Most musicians believe their most polished, complex songs give them the best chance at landing sync placements. But what if those “best” songs are actually the reason nothing gets placed? In this episode, Jody Friedman and Michael break down what they call The Sync Paradox—a counterintuitive truth that catches countless talented artists off guard. Drawing from real-world experience as a music supervisor and years of successful placements, they explain why music written to be the centre of attention often fails in TV, film, and advertising. You’ll learn the critical difference between showcase music and functional music, and why simplicity, space, and restraint are often far more valuable than big hooks and dense production. The conversation includes real placement examples from major television shows, including The Golden Bachelor, and an inside look at how producers, editors, and music supervisors actually use songs under dialogue and sound design. This episode also explores the mindset shift required to succeed in sync—moving from artist-first thinking to story-first thinking—without abandoning your artistry. You’ll hear practical strategies for writing and producing music that supports narrative, emotion, and pacing, while still staying authentic to your creative voice. If you’ve ever wondered why your strongest songs keep getting rejected, or why some simpler tracks seem to land placements over and over again, this episode will completely change how you approach sync music. To go deeper, this insight is expanded in the book Sync Titan Secrets, built from years of hands-on experience placing music in major TV shows, films, and commercials.