Lionel Nation

12 APR 2026.

Let’s strip away the outrage theater and look at what is actually happening here. Donald Trump did not just toss out a random provocation. He made a blunt, high risk move aimed at one thing: ending what he calls strategic extortion in the Strait of Hormuz.

Critics are screaming “illegal war,” “global catastrophe,” and the usual greatest hits. Fine. That chorus shows up every time force replaces endless diplomacy. But here is the uncomfortable reality. Roughly a fifth of the world’s oil flows through that narrow corridor. When a regime signals it can disrupt that flow at will, whether through mines, threats, or shadow tolls, that is not just regional tension. That is leverage over the global economy.

Trump is responding to that leverage with force. You can argue about wisdom, you can argue about timing, but pretending this came out of nowhere is dishonest. The breakdown in talks led by JD Vance was not some minor hiccup. It was a reminder that Iran does not trust the United States, and frankly has reasons not to after years of shifting agreements and reversals dating back to the collapse of the Iran nuclear deal.

So now we have escalation.

Trump’s language is not subtle. “Locked and loaded.” “Blown to hell.” This is not diplomatic phrasing. It is deterrence by intimidation. The question is whether it works or backfires.

Opponents claim this is reckless and could trigger a wider war. That is a legitimate concern. A blockade in international waters is not a symbolic gesture. It is an act that invites response. Iran is weakened in some respects, but not irrelevant. It still has asymmetric tools, proxies, and the ability to create chaos in ways that do not require conventional dominance.

But let’s also address the other side that critics conveniently ignore. For years, the strategy has been negotiation layered with sanctions, followed by more negotiation. The result? A cycle of temporary agreements, broken trust, and a lingering nuclear question that never quite goes away. At some point, a leader either accepts that status quo or disrupts it.

Trump is choosing disruption.

Is it dangerous? Absolutely. Is it unprecedented? Not entirely. The United States has used naval power to enforce economic and security objectives before, though rarely with stakes this high in such a critical artery of global trade.

The real issue is not the outrage on social media or the predictable condemnations from activist groups. It is whether this move forces a recalculation in Tehran or hardens their position further. If Iran backs down, Trump looks like he imposed order on a volatile chokepoint. If Iran escalates, the region edges closer to a broader conflict that nobody can fully control.

That is the gamble.

And make no mistake, it is a gamble with global consequences. Energy markets, shipping lanes, alliances, and military posture all hang in the balance. This is not a cable news shouting match. This is a test of power, resolve, and risk tolerance.

In the end, the question is simple. Does force succeed where diplomacy stalled, or does it ignite something far worse?

Right now, nobody knows. And that uncertainty is exactly what makes this moment so dangerous.

The US came to the negotiations with the same old ultimatums – but Iran feels it now has the power to set the terms

==========================

“Historia de un Amor” in a French Latino style is pure romance wrapped in melancholy. The aching lyrics meet soft accordion, nylon guitar, and a whisper of Parisian café ambiance. It feels like Havana meets Montmartre, love remembered through smoke and shadows. The melody drifts, intimate and nostalgic, as if sung under dim lights to someone long gone. It is heartbreak, elegance, and timeless longing, all in one haunting performance that lingers long after the final note fades.

French Latino, premier groupe de musique latino méditerranéenne “Historia de un amor” | Álbum “Guarda la Esperanza” https://frenchlatino.com/tienda/?lang=fr Vous avez toutes les vidéos de French Latino sur notre chaîne YouTube. N’oubliez pas de vous abonner! https://www.youtube.com/c/FrenchLatino N’oubliez pas d’activer la pour être notifié à chaque nouvelle vidéo!

The post Strait of Hormuz Crisis: Trump’s Force Play Could Ignite or End It appeared first on Lionel Nation.

