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Prof Daniel Magilow
Leo Baeck Institute London Summer Lecture
#EnglishCountryHomes #CountryHouses #BritishHistory #Aristocracy #Identity #HomesAndGardens #Photographs #OldPhotographs #HistoricBuildings #Architecture #Lecture #HistoricalResearch #Gardens #EnglishGardens #Art #Authors #Emancipation #FirstWorldWar #JewishHistory #JewishCulture #BritishCulture #Podcast #VisitingLecturer #LeoBaeckInstituteLondon #UniversityofOxford #NationalTrust #StatelyHome #UniversityOfNottingham
Sara Lipton
Art can be a powerful force in shaping the way we see and think about the world: pictures craft our ideas of beauty and ugliness, good and bad, power and weakness. This lecture traces how medieval Christian images of Jews, originally designed to aid religious devotions, made Christians look at Jews with new curiosity and interest, and drew their attention to previously unnoticed aspects of Jewish life and looks. As images of Jews evolved from benign but outdated Hebrews to caricatured usurers and demonic sorcerers, Christian society developed new – and increasingly hostile – ideas about and policies toward Jews, whose effects have endured to this day.
This season’s lecture series seeks to explore the connection of visual narratives in the context of beauty, ugliness and morality with representations of Jews and Jewishness in the Western world from the Middle Ages to the present day. We aim to examine the subject from different historical, social and artistic perspectives ranging from medieval mythology to Orientalism, Zionism, Feminism or modern aesthetics, and through the lens of a selection of diverse media including painting, photography and comics.
#MedievalArt #ChristianImages #Christianity #Islam #ReligiousImagery #VisualNarratives #Representation #BritishHistory #Stereotypes #MedievalStudies #ArtHistory
#Judaism #JewishHistory #JewishCulture #JewishImagery #Prejudice #ArtandSociety #GermanHistory #BritishHistory #CulturalRepresentation #ReligiousHistory #Lecture #LectureSeries #AcademicTalk #Art #Religion #ArtandSociety #GermanHistory #CulturalRepresentation
#LeoBaeckInstitute #LeoBaeckInstituteLondon
Nadia Valman
Prof Cathy Gelbin
University of Manchester, UK
Leo Baeck Institute London Lecture Series 2023
The monstrous Jew of popular imagination found perhaps his most salient expression in Weimar cinema’s love of the uncanny. These films derive their lasting fascination from the often-ironic interplay of their separate and yet related gendered, sexualized and racialized portrayals. The talk explores how spectatorial pleasure can arise from the emerging gaps where the incoherence of these categories, presumed to be absolute in the biologized discourses of modernity, is playfully made visible and ridiculed.
Cathy Gelbin is Professor of Film and German Studies at the University of Manchester. Her work on feature film, video testimony, literary texts and live art has focused on Holocaust representations and the dynamics of German-speaking Jewish culture.
#Judaism #JewishHistory #JewishCulture #JewishImagery
#GermanHistory #BritishHistory #History #ReligiousHistory
#Prejudice
#ArtandSociety #Art #Religion
#LeoBaeckInstitute #LeoBaeckInstituteLondon #Bloomsbury #London
#Podcast #Lecture #LectureSeries #AcademicTalk
#BlackAndWhiteFilm #BlackAndWhite #FilmHistory #Film #FilmStudies
#VisualNarrative #Representation #RepresentationMatters #CulturalRepresentation #Stereotypes
#Weimar #Golem #AntiSemitism #UniversityOfManchester
Over 100 completely unknown drawings by Franz Kafka of fascinating figures, shifting from the realistic to the fantastic, the grotesque, the uncanny and the carnivalesque have been made accessible in Prof Andreas Kilcher’s highly acclaimed book Franz Kafka: The Drawings. The drawings illuminate a previously unknown side of the quintessential modernist author. Three fascinating stories can be told about Kafka’s drawings: the story of their transmission, the story of Kafka as a draftsman, and the story of his drawing in relation to his writing.
Hosted at the German Historical Institute London, 17 Bloomsbury Square, London WC1A 2NJ and online via Zoom 6.30pm, June 16th 2022
Prof Etienne Balibar
The lecture looks at the ambiguity of the term “Jewish Question”, which refers to both the historical attitude of Marx with respect to the condition of the Jewish communities in 19th century Europe, and to the philosophical developments reflected in the 1844 article for the Deutsch-Französische Jahrbücher, “Zur Judenfrage”. Here, in reply to Bruno Bauer’s homonymous brochure, Marx would propose his first analysis of the value and limitations of bourgeois “juridical universality”. The lecture deals with the tension in Marx’s theory between a “secular” theory of the political in terms of radical democratic emancipation and a “messianic” reinterpretation of the function of the Chosen People. The lecture tries to assess the extent to which Marx’s dialectic of community and universality constituted a real alternative to the development of Modern Jewish Nationalism or simply represented its inverted image.
