Life Unedited (Nothing Is Taboo)

Michelle Dresbold has been called the Sherlock Holmes of handwriting. For the past 10 years, she has been helping law enforcement agencies around the country put away the "bad guys." A graduate of the United States Secret Service's Advanced Document Examination training program, Michelle consults to private attorneys, police departments, and prosecutors throughout the United States. She is considered one of the top experts in the nation on handwriting identification, (including anonymous letters and suspected forgeries), personality profiling, and threat analysis. She has testified in a wide variety of cases including arson, embezzlement, voting fraud, forgery, stalking, and murder. She is the author of Sex, Lies, and Handwriting, published by Simon and Schuster's Free Press, and writes a weekly syndicated column, The Handwriting Doctor, which appears in newspapers throughout the United States. Michelle is also an accomplished artist, who has shown her work in galleries and museums across the country.

In 1981, Warshaw went to work for Atari after an short unchallenging time at Hewlett-Packard. His first success, Yars' Revenge, became extremely popular and is still regarded as one of the best games made for the Atari 2600. This led Warshaw to be picked as the designer of the game adaptation of the film Raiders of the Lost Ark, which was also a commercial success and was critically acclaimed at the time. It was his success on Raiders that led to Warshaw being chosen to design and program the ill-fated Atari 2600 adaptation of E.T. the Extra-Terrestrial. Problems began early as he was only given five weeks to go from concept to finished product. Warshaw was assisted by Jerome Domurat, a graphics designer at Atari. Although the game was finished on time, it was poorly received and seen as being confusing and frustrating. Atari took a major financial loss on the project which, combined with other poor business decisions and conditions, led to the company being divided and sold within two years. During this time, Warshaw developed and almost finished another game called Saboteur. He left the company before it was completed. It was then re-adapted into a game based on the television series The A-Team but this also remained unfinished. Atari was dismantled before either version could be released. In the 2014 movie, The Rise and Fall of Atari, Warshaw is quoted as saying that all his games sold over 1 million copies.

In 1981, Warshaw went to work for Atari after an short unchallenging time at Hewlett-Packard. His first success, Yars' Revenge, became extremely popular and is still regarded as one of the best games made for the Atari 2600. This led Warshaw to be picked as the designer of the game adaptation of the film Raiders of the Lost Ark, which was also a commercial success and was critically acclaimed at the time. It was his success on Raiders that led to Warshaw being chosen to design and program the ill-fated Atari 2600 adaptation of E.T. the Extra-Terrestrial. Problems began early as he was only given five weeks to go from concept to finished product. Warshaw was assisted by Jerome Domurat, a graphics designer at Atari. Although the game was finished on time, it was poorly received and seen as being confusing and frustrating. Atari took a major financial loss on the project which, combined with other poor business decisions and conditions, led to the company being divided and sold within two years. During this time, Warshaw developed and almost finished another game called Saboteur. He left the company before it was completed. It was then re-adapted into a game based on the television series The A-Team but this also remained unfinished. Atari was dismantled before either version could be released. In the 2014 movie, The Rise and Fall of Atari, Warshaw is quoted as saying that all his games sold over 1 million copies.

In 1981, Warshaw went to work for Atari after an short unchallenging time at Hewlett-Packard. His first success, Yars' Revenge, became extremely popular and is still regarded as one of the best games made for the Atari 2600. This led Warshaw to be picked as the designer of the game adaptation of the film Raiders of the Lost Ark, which was also a commercial success and was critically acclaimed at the time. It was his success on Raiders that led to Warshaw being chosen to design and program the ill-fated Atari 2600 adaptation of E.T. the Extra-Terrestrial. Problems began early as he was only given five weeks to go from concept to finished product. Warshaw was assisted by Jerome Domurat, a graphics designer at Atari. Although the game was finished on time, it was poorly received and seen as being confusing and frustrating. Atari took a major financial loss on the project which, combined with other poor business decisions and conditions, led to the company being divided and sold within two years. During this time, Warshaw developed and almost finished another game called Saboteur. He left the company before it was completed. It was then re-adapted into a game based on the television series The A-Team but this also remained unfinished. Atari was dismantled before either version could be released. In the 2014 movie, The Rise and Fall of Atari, Warshaw is quoted as saying that all his games sold over 1 million copies.

Michelle Dresbold has been called the Sherlock Holmes of handwriting. For the past 10 years, she has been helping law enforcement agencies around the country put away the "bad guys."