10 APR 2026.

President Donald Trump unleashed a blistering attack Thursday on several high-profile right wing media figures, marking a sharp escalation in tensions within his broader political orbit following the U.S. military operation in Iran. The president directly targeted Tucker Carlson, Megyn Kelly, Candace Owens and Alex Jones, accusing them of undermining his leadership and opposing his stance on Iran’s nuclear ambitions.

In a lengthy post, Trump dismissed the commentators’ credibility and intelligence, arguing their criticism aligned with positions that would allow Iran, which he described as the world’s leading state sponsor of terror, to obtain nuclear weapons. He portrayed their opposition as fundamentally incompatible with the America First movement, framing it as a betrayal rather than a policy disagreement.

Trump also took aim at their professional trajectories, claiming they had lost relevance and influence, while labeling them as opportunistic figures seeking attention. He revived past grievances, including criticisms of Kelly’s debate questioning during the 2015 campaign and Owens’ controversial commentary, while highlighting Jones’ legal and financial fallout related to his statements about the Sandy Hook Elementary School shooting.

The remarks reflect a broader fracture among conservative voices as debates intensify over U.S. foreign policy and military engagement in the Middle East. Notably, criticism has not been limited to media personalities. Former ally Marjorie Taylor Greene also publicly rebuked aspects of Trump’s rhetoric regarding Iran, describing one recent statement as excessive.

The episode underscores growing divisions within the coalition that has supported Trump, particularly as questions mount over the scope and consequences of U.S. involvement in Iran.

========================

“Mais Que Nada” by Sérgio Mendes, written by Jorge Ben Jor, is a vibrant blend of samba and pop that helped bring Brazilian music to a global audience. Released in 1966 with Brasil ’66, it features infectious rhythms, lively percussion and call and response vocals. Its upbeat groove and iconic melody made it an international hit, influencing jazz and pop artists while capturing the unmistakable energy of Rio. This version is performed by Danyo, bringing his own style and interpretation to the classic.

Written by Jorge Ben Aaron Serfaty – Director Luca Jacaruso – Piano Valerie Lopez – Vocal Ryan McDiarmid – Drums Camila Mora – Vocal Daniel Oldham – Bass Liv Slingerland – Guitar Ian Wurfl -Percussion Live 4.6.2015 Video Editing & Audio Mix Daniel Oldham Videography Hunter Peterson Mattan Cohen #SergioMendes #danyo

The post MAGA Meltdown: Trump Destroys Conservative Media Critics and Loses His New Base appeared first on Lionel Nation.

09 APR 2026.

This case sat in the shadows for years, a series of disappearances tied together by geography, method, and silence. On April 8, 2026, that silence broke. Rex Heuermann, a 62-year-old architect from Massapequa Park, pleaded guilty to murdering eight women over a span of nearly two decades, from 1993 through 2011.

The victims were identified as Melissa Barthelemy, Megan Waterman, Amber Lynn Costello, Maureen Brainard-Barnes, Valerie Mack, Jessica Taylor, Sandra Costilla, and Karen Vergata. Many were young women working as sex workers, targeted, lured, and ultimately killed in a pattern that investigators now describe as controlled and deliberate.

Heuermann lived what appeared to be an ordinary life. Married, a father of two, working in Manhattan as an architectural consultant. But behind that exterior, prosecutors say, was a system. Victims were contacted using burner phones. Meetings were arranged. They were restrained, often with belts or burlap, and strangled. In some cases, families were later contacted using those same burner devices, prolonging the psychological damage.

The break in the case came years later. A discarded pizza crust provided DNA that matched evidence recovered from a victim. Burner phone records placed key communications near his home and office. Witness descriptions aligned with his physical appearance and vehicle. Digital searches revealed disturbing patterns, including interest in the investigation itself.

A task force formed in 2022 re-examined the case from the ground up. In July 2023, Heuermann was arrested near his Manhattan office. Now, with a guilty plea, he faces life without parole.

But even with a confession, the questions remain.