Etienne Balibar was born in Avallon, France in 1942; he has taught at the Universities of Algiers, Paris, Leiden, Nanterre and is now Emeritus Professor of Moral and Political Philosophy at the University of Paris 10 Nanterre and Distinguished Professor of Humanities at the University of California, Irvine. He is also teaching at the Centro Franco-Argentino de Altos Estudios, Buenos-Aires, and the Center for Comparative Literature and Society at Columbia University, New York. His books include Reading Capital (with Louis Althusser, 1965), Race, Nation, Class. Ambiguous Identities (1991, with Immanuel Wallerstein), Masses, Classes, Ideas (1994), The Philosophy of Marx (1995), Spinoza and Politics (1998), Politics and the Other Scene (2002), We, the People of Europe? Reflections on Transnational Citizenship (2004). Forthcoming are Extreme Violence and the Problem of Civility (The Wellek Library Lectures, 1996), and Citoyen Sujet, Essais d’anthropologie philosophique (Presses Universitaires de France). Balibar is a member of Ligue des Droits de l’Homme (Paris), with a particular interest in the rights of migrants and asylum seekers. He is co-founder of Faculty for Israeli-Palestinian Peace and acting chair of Association Jan Hus France.
Organised by the LBI London and the Jewish Museum Frankfurt/Main in cooperation with Queen Mary University. We would like to thank our sponsor Bank Sal. Oppenheim jr.&Cie.
https://www.leobaeck.co.uk/events/leo-baeck-institute-london-lecture-series-2010/marx-and-jewish-questionhttps://www.leobaeck.co.uk/events/leo-baeck-institute-london-lecture-series-2010/marx-and-jewish-question
Dr Tobias Ebbrecht-Hartmann
Hebrew University of Jerusalem, Israel
In our Image: Meeting our Ultraorthodox Other on Netflix 6.30pm, Thursday, November 17th 2022 In recent years, streaming networks have offered new encounters with the lives and traditions of ultraorthodox Judaism through means of pop cultural representations. While some praised the accuracy with which series such as Shtisel (2013-2021) or Unorthodox (2020) presented ultraorthodox customs, others identified problematic anti-Semitic stereotypes in those depictions. This lecture examines how far the representations in either series serve as a distancing mirror of our own societies and looks at them in comparison to modes of classical serial storytelling in television as exemplified by series such as Dallas or Dynasty.
Tobias Ebbrecht-Hartmann is a Senior Lecturer in the Department of Communication and Journalism and the European Forum at the Hebrew University of Jerusalem. He has published on visual history and memory of the Holocaust and on German and Israeli film history. He is a consortium member in the Horizon 2020 research and innovation action Visual History of the Holocaust: Rethinking Curation in the Digital Age (2019-2022).
Prof Moshe Zimmermann
Hebrew University of Jerusalem, Israel
Post-Holocaust German-Jewish Symbiosis: Ephraim Kishon and the Germans 6.30pm, Thursday, October 13th 2022 The bon mot 'A German joke is no laughing matter' is attributed to Mark Twain. Improvising on Adorno's dictum 'writing poetry after Auschwitz is barbaric' one might consider writing humour in the German language after Auschwitz a contradiction in terms. Yet, this was the gap into which the Israeli Author Ephraim Kishon, a Holocaust survivor from Hungary, stepped. The most successful humourist of the Federal Republic, his humour was rooted in the everyday life of Israeli Jews, his writing tradition belonged to Central-Europe, his Hebrew-German translator was a well known Austrian author and his German audience was the generation of the perpetrators and the post-war generation. The lecture will examine explanations for Kishon's success in Germany.
Moshe Zimmermann is Professor emeritus for German History. Formerly Director of the Richard-Koebner-Center for German History, Hebrew University, Jerusalem (1986-2012), he held many Visiting Professorships around the world and has won numerous academic prizes for his work. He is the author of several books and involved with curriculum planning at the Ministry of Education.
Dr Lisa Schoß (Selma Stern Centre for Jewish Studies, Berlin, Germany)
6.30pm, May 5th 2022
In general, East German television attempted to combine so-called ‘political-operational cultural work’ with attractive programming. The same balancing act can also be observed in the presentation of Jewish topics and characters on TV. This talk covers so-called anti-fascist films about the Nazi era; campaign films against the West, e.g. courtroom dramas and crime movies; the aspect of ‘Jewish heritage’; Yiddish music; and Jewish contributions to entertainment shows.
Dr des Lisa Schoß is a scholar of film and literature. Her monograph Von verschiedenen Standpunkten. Die Darstellung jüdischer Erfahrungen im Film der DDR (From Differing Perspectives. The Representation of the Jewish Experience in GDR Film) is forthcoming. She is associated with the Selma Stern Centre for Jewish Studies Berlin-Brandenburg and a member of the DFG network ‘German-Jewish Film History of the FRG’.
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