Limpodisco

Almost 10 years ago we played this set in the wonderful place that is Agharti in Odessa, Ukraine. We played the first half of the night, until 03:17:00 on the recording, and then Ivan D1 took control of the turntables masterfully.

It was right after the renovation, and the Agharti guys had installed a new soundsystem that sounded marvelous, tuned to excellence. This was one of our first attempts at playing vinyl again after a while tho! And you can hear that right from the first record: it happened to have a dirty, dusty needle right in the beginning, resulting in awful distortion on the first track. And some minor bugs happened later too, so our set is imperfect. But we decided not to edit the file, to keep it true to the source, so we just value it as an archive.

Sanyo collected those records over decades, and they have a lot of influences from 20:20 Vision, NRK Sound Division, Dave Lee's early works, Freerange, R&S and lots of other obscure stuff from labels we're sure you've never run into. And you can hear Yuliia on synth FX duty working hard here too: we brought our little Waldorf Blofeld to make a layer of effects on top of the records, which glues everything together.

Keeping the whole recording from 2017, now in 2026 we've remastered this set on our fancy tube equipment to give it more sparks, definition, space and clarity. Yeah, we know that valves in general aren't for clarity, but we believe that our SPL Vitalizer MK3-T is a mastering-grade device, since it increased the headroom a bit, giving more voltage to the circuit, and this unit absolutely won for the restoration compared to the other stuff (we also tried the Wes Audio Prometheus and Elysia Xmax for this task, but they weren't as good as this Vitalizer creature in our tests). So, by refining the sound, we gave it a touch of Eat Nobody Studio too. And ye, this was a lovely 14th February night, so we had lot of fun doing that! Hope you dig it!

On its third outing, LimpoMedia links up with a bona fide 20:20 Vision don: Random Factor, the project of Carl Finlow.

Finlow might be deep in his electro bag these days, but as Random Factor, he blueprinted deep house in one of its purest forms.

The release came together in a slightly oddball fashion: the remix actually landed alongside the original cut. Locked in from the very first notes, rinsing the same sample pool (fully licensed, mind you — big up the legal flex). Carl’s version leans into an original sonic palette: a straight-up masterclass in synthesis, arrangement, and mixdown finesse.

The original, Limpodisco, takes a slightly different route — digging into a separate batch of dusty wax samples. Vibe-wise, yeah, it plays with that warm, slinky energy you’d associate with Crazy P — but that wasn’t the initial plan, call it the will of the Absolute.

From day one, the brief at LimpoMedia was simple: club cuts that also open up those freaky deep house chakras.

And the title No Time For Swing, what on earth is that?? Nicked straight off a sticker in a Berlin club. No clue what it means, honestly. And if we had the time to figure it out, we probably would — but we don’t. No one does. Time’s basically cancelled. You spot a sick sticker, you jack the phrase, slap it on the artwork, release, be happy. Try not to look like a freaking AI — just don’t think. Turns out that’s a very human thing.

On its third outing, LimpoMedia links up with a bona fide 20:20 Vision don: Random Factor, the project of Carl Finlow.

Finlow might be deep in his electro bag these days, but as Random Factor, he blueprinted deep house in one of its purest forms.

The release came together in a slightly oddball fashion: the remix actually landed alongside the original cut. Locked in from the very first notes, rinsing the same sample pool (fully licensed, mind you — big up the legal flex). Carl’s version leans into an original sonic palette: a straight-up masterclass in synthesis, arrangement, and mixdown finesse.

The original, Limpodisco, takes a slightly different route — digging into a separate batch of dusty wax samples. Vibe-wise, yeah, it plays with that warm, slinky energy you’d associate with Crazy P — but that wasn’t the initial plan, call it the will of the Absolute.

From day one, the brief at LimpoMedia was simple: club cuts that also open up those freaky deep house chakras.

And the title No Time For Swing, what on earth is that?? Nicked straight off a sticker in a Berlin club. No clue what it means, honestly. And if we had the time to figure it out, we probably would — but we don’t. No one does. Time’s basically cancelled. You spot a sick sticker, you jack the phrase, slap it on the artwork, release, be happy. Try not to look like a freaking AI — just don’t think. Turns out that’s a very human thing.