The case is now closed in a legal sense. But in every other sense, it lingers.

=====================

Steve Earle’s Guitar Town is a defining country rock anthem that captures ambition, restlessness, and the pull of the road. The official music video pairs Earle’s sharp storytelling with a gritty, working class backdrop, reflecting the hunger behind the lyrics. Driven by jangling guitars and a relentless rhythm, the song helped establish Earle as a major voice, blending outlaw country attitude with heartland rock energy.

REMASTERED IN HD! Official Music Video for Guitar Town performed by Steve Earle. Follow Steve Earle: Instagram: https://www.instagram.com/steveearle Twitter: https://mobile.twitter.com/steveearle Facebook: https://www.facebook.com/SteveEarleMusic Website: http://www.steveearle.com #SteveEarle #GuitarTown #Remastered

The post Decades of Silence Shattered As Long Island Serial Killer Finally Confesses appeared first on Lionel Nation.

07 APR 2026.

President Donald Trump has announced a proposed two week ceasefire framework with Iran, signaling a temporary shift from direct confrontation to negotiation. According to the latest developments, the administration believes it has already achieved its core military objectives and is now allowing space for diplomacy to take hold.

The push for a pause gained momentum after Shehbaz Sharif publicly urged the United States to extend its timeline, requesting a two week window to de escalate tensions. His proposal also included a coordinated reopening of the Strait of Hormuz, a critical global energy route, as a gesture of goodwill. That move is seen as central to stabilizing markets and reducing immediate pressure in the region.

Iran’s response has been cautiously receptive. Officials indicated they are reviewing the proposal, while signaling that any halt in U.S. and allied military activity would be met with a pause in their own defensive operations. Iran’s Foreign Minister, speaking on behalf of the national security leadership, suggested that safe passage through the Strait could be maintained during this period if coordination is achieved.

Behind the scenes, negotiations are ongoing. The White House confirmed that discussions remain active, with Vice President J. D. Vance reportedly involved in back channel talks. The framework appears to be built around competing proposals from both sides, with each testing whether a temporary truce can lead to something more durable.

The situation, however, remains fragile. Recent warnings from Israel urging civilians to avoid certain infrastructure highlight how quickly conditions could shift. The ceasefire proposal is not a finalized agreement, but rather a narrow window, one that could either open the door to broader negotiations or collapse under the weight of ongoing tensions.

At its core, this moment reflects a familiar pattern. Military pressure followed by diplomatic outreach. The difference now is the stakes. Control of key infrastructure, energy routes, and regional influence all hang in the balance.

For now, the focus is on whether both sides can hold the line long enough for talks to produce results. A two week pause may seem brief, but in a volatile environment, even a short window can determine whether escalation continues or a new phase begins.

Pakistani Prime Minister Shehbaz Sharif has asked Trump to push back his promised assault by two weeks

=========================

At the Concert for the Rock and Roll Hall of Fame, The Allman Brothers Band joined forces with Sheryl Crow for a soulful performance of Midnight Rider. The rendition blended southern rock grit with Crow’s signature vocals, honoring the band’s legacy. It was a powerful moment that captured the timeless spirit of the song and reminded audiences why it remains a classic.

The Allman Brothers Band and Sheryl Crow perform “Midnight Rider” at the 1995 Concert for the Rock & Roll Hall of Fame. The Allman Brothers Band were inducted into the Hall of Fame the same year.

The post Trump Declares Ceasefire Push As US And Iran Stand At The Brink appeared first on Lionel Nation.

07 APR 2026.

A new survey from ZipHealth, based on responses from over 1,000 people across the U.S. and Canada, suggests something has shifted in a way most people would have laughed off just a few years ago. About 23 percent of respondents said they would consider having sex with a humanoid robot, while another 19 percent admitted they have already engaged in some form of romantic or sexual interaction with AI chatbots. Even more telling, half of those people said they kept it from their partner. That kind of secrecy signals something deeper than curiosity. It points to a quiet redefinition of intimacy already underway.

