

Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive

About the Speaker:

Eric Bromberger received his Ph.D. in American Literature from UCLA and taught literature and writing courses at Bates College (Lewiston, ME) and San Diego State University.  A violinist, he joined the La Jolla Symphony Orchestra in 1980 and began writing the orchestra’s program notes the following year.  Those notes drew the attention of presenters and performers, and soon he was able to quit his day job and devote himself to his first love, music.  He is presently program annotator for the Minnesota Orchestra, San Diego Symphony, Washington Performing Arts at the Kennedy Center, Santa Fe Chamber Music Festival, 92nd Street Y in New York City, San Francisco Performances, University of Chicago Presents, La Jolla Music Society, and others.  He wrote the liner notes for the Alexander String Quartet’s recent recordings of the quartet cycles of Mozart, Beethoven, Shostakovich, and Bartók.

Concert: Mehta & Shankar

Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive

About the Speaker:

Eric Bromberger received his Ph.D. in American Literature from UCLA and taught literature and writing courses at Bates College (Lewiston, ME) and San Diego State University.  A violinist, he joined the La Jolla Symphony Orchestra in 1980 and began writing the orchestra’s program notes the following year.  Those notes drew the attention of presenters and performers, and soon he was able to quit his day job and devote himself to his first love, music.  He is presently program annotator for the Minnesota Orchestra, San Diego Symphony, Washington Performing Arts at the Kennedy Center, Santa Fe Chamber Music Festival, 92nd Street Y in New York City, San Francisco Performances, University of Chicago Presents, La Jolla Music Society, and others.  He wrote the liner notes for the Alexander String Quartet’s recent recordings of the quartet cycles of Mozart, Beethoven, Shostakovich, and Bartók.

Concert: Green Umbrella: All-Reich

Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive

About the Speaker:

Of Lithuanian heritage, composer Veronika Krausas was born in Australia raised in Canada, and lives in Los Angeles. She has directed, composed for, and produced multi-media events that incorporate her works with dance, acrobatics and video. The Globe & Mail (Toronto) writes “her works, whose organic, lyrical sense of storytelling are supported by a rigid formal elegance, give her audiences a sense that nature’s frozen objects are springing to life.”

She was one of 6 composers involved in the acclaimed mobile opera Hopscotch. Alex Ross of the New Yorker called Hopscotch, “a remarkable experimental opera.” Her first opera, The Mortal Thoughts of Lady Macbeth, based on Shakespeare’s Macbeth, was premiered at the New York City Opera’s VOX 2008 festival. A full production was mounted in Los Angeles in August 2010 to sold-out audiences. Mark Swed of the Los Angeles Times said of her chamber opera, “Something novel this way comes.”

Her newest opera Ghost Opera, a dramma giocoso with libretto by André Alexis and The Old Trout Puppet Company, will première with Calgary Opera at the Banff Centre for Arts and Creativity in May 2019.

Commissions and performances include the Los Angeles Philharmonic, The Industry, New York City Opera, Tanglewood Contemporary Music Festival, Ensemble musikFabrik, Chicago Architecture Biennial (2016), Piano Spheres for Gloria Cheng, The Vancouver Symphony, ERGO Projects, Esprit Orchestra, Fort Worth Opera, Jacaranda Music, Motion Music, and the Penderecki String Quartet.

Krausas has music composition degrees from the University of Toronto, McGill University in Montreal, and a doctorate from the Thornton School of Music at USC in Los Angeles, where she is a faculty member in the Composition Department.  She serves on the advisory boards of Jacaranda Music and People Inside Electronics.