Lach on Huffduffer

Dan talks with Spencer Tweedy: Drummer, author, blogger, creative force, and son of Wilco founder, Jeff Tweedy. Spencer spearheaded a dream project for SimpleBits—creating a typeface for the band Wilco, based on an old sign hanging in their Chicago recording studio.

https://show.simplebits.com/episodes/spencer-tweedy

html energy is all around us and in this very website.

https://html.energy/bill.html

Courtney Love is finishing up her first record in more than a decade while she lives in London, perhaps permanently. Courtney fled LA because, as she tells Marc, she needed to get out of the “overculture.” It’s one of many realizations Courtney came upon in recent years, after a lifetime of ups and

https://www.wtfpod.com/podcast/episode-1395-courtney-love

Driving beats laced with synth fuel The Native Cats 2018 album John Sharp Toro, a creative and personal journey mapped through songs.

https://www.abc.net.au/listen/programs/hobart-sundays/native-chats-john-sharp-toro/102895244

https://www.soundandvisionpodcast.com/blog/2018/3/16/p1d493tef22yydxc9wiats0nfcab21

This episode is the fourth instalment of The Comics Question series. In these podcasts, Bernard Caleo and Nico Callaghan discuss comics, graphic novels, and the place they inhabit within the broader books and publishing world.

For this episode, Bernard and Nico sat down with Michael Fikaris, a central figure in both the comic book and street art movements of the early 2000s in his hometown of Melbourne. Fikaris has exhibited in professional and guerrilla contexts locally and abroad. His artwork is held in numerous private collections along with the National Gallery of Victoria, State Library of Victoria, and National Gallery of Australia.

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Original video: https://soundcloud.com/the-readings-podcast/the-comics-question-with-michael-fikaris

Downloaded by http://huffduff-video.snarfed.org/ on Mon Aug 21 04:01:06 2023

Available for 30 days after download

Bestselling novelist and former Twitter employee Robin Sloan joins co-hosts Whitney Terrell and V.V. Ganeshananthan to talk about how Elon Musk’s ownership of Twitter and the rise of new platforms like Mastodon, Bluesky, and Meta’s Threads are shaping a new ecosystem of social media. The co-hosts and Sloan grapple with the unruliness of Twitter over time, political polarization on different platforms and the risks of disinformation, and what the end of Twitter—now rebranded as X—might look like. Sloan reflects on the role social media plays (or doesn’t) in authors’ careers, as well as his own decision to leave Twitter. Finally, he reads from his 2012 novel Mr. Penumbra’s 24-Hour Bookstore.

https://lithub.com/robin-sloan-on-social-media-after-twitter/

Hey Sprudgecast listeners! This is a very special series of mini-episodes from SXSW. This episode features Liz Turner of Stumptown Coffee Roasters. For more about Sprudge + SXSW, visit http://sprudgelive.com. Sprudge Media Network's SXSW coverage is made possible by Falcon Coffee.

https://coffeesprudgecast.libsyn.com/sprudgecast-sxsw-mini-sode-01-stumptown-coffee-roasters

This incredibly inspiring creative entrepreneur reflects on building community around business, expanding from Oz to the US, and what's next.

https://thedesignfiles.net/2019/08/podcast-tdftalks-jeremy-wortsman-jackywinter-melbourne

Guitarist and composer Bill Orcutt has always worked on the fringes of music: He’s crafted noisy punk as a guitarist in Harry Pussy, served raw blues-inspired acoustic music as a solo artist, and has even composed computer music.

With his new album, Music for Four Guitars, he creates something completely different: 14 compositions for a guitar quartet that, as of now, doesn’t really exist. Between Bill’s mesmerizing, looped playing (on what turns out to be a Telecaster with two strings removed) and his DIY recording technique (Logic with a “pawnshop” amp plug-in), it’s like nothing else you’ve ever heard. It harkens to the classic sounds of early Minimalism, but with an entirely new twist.

On the podcast, Bill sheds light on this beguiling record, talks to us about his recording process, and explains why he used only the bridge pickup for these compositions. He also describes how he re-created Randy Newman’s Sail Away album cover photo and hints at when Music for Four Guitars will actually be played by four separate guitarists (himself being one of them).

https://www.fretboardjournal.com/podcasts/podcast-380-bill-orcutt/