=======================

At the Rock and Roll Hall of Fame Induction Ceremony 2025, Teddy Swims teamed up with Tedeschi Trucks Band for a powerful rendition of Feelin’ Alright. Channeling the gritty soul of Joe Cocker, the performance blended raw vocals with rich instrumentation. It was a standout tribute, capturing the spirit of classic rock while introducing it to a new generation with undeniable energy and emotion.

Teddy Swims and Tedeschi Trucks Band perform Joe Cocker’s “Feelin’ Alright” at the 2025 Rock & Roll Hall of Fame Induction Ceremony in Los Angeles – the second song in the all-star tribute to newly inducted Joe Cocker. This pairing made too much sense.

The post Gen Z Is Falling For AI SEX Chatbots And Calling It Cheating: Is It? appeared first on Lionel Nation.

06 AP 2026.

There is a quiet truth most people never confront. What we do not understand does not simply sit in the background. It shapes us. It directs us. In many ways, it controls us.

The unknown is not empty space. It is pressure. It is influence without a face. Every decision made in uncertainty carries the weight of something unseen. Fear of the unknown changes behavior. So does curiosity. So does the need to explain what cannot yet be explained.

Human beings are not comfortable with mystery, yet we are drawn to it. That tension is where influence lives. When something is unclear, the mind fills in the gaps. Sometimes with logic. Often with instinct. And frequently with assumptions that feel true but are never examined.

History is filled with examples. Entire belief systems built around what could not be measured. Movements driven by forces people could feel but not define. Even today, markets move on expectations. Politics shifts on perception. Culture bends around narratives that are not fully understood but deeply felt.

The unknown creates space for interpretation. And interpretation creates power.

Those who understand this do not rush to eliminate mystery. They learn to work within it. To shape it. To guide how others perceive it. Because once something is named and explained, its power diminishes. But while it remains undefined, it can influence everything.

That is the paradox. We chase answers, believing knowledge will set us free. And often it does. But until that moment arrives, the unseen holds a kind of authority over us.

So the real question is not whether the unknown exists. It always will.

The question is who, or what, is shaping it while we are still trying to understand it?

==========================

In the early 1970s, Seals & Crofts created a sound that felt effortless yet deeply reflective. Songs like Summer Breeze and We May Never Pass This Way Again carried a quiet emotional weight. With a young Jeff Porcaro on drums, the rhythm flowed with subtle precision. It was soft rock at its finest, gentle but unforgettable, capturing the fleeting nature of time and memory.

We may never pass this way again Summer breeze Possilby Line up Jimmy Seals – vocals, guitar Dash Crofts – vocals, guitar, mandolin Louie Shelton – lead guitar , vocals Bobby Lichtig – bass, vocals David Paich – piano, keyboards Jeff Porcaro – drums

The post What We Don’t Understand Controls Us: The Hidden Power of the Unknown appeared first on Lionel Nation.

03 APR 2026.

President Donald Trump announced that Attorney General Pam Bondi is leaving her position in the administration and will move into the private sector. He described her as a great patriot and a loyal friend, emphasizing appreciation for her service.

Todd Blanche, who has been serving as Deputy Attorney General, will take over as Acting Attorney General effective immediately. Blanche previously worked as one of Trump’s personal attorneys and has been closely involved in the administration’s legal strategy.

Bondi had been serving as Attorney General since early 2025 and played a central role in advancing the administration’s Justice Department priorities, including high profile legal and prosecutorial matters.

Her departure is being presented as a transition rather than a dismissal. There is no indication of conflict surrounding the change, and the tone of the announcement reflects continuity and stability within the administration.

Blanche’s appointment is temporary, with no permanent successor announced at this time. He is expected to maintain the current legal direction of the Justice Department while overseeing its operations during the transition period.

