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This is the third episode in a special series of interviews from a recent event I attended. This episode features my conversation with Inas Fayed and Sarah M. Lee. Leica invited me to their centenary celebrations at the end of June, they were celebrating 100 years of continuous camera manufacture and they invited a few of their closest friends to attend and celebrate with them. I was invited to interview a number of special guests and so I’m going to present to you four twenty-five minute episodes. 100 minutes for 100 years.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.
By Iain Farrell5
1111 ratings
This is the third episode in a special series of interviews from a recent event I attended. This episode features my conversation with Inas Fayed and Sarah M. Lee. Leica invited me to their centenary celebrations at the end of June, they were celebrating 100 years of continuous camera manufacture and they invited a few of their closest friends to attend and celebrate with them. I was invited to interview a number of special guests and so I’m going to present to you four twenty-five minute episodes. 100 minutes for 100 years.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

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