Huge 4SS text below π
πππππππππππππ
Welcome,
creatures of the night
Itβs time
to open the portal
to our haunted playhouse
Once itβs open,
we are going to step
into a realm
where darkness
and dance
collide
πππππππππππππ
Ok wow, what was that?
What an incredible energy on the Heimlich Floor on halloween night!
And what a special night it was. For me and @sereeene our last gig in a long time π₯Ί Just writing these lines makes my eyes wet. Sorina left 2 days after our gig for a 9 month trip to south america. Miss you already so much bibi πππππππ!!!!!!!!!
We obviously planned something special to mark the occasion π And here again I want to thank Sorina for being the creative soul that she is and for putting up with me during my initial reactions π
Making an intro with our voices was initially her idea and we already wanted to do that for our Stadflucht set but it didn't happen then. It didn't take us all too long to come up with the text, thanks to our ideas, a book and chat gpt :D What took longer was the recording of our voices. Here a big shout out to @maier_mareia for having the patience and love to record this with us and for providing her sound engineering insights and helping us cut the material and put it together. The first part of the intro - which can be seen between the skulls on top - was spoken by the both of us at the same time; timing was of the essence! We'll let you discover the second part of the intro ;)
We played a bit slower than usual and tried out a new genre (for our duo/heart project) for us: dark disco. And, daaaaamn, it was fun to play some old tunes I used to play, incorporate some new ones and mix them together with bibi's awesome track selection.
At one point though, you will notice that something went wrong π«£ We were playing around 121 bpm when I started bringing in a psy trance Thriller edit. The track being originally super fast, it got played in double time (Double-time halves the tempo and makes the song sound slower), so around 61 bpm - or at least we thought so π
. Turns out, that even though the player was showing 61 bpm it felt like the song got played at 180 bpm. Anyhoo, after trying to figure out how to get out of this conundrum and not finding a solution, we had to cut clean and restart the track π₯²
But those moments are exactly what makes you smile afterwards.
So yeah, that was one for the books! We had so much fun playing and really felt the energy the crowd was giving off!
Enjoy the recording of our set!
P.S.:
Thanks to our sister from another mister @maier_mareia for heating up the floor the way she did π«Άπ»
Thanks to @drahthaus for their incredible live performance right after our gig π€©
Big up to @kruzio-terrible and @louwers for rocking the last hours on our floor π
Words can't express the gratitude we have for all the people that made this event possible. And even more love for the heimlich crew and their Helferleins, to people that don't get the recognition from outside:
Thank you for your unermΓΌdlicher Einsatz Laurenz! Danke Jan, dass du den Laurenz so unterstΓΌtzt hast. Danke auch Ivi fΓΌrs mitbauen des absurdgeilen Totenkopfes. Danke Sissi, Tina & Flo, dass ihr den restlichen Floor mit Spinnweben-Vibes versehrt habt. Danke Anna, fΓΌr das mitorganisieren, behirnen, MA## anrufen, und zusammen mit Anton, Nathalie fΓΌrs verkleben der gefΓΌhlt 5000+ diskokugelsteinchen auf den Totenkopf. Sam & Micha ihr wurdet als DJ schon erwΓ€hnt, aber danke nochmal fΓΌr den smoothen Auf&Abbau. Sam nochmal extra danke fΓΌr das Behirnen vong allem her, you know what I mean. Danke Oli fΓΌr die megasmoothe Event-Produktion/Orga und deine Ruhe! Und ein prophylaktisches "Sorry" - ich hab sicher wen vergessen hervorzuheben π«£
Haben euch lieb π«Άπ»π«Άπ»π«Άπ»