The move represents a significant leadership change at the top of the Department of Justice while keeping leadership within Trump’s inner legal circle.

Attorney General Pam Bondi is moving to the private sector, and Deputy Attorney General Todd Blanche is stepping in to serve as acting attorney general.

=============================

When Oscar Peterson appeared on The Dick Cavett Show, he explained jazz with remarkable clarity. He described it as structure first, freedom second. A melody begins the process, then musicians improvise around it using deep knowledge of chords and timing. He stressed that swing cannot be written, it must be felt. Jazz, he said, is a conversation, with players constantly listening and responding to each other. Demonstrating at the piano, he showed how a simple tune transforms through improvisation, making jazz accessible, logical and alive rather than mysterious or random.

In this episode I break down what I think is the greatest music interview ever: Dick Cavett interviewing Oscar Peterson in 1979. The Beato Bundle – $99 FOR ALL OF My Courses: ⇢ https://rickbeato.com/ - The Beato Book Interactive – $99.00 value – Beato Beginner Guitar – $159.00 value - The Beato Ear Training Program – $99.00 value - The Quick Lessons Pro Guitar Course – $79.00 value …

The post Trump Shakes DOJ: Pam Bondi Out Todd Blanche Steps In as Acting Attorney General appeared first on Lionel Nation.

02 APR 2026.

The Infowars article presents a sharply critical take on Donald Trump, arguing that he is no longer the same leader many supporters once admired. It centers on commentary from Alex Jones, who suggests that Trump has changed in ways that raise concern among parts of his base. The tone is one of disappointment and urgency, framing the situation as a turning point.

Jones speculates that Trump may be diminished or influenced in ways that are not fully understood, though these claims are presented without verifiable evidence. The argument leans heavily on interpretation and personal assessment rather than confirmed facts.

The piece reflects a broader shift, highlighting fractures within circles that were once strongly aligned with Trump. It suggests that some former supporters are beginning to question his direction, messaging and current performance.

At its core, the article is not a factual report but an opinion-driven critique. It uses strong language to convey a sense of loss and concern, while raising questions about leadership, consistency and trust. The takeaway is less about proving specific claims and more about illustrating growing division and skepticism within segments of Trump’s own support base.

Alex Jones faces grim reality that President Trump may truly be out to lunch.

==========================

Tommy Emmanuel delivers a fiery take on “Sultans of Swing” with Pedro Javier González Trio, blending virtuoso fingerstyle with flamenco flair in a dynamic 2012 live performance.

Ripresa ufficiale da Soave Guitar Festival Proprietà e concessione di Pierpaolo Adda Regia video di Maurizio Ongaro Ripresa, mix e master audio di Pierpaolo Adda, Alberto Castellini, Tommaso Adda e Ars Audio Rent Service https://www.soaveguitarfestival.it/ https://www.guitaranch.it/ https://www.exastudios.it/ http://www.adsrverona.it/ http://www.audiorentservice.it/

The post MAGA Shock: Alex Jones Turns on Trump What Changed appeared first on Lionel Nation.

01 APR 2026.

I’ve spent my career in courtrooms defending the accused against the full weight of the state. I don’t chase conspiracies—I chase facts, reasonable doubt, and the constitutional right to a fair trial. But after poring over every filing, every leaked report, every public statement, and the explosive new ATF ballistic evidence in the Tyler Robinson case, I am left with one inescapable conclusion: this prosecution is collapsing under its own contradictions. The “lone gunman” narrative pushed by authorities and Turning Point USA (TPUSA) insiders is riddled with holes so large you could drive a conspiracy theory through them—and prominent truth-seekers like Candace Owens, Tucker Carlson, Megyn Kelly, and Joe Kent have every right to demand answers. Because what we’re seeing isn’t just sloppy police work. It’s a potential frame job wrapped in official denial.

