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Today’s date marks two anniversaries in the life of American composer, teacher and organist Leo Sowerby, who lived from 1895 to 1968. Sowerby was born May 1 in Grand Rapids, Michigan, and on his 32nd birthday in 1927, was hired as the permanent organist and choirmaster at St. James’ Church in Chicago, where he remained for the next 35 years.
Sowerby wrote hundreds of pieces of church music for organ and chorus, plus chamber and symphonic works, which are only recently receiving proper attention.
It’s not that Sowerby was neglected during his lifetime — he won many awards, including a Pulitzer Prize in 1946 — but many seemed put off by both his unabashedly Romantic style and his unprepossessing physical appearance. American composer Ned Rorem, who took theory lessons from Sowerby, put it this way:
“Leo Sowerby was … of my parents’ generation, a bachelor, reddish-complexioned and milky skinned, chain smoker of Fatima cigarettes, unglamorous and non-mysterious, likable with a perpetual worried frown, overweight and wearing rimless glasses, earthy, practical, interested in others even when they were talentless; a stickler for basic training, Sowerby was the first composer I knew and the last thing a composer was supposed to resemble.”
Leo Sowerby (1895-1968): Classic Concerto; David Mulbury, organ; Fairfield Orchestra; John Welsh, conductor; Naxos 8.559028
By American Public Media4.7
176176 ratings
Today’s date marks two anniversaries in the life of American composer, teacher and organist Leo Sowerby, who lived from 1895 to 1968. Sowerby was born May 1 in Grand Rapids, Michigan, and on his 32nd birthday in 1927, was hired as the permanent organist and choirmaster at St. James’ Church in Chicago, where he remained for the next 35 years.
Sowerby wrote hundreds of pieces of church music for organ and chorus, plus chamber and symphonic works, which are only recently receiving proper attention.
It’s not that Sowerby was neglected during his lifetime — he won many awards, including a Pulitzer Prize in 1946 — but many seemed put off by both his unabashedly Romantic style and his unprepossessing physical appearance. American composer Ned Rorem, who took theory lessons from Sowerby, put it this way:
“Leo Sowerby was … of my parents’ generation, a bachelor, reddish-complexioned and milky skinned, chain smoker of Fatima cigarettes, unglamorous and non-mysterious, likable with a perpetual worried frown, overweight and wearing rimless glasses, earthy, practical, interested in others even when they were talentless; a stickler for basic training, Sowerby was the first composer I knew and the last thing a composer was supposed to resemble.”
Leo Sowerby (1895-1968): Classic Concerto; David Mulbury, organ; Fairfield Orchestra; John Welsh, conductor; Naxos 8.559028

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