A graduate of the United States Secret Service's Advanced Document Examination training program, Michelle consults to private attorneys, police departments, and prosecutors throughout the United States. She is considered one of the top experts in the nation on handwriting identification, (including anonymous letters and suspected forgeries), personality profiling, and threat analysis. She has testified in a wide variety of cases including arson, embezzlement, voting fraud, forgery, stalking, and murder.

She is the author of Sex, Lies, and Handwriting, published by Simon and Schuster's Free Press, and writes a weekly syndicated column, The Handwriting Doctor, which appears in newspapers throughout the United States. Michelle is also an accomplished artist, who has shown her work in galleries and museums across the country.

Michelle Dresbold has been called the Sherlock Holmes of handwriting. For the past 10 years, she has been helping law enforcement agencies around the country put away the "bad guys."

A graduate of the United States Secret Service's Advanced Document Examination training program, Michelle consults to private attorneys, police departments, and prosecutors throughout the United States. She is considered one of the top experts in the nation on handwriting identification, (including anonymous letters and suspected forgeries), personality profiling, and threat analysis. She has testified in a wide variety of cases including arson, embezzlement, voting fraud, forgery, stalking, and murder.

She is the author of Sex, Lies, and Handwriting, published by Simon and Schuster's Free Press, and writes a weekly syndicated column, The Handwriting Doctor, which appears in newspapers throughout the United States. Michelle is also an accomplished artist, who has shown her work in galleries and museums across the country.

Nov 4th 1979, 52 Americans (diplomats with internationally recognized rights) are taken hostage In Iran and held for 444 days. Paraded around as trophies and bargaining chips in a high stakes game of international politics and religious fanaticism. Isolated, abused and sometimes tortured. Learn how Mr. Rosen and the other hostages were able to survive their long ordeal. Learn how their negotiated (through the Algerian government) release came with some fine print that continues to haunt the surviving hostages to this day.

Nov 4th 1979, 52 Americans (diplomats with internationally recognized rights) are taken hostage In Iran and held for 444 days. Paraded around as trophies and bargaining chips in a high stakes game of international politics and religious fanaticism. Isolated, abused and sometimes tortured. Learn how Mr. Rosen and the other hostages were able to survive their long ordeal. Learn how their negotiated (through the Algerian government) release came with some fine print that continues to haunt the surviving hostages to this day.

In 1981, Warshaw went to work for Atari after an short unchallenging time at Hewlett-Packard. His first success, Yars' Revenge, became extremely popular and is still regarded as one of the best games made for the Atari 2600. This led Warshaw to be picked as the designer of the game adaptation of the film Raiders of the Lost Ark, which was also a commercial success and was critically acclaimed at the time.

It was his success on Raiders that led to Warshaw being chosen to design and program the ill-fated Atari 2600 adaptation of E.T. the Extra-Terrestrial. Problems began early as he was only given five weeks to go from concept to finished product. Warshaw was assisted by Jerome Domurat, a graphics designer at Atari. Although the game was finished on time, it was poorly received and seen as being confusing and frustrating. Atari took a major financial loss on the project which, combined with other poor business decisions and conditions, led to the company being divided and sold within two years. During this time, Warshaw developed and almost finished another game called Saboteur. He left the company before it was completed. It was then re-adapted into a game based on the television series The A-Team but this also remained unfinished. Atari was dismantled before either version could be released.

In the 2014 movie, The Rise and Fall of Atari, Warshaw is quoted as saying that all his games sold over 1 million copies.

In 1981, Warshaw went to work for Atari after an short unchallenging time at Hewlett-Packard. His first success, Yars' Revenge, became extremely popular and is still regarded as one of the best games made for the Atari 2600. This led Warshaw to be picked as the designer of the game adaptation of the film Raiders of the Lost Ark, which was also a commercial success and was critically acclaimed at the time.

It was his success on Raiders that led to Warshaw being chosen to design and program the ill-fated Atari 2600 adaptation of E.T. the Extra-Terrestrial. Problems began early as he was only given five weeks to go from concept to finished product. Warshaw was assisted by Jerome Domurat, a graphics designer at Atari. Although the game was finished on time, it was poorly received and seen as being confusing and frustrating. Atari took a major financial loss on the project which, combined with other poor business decisions and conditions, led to the company being divided and sold within two years. During this time, Warshaw developed and almost finished another game called Saboteur. He left the company before it was completed. It was then re-adapted into a game based on the television series The A-Team but this also remained unfinished. Atari was dismantled before either version could be released.

In the 2014 movie, The Rise and Fall of Atari, Warshaw is quoted as saying that all his games sold over 1 million copies.