Let’s start with the bombshell that dropped this week and has the prosecution scrambling. On Monday, defense attorneys for 22-year-old Tyler Robinson submitted a formal report from the Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF). That report states, unequivocally, that the bullet recovered from Charlie Kirk’s body does not match the Mauser 98 bolt-action rifle prosecutors have tied to Robinson. Not even close. The FBI is now “running additional tests” to see if the mismatch is “true.” Translation: the government’s own experts just handed the defense exculpatory evidence on a silver platter, and they’re desperately trying to walk it back before trial.

Robinson’s team isn’t wasting time. They’ve already announced plans to call the ATF analyst who conducted the test to the stand. They’ve also filed a motion to delay the May trial date by at least six months so they can fully review not just the ballistics but the FBI and ATF DNA reports—reports that show multiple distinct DNA profiles on key pieces of evidence. Multiple. Not just Robinson’s. This isn’t a minor evidentiary hiccup. This is the foundation of the state’s case crumbling.

Now, let’s walk through the rest of the so-called “overwhelming” evidence against Tyler Robinson and watch it disintegrate under scrutiny.

The shooting happened on September 10, 2025, at Utah Valley University during a TPUSA event. Kirk, 31, the fiery conservative activist, was addressing the crowd when he was fatally shot. Robinson surrendered the very next day, September 11. He appeared virtually in a suicide smock for his arraignment and has pleaded not guilty. He has never confessed in open court. Not once.

Prosecutors lean hard on three things: alleged Discord messages, texts to his roommate Lance Twiggs, and the rifle itself.

Hours after the shooting, someone using Robinson’s Discord account messaged a group: “Hey guys, I have bad news for you all. It was me at UVU yesterday. im sorry for all the this (sic).” Discord verified the account to the FBI. Robinson allegedly texted Twiggs: “I had enough of his hatred. Some hate can’t be negotiated out. I had the opportunity to take out Charlie Kirk and I’m going to take it,” and asked Twiggs to delete the messages. Prosecutors also point to the rifle—a WWII-era .30-06 Mauser 98 family heirloom gifted by Robinson’s father—found wrapped in a towel in woods near campus. Robinson’s DNA was reportedly on the trigger.

Sounds airtight, right? Wrong.

First, digital confessions are notoriously easy to fake, spoof, or obtain under duress. We still don’t know the full chain of custody on those messages. Second, Robinson turned himself in voluntarily the next day. Why would a cold-blooded assassin who bragged on Discord immediately surrender and then plead not guilty? The suicide smock appearance screams distress, not guilt. Third, the rifle. Even if Robinson’s DNA is on it (and remember those multiple DNA profiles), the bullet doesn’t match. Ballistics is the gold standard. If the slug in Kirk’s body came from a different firearm, the rifle is a red herring—planted or irrelevant. Robinson’s father confirmed it was a family gun, but that doesn’t prove it fired the fatal round.

And then there’s the elephant in the courtroom that truth-seekers like Candace Owens have been screaming about for months: the suspicious actions of TPUSA insider Terryl Farnsworth and the missing SD cards.

Terryl Farnsworth was the TPUSA staffer in charge of all audio and video at the UVU event. He was one of Kirk’s closest associates. Video footage—now public thanks to Candace Owens—shows Farnsworth, within seconds of Kirk being shot, climbing onto rocks and filming a selfie video declaring, “They shot Charlie. He’s dead. God help him.” Not “Charlie’s been shot.” Not “Call 911.” He prematurely declared him dead while the body was still being removed. Then, within minutes, Farnsworth breached the crime scene and physically removed the SD cards from the cameras positioned directly behind Kirk’s head—the exact angles that would have captured the shooter’s position, muzzle flash, trajectory, and any potential second shooter or staging.

