
Sign up to save your podcasts
Or


In 1985, the musical world was celebrating the 300th anniversary of the birth of Georg Frideric Handel. On today’s date that year, Minnesota-based composer Libby Larsen, then in her mid-30s, was celebrating the premiere performance of her Symphony No. 1.
Larsen titled her symphony Water Music and says its first movement was a deliberate homage to Handel’s famous Water Music. As a resident composer of a state with over 10,000 lakes, Larsen admits her love of sailing also had something to do with the symphony’s descriptive title.
Since 1985, Larsen has gone on to write a few more symphonies, each with its own particular title. And she frequently gives individual movements of each symphony a descriptive tag. For example, one movement from her Solo Symphony (No. 5), from 1999, is titled “The Cocktail Party Effect.”
Rather than the wallop of a stiff drink, Larsen says she means the ability of human hearing to pick out a single voice among the extraneous noise one encounters at a crowded cocktail party.
“It’s a kind of musical ‘Where’s Waldo?’” she says. “In this case, Waldo is a melody, introduced at the beginning … then hidden amid the other music.”
Libby Larsen (b. 1950) Symphony: Water Music; Minnesota Orchestra; Neville Marriner, cond. Nonesuch 79147; and Solo Symphony; Colorado Symphony; Marin Alsop, cond. Koch 7520
By American Public Media4.7
176176 ratings
In 1985, the musical world was celebrating the 300th anniversary of the birth of Georg Frideric Handel. On today’s date that year, Minnesota-based composer Libby Larsen, then in her mid-30s, was celebrating the premiere performance of her Symphony No. 1.
Larsen titled her symphony Water Music and says its first movement was a deliberate homage to Handel’s famous Water Music. As a resident composer of a state with over 10,000 lakes, Larsen admits her love of sailing also had something to do with the symphony’s descriptive title.
Since 1985, Larsen has gone on to write a few more symphonies, each with its own particular title. And she frequently gives individual movements of each symphony a descriptive tag. For example, one movement from her Solo Symphony (No. 5), from 1999, is titled “The Cocktail Party Effect.”
Rather than the wallop of a stiff drink, Larsen says she means the ability of human hearing to pick out a single voice among the extraneous noise one encounters at a crowded cocktail party.
“It’s a kind of musical ‘Where’s Waldo?’” she says. “In this case, Waldo is a melody, introduced at the beginning … then hidden amid the other music.”
Libby Larsen (b. 1950) Symphony: Water Music; Minnesota Orchestra; Neville Marriner, cond. Nonesuch 79147; and Solo Symphony; Colorado Symphony; Marin Alsop, cond. Koch 7520

6,774 Listeners

38,890 Listeners

8,772 Listeners

9,216 Listeners

5,777 Listeners

928 Listeners

1,388 Listeners

1,287 Listeners

3,156 Listeners

1,975 Listeners

523 Listeners

183 Listeners

13,770 Listeners

3,082 Listeners

248 Listeners

28,116 Listeners

430 Listeners

5,467 Listeners

2,196 Listeners

14,146 Listeners

6,417 Listeners

2,513 Listeners

4,840 Listeners

575 Listeners

243 Listeners