Pastronauts Rejoice! We're finally taking you to the Land of 1000 Dances! The first dance goes to Chris Kenner, the author and soulful belter of the original one-chord wonder (1:30). CK mixes the sacred and secular, and Allen Toussaint and the band give the song a swampy New Orleans groove. Next, we cut a rug with Cannibal & The Headhunters (30:05). Were these guys an actual band, or a vocal group?! These guys add the famous "na na na"'s - which gets us talkin' about the doo-wop influence on the song, AND we ask: did the Beatles steal said "na na na"'s for the end of "Hey Jude"?  Clear the dancefloor for Wilson Pickett's 1966 version - the one you all know (54:14).  The groove! The grunts! The drums! The screams! The man and the band really  take you to the Promised Land. The last dance goes to the Chants R&B from New Zealand (1:18:25). This one's a real garage version - wild, fast, savage, and listen to that ending! Watch us work, y'all!!

Pastronauts Rejoice! We're finally taking you to the Land of 1000 Dances! The first dance goes to Chris Kenner, the author and soulful belter of the original one-chord wonder (1:30). CK mixes the sacred and secular, and Allen Toussaint and the band give the song a swampy New Orleans groove. Next, we cut a rug with Cannibal & The Headhunters (30:05). Were these guys an actual band, or a vocal group?! These guys add the famous "na na na"'s - which gets us talkin' about the doo-wop influence on the song, AND we ask: did the Beatles steal said "na na na"'s for the end of "Hey Jude"? Clear the dancefloor for Wilson Pickett's 1966 version - the one you all know (54:14). The groove! The grunts! The drums! The screams! The man and the band really take you to the Promised Land. The last dance goes to the Chants R&B from New Zealand (1:18:25). This one's a real garage version - wild, fast, savage, and listen to that ending! Watch us work, y'all!!

Pastronauts Rejoice! We're finally taking you to the Land of 1000 Dances! The first dance goes to Chris Kenner, the author and soulful belter of the original one-chord wonder (1:30). CK mixes the sacred and secular, and Allen Toussaint and the band give the song a swampy New Orleans groove. Next, we cut a rug with Cannibal &amp; The Headhunters (30:05). Were these guys an actual band, or a vocal group?! These guys add the famous "na na na"'s - which gets us talkin' about the doo-wop influence on the song, AND we ask: did the Beatles steal said "na na na"'s for the end of "Hey Jude"?&nbsp; Clear the dancefloor for Wilson Pickett's 1966 version - the one you all know (54:14).&nbsp; The groove! The grunts! The drums! The screams! The man and the band really&nbsp; take you to the Promised Land. The last dance goes to the Chants R&amp;B&nbsp;from New Zealand (1:18:25). This one's a real garage version - wild, fast, savage, and listen to that ending! Watch us work, y'all!!

Land Of 1000 Dances

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Land Of 1000 Dances

Land Of 1000 Dances

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