Limpodisco — The Night Is Young by Limpodisco

LimpoMedia’s second release is an elegy to a hot night. Picture this: you’re alone in a big house, your thoughts drifting through the silence. There’s that strange mix of thrill and unease — the feeling of standing face to face with the universe’s biggest mystery: your own self. The Night Is Young plays right in that space — that slight out-of-body buzz when the night opens up and suddenly the whole world feels like it’s sitting in your palm. The night is soft, young, and full of promise. Sanyo’s whispered inspirations flow into the vocalise from Yuliia on The Night Is Still Young, taking the mood somewhere even more dreamy. And then comes the final flourish from Belgian maestro Reinhard of Rheinzand, who folds both tracks together in his remix The Night Is Young — So Am I, arguably the most psychedelic take of the three.

LimpoMedia’s second release is an elegy to a hot night. Picture this: you’re alone in a big house, your thoughts drifting through the silence. There’s that strange mix of thrill and unease — the feeling of standing face to face with the universe’s biggest mystery: your own self. The Night Is Young plays right in that space — that slight out-of-body buzz when the night opens up and suddenly the whole world feels like it’s sitting in your palm. The night is soft, young, and full of promise. Sanyo’s whispered inspirations flow into the vocalise from Yuliia on The Night Is Still Young, taking the mood somewhere even more dreamy. And then comes the final flourish from Belgian maestro Reinhard of Rheinzand, who folds both tracks together in his remix The Night Is Young — So Am I, arguably the most psychedelic take of the three.

LimpoMedia’s second release is an elegy to a hot night. Picture this: you’re alone in a big house, your thoughts drifting through the silence. There’s that strange mix of thrill and unease — the feeling of standing face to face with the universe’s biggest mystery: your own self. The Night Is Young plays right in that space — that slight out-of-body buzz when the night opens up and suddenly the whole world feels like it’s sitting in your palm. The night is soft, young, and full of promise. Sanyo’s whispered inspirations flow into the vocalise from Yuliia on The Night Is Still Young, taking the mood somewhere even more dreamy. And then comes the final flourish from Belgian maestro Reinhard of Rheinzand, who folds both tracks together in his remix The Night Is Young — So Am I, arguably the most psychedelic take of the three.

That was quite a night at KitKat in Berlin as we welcomed Spring and celebrated the thirty-second birthday of the absolute legend of a club. For this massive occasion, the Disco Bizarre crew threw an absolute artistic riot in our all-time favorite disco basement which was overflowing with passion, desire, and pure love. It was a massive honor for Sanyo, the half of Limpodisco, to jump on the decks. A huge shout-out to our spiritual brother DJ Himself for the invite to join the party. We also have to say a proper megaTNX for catching the set on record so we can relive the magic.

For this specific night, we hand-picked a bunch of belters and cheerful tunes that dive deep into that psychedelic disco-trance sound, basically exactly how we like to roll. The energy was high and it was a total vibe to be playing, dancing, and just loosing ourselves. It was a blast to be part of such a wicked party and the atmosphere in that basement was something else entirely. It was a night of pure joy and heavy disco tunes with some of our own edits.

Download is open, so feel free to get this set xxx

In 2026, Limpodisco mark the launch of their own label. A decade ago, the duo began as a light-hearted disco project under the name Limpopo: Sanyo Fylyppov and Yuliia Presniakova debuted on Midnight Riot. After years of re-edits and moving from Ukraine to Norway, their focus has shifted toward original material. This first release on the newly formed Limpomedia label blends several strands at once: leftfield electronics, ambient textures, deep house and a touch of neo-disco. It's a hybrid that loosely echoes the idea behind Everything Everywhere All at Once - an attempt to reflect how layered, tangled and non-linear the world feels right now. A hybrid studio setup replaces the old analogue workflow; simple disco gives way to a wider emotional palette. The surreal artwork adds an extra dose of psychedelia to the overall mood.

In 2026, Limpodisco mark the launch of their own label. A decade ago, the duo began as a light-hearted disco project under the name Limpopo: Sanyo Fylyppov and Yuliia Presniakova debuted on Midnight Riot. After years of re-edits and moving from Ukraine to Norway, their focus has shifted toward original material. This first release on the newly formed Limpomedia label blends several strands at once: leftfield electronics, ambient textures, deep house and a touch of neo-disco. It's a hybrid that loosely echoes the idea behind Everything Everywhere All at Once - an attempt to reflect how layered, tangled and non-linear the world feels right now. A hybrid studio setup replaces the old analogue workflow; simple disco gives way to a wider emotional palette. The surreal artwork adds an extra dose of psychedelia to the overall mood.