Last Things

Steff (@poetrygrifter) is a semi-anonymous poet and poaster in an MFA creative writing program. We went deep about her adopting of various historical personae in her recent work, today's bleeding edge literary scene, identity politics and representation, the reactionary twitter-sphere, and more.

Will Samson is a music aficionado and co-host of Resident Life Enjoyers 151 podcast. He returns to Last Things to discuss the Magnetic Fields' classic 1999 three-volume opus, '69 Love Songs'. We get into artifice, chord progressions, my complex relationship to twee-ness, and what it means for music to be 'charming'.

Björn Schmelzer is a Belgian conductor, musicologist, and anthropologist, though he frequently crosses disciplines and incorporates many academic and creative influences in his work. He founded the vocal ensemble Graindelavoix in 1999, a group devoted to radical, heterogeneous reimaginings of vocal music from the Medieval, Renaissance, and contemporary periods. We go deep here, exploring Björn's unique ideas around the meaning of modernity, crisis, and trauma in the artistic experience, the essence of the Gothic, the undead-ness of ancient polyphony, and his critique of reactionary/conservative tendencies in Early Music scholarship.

Nandor Nevai is a true American iconoclast and cult figure. A rigorous modernist composer, renegade philosopher, and comedian of the margins, he has waged a decades-long assault on all things digestible and sane. Nevai's own work has intersected with "Brutal Classical", noise, war metal, and improvisation, and his myriad collaborations have included To Live and Shave in L.A., Aborted Christ Childe, and Laundry Room Squelchers.

We talk about psychism, free metal, abortion, chem trails, and Nandor's CIA clearance level.

'Crescent' (1964) is my favorite John Coltrane record, and Jeremiah is my favorite guy to chop it up with. This is kind of Trane's goth record, deeply underrated. It sparks off a conversation about humility, lyricism, ecstasy, and the idea of late work.

Since the 90s, Weasel Walter has been a prolific and influential force in the worlds of no wave, free jazz, metal, and modern composition. An iconoclastic drummer, guitarist, composer, and improviser, Weasel has led the Flying Luttenbachers, and Cellular Chaos, as well as countless other, more collaborative projects. We talk about Iannis Xenakis, Natasha Leggero, ignorant death metal, and being a musical lifer.

International hardcore superstar Danny Diablo aka Lord Ezec (Crown of Thornz, Skarhead) and black metal riff-lord Paul Delaney (Black Anvil) join me to talk about not being pigeon-holed, standing up for your friends even when they're wrong, helping your fans cut the perfect line of coke, and the Jewish roots of the Ary*n Br*therh**d.

Hannah A. Barnes is a composer of powerful, alien chamber and orchestral music, as well as a conductor, and lecturer at DePaul University. We talk about the importance of aesthetic difficulty, accusations of musical fascism, her relationship to the canon, and how her music subverts linear time.

Eugene Robinson is one of the most original underground cultural figures of the past 40 years. As the lead singer of numerous projects including Oxbow and Whipping Boy, a renowned martial arts fighter, journalist, and author, Eugene has defied categories and expectations at every turn. We talk about 80s hardcore vs No Wave, Rene Girard, sacrifice, evil, and leaving New York.

Toby Driver is best known as the mastermind of long-running goth-prog legends Kayo Dot, as well as a member of Bloodmist and Secret Chiefs 3. We talk about Jane's Addiction's 1990 record, Ritual de lo Habitual, as well as white dreadlocks, what constitutes New Age music, and Toby's horrific Jane's A concert experience.