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Big-name conceptual artist - four words you don’t often hear together. But Jeremy Deller is one - he’s a household name in Britain, but a few years back he sparked controversy here when he made giant wax candles of Rupert Murdoch and son Lachlan, and let them burn. The Turner Prize-winning artist also orchestrates mass public spectacles that bridge the worlds of contemporary art and pop culture.
Daniel catches up with Archibald Prize winner Laura Jones, who painted author Tim Winton. Painter and sitter share a passion for WA's Ningaloo reef and its survival amid climate crisis. Unusually, Laura's own portrait is also on display – she entered it in the concurrent Sulman Prize, on at the Art Gallery of NSW.
Brent Harris' psychologically-driven artworks are often described as haunting and even ‘brooding’. So, if you haven’t ever seen his paintings– would it surprise you to know they’re also colourful and cartoonish? More Betty Boop than Edvard Munch’s The Scream. He takes producer Rosa Ellen through his studio, in preparation for his survey show, which is soon to tour the Art Gallery of South Australia.
5
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Big-name conceptual artist - four words you don’t often hear together. But Jeremy Deller is one - he’s a household name in Britain, but a few years back he sparked controversy here when he made giant wax candles of Rupert Murdoch and son Lachlan, and let them burn. The Turner Prize-winning artist also orchestrates mass public spectacles that bridge the worlds of contemporary art and pop culture.
Daniel catches up with Archibald Prize winner Laura Jones, who painted author Tim Winton. Painter and sitter share a passion for WA's Ningaloo reef and its survival amid climate crisis. Unusually, Laura's own portrait is also on display – she entered it in the concurrent Sulman Prize, on at the Art Gallery of NSW.
Brent Harris' psychologically-driven artworks are often described as haunting and even ‘brooding’. So, if you haven’t ever seen his paintings– would it surprise you to know they’re also colourful and cartoonish? More Betty Boop than Edvard Munch’s The Scream. He takes producer Rosa Ellen through his studio, in preparation for his survey show, which is soon to tour the Art Gallery of South Australia.
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