TPUSA’s official line? “We were securing the footage to prevent it from being stolen.” That is laughable on its face. Law enforcement was on scene. Chain of custody is sacred in homicide cases. Removing evidence before police catalog it is textbook tampering. It destroys the integrity of the most critical video evidence. Candace Owens didn’t just report this—she obtained and aired the behind-the-scenes footage herself, the very material Farnsworth controlled. Her relentless reporting exposed TPUSA’s verifiable lies, their meltdown, and their desperate attacks on anyone asking questions. She called out the neocons “overwhelmed by non-existent evidence” and shamed those who rushed to judgment. She was right.

Even more damning: Farnsworth’s cousin, Michael Burt, is one of the lead attorneys on Tyler Robinson’s defense team. This is the “Mormon Mafia” conflict of interest that has exploded across social media. How does the defense get a fair shake when their own lawyer is blood-related to the man who yanked the SD cards? Marjorie Taylor Greene posted the Daily Mail headline with an eyeball emoji and noted the sheriff’s sudden resignation right after the ATF mismatch news broke. Joe Kent, Trump’s former counterterrorism pick, has openly questioned the lone-shooter story. Tucker Carlson, Megyn Kelly, and Owens have fueled the fire with facts, not fantasies. And they’ve been smeared for it.

Add to this the other red flags the provided reporting glosses over but the public record does not:

The entire TPUSA inner circle’s behavior: Chief of Staff Mikey McCoy walking away deliberately at the sound of gunfire; staffers filming selfies instead of rendering aid.

Candace Owens’ list of “10 TPUSA verifiable lies” about the assassination timeline, security, and footage. She has receipts.

As a defense attorney, my job is to find the truth, not to comfort the narrative. The state wants us to believe a 22-year-old with a family heirloom rifle acted alone, confessed digitally, turned himself in, and yet the ballistics don’t match and the most important video evidence was tampered with by an insider whose cousin now sits on the defense team. That is not reasonable doubt—that is reasonable suspicion of a larger operation.

Was Tyler Robinson framed? Was he a patsy? Did someone else pull the trigger and the rifle was staged? Was the Discord account hacked or the messages fabricated? Why did Farnsworth know to say “they” shot Charlie before the investigation even began? Why has TPUSA fought tooth and nail to control the narrative and the footage?

The prosecution is “clamoring.” The trial is delayed. The ATF report is public. Social media is on fire with calls for full release of all raw footage, unredacted DNA reports, and a complete chain-of-custody audit on those SD cards. Candace Owens, Tucker Carlson, and the rest of the truth warriors aren’t “far-right conspiracy theorists.” They are doing the job the legacy media and certain law-enforcement agencies refuse to do: ask the uncomfortable questions that expose rot.

Tyler Robinson deserves his day in court—without tampered evidence, without conflicts of interest, and without a railroad job. The people of Utah, the conservative movement, and Charlie Kirk’s own legacy deserve the full truth, not a sanitized lone-nut story that conveniently buries every discrepancy.

If the bullet doesn’t match the gun, the case doesn’t match the facts. Full stop.

I will continue fighting for my client, for transparency, and for the truth—wherever it leads. Because in America, even in 2026, the presumption of innocence still matters. And right now, the only thing more dangerous than the unanswered questions is pretending they don’t exist.

===========================

Hejira70’s take on “Help Me” captures the sly sophistication of Joni Mitchell while opening it up musically. The seven-piece arrangement adds warmth, swing and space, letting the song breathe beyond its polished original form. Instead of imitation, they lean into phrasing, groove and interplay, revealing the jazz undercurrent Mitchell always hinted at. It feels less like a cover and more like a continuation, honoring the spirit while expanding the conversation.

Joni Mitchell’s hit song, ‘Help Me’, performed by Hejira, featuring the wonderful Jana Varga on vocals. ***Hejira will be performing in Totnes (with Jana) at the CIVIC HALL on Saturday 2nd May! get tickets here: https://cabaretvoltaireevents.com Originally recorded on Joni Mitchell’s great album, Court and Spark, Hejira have put their own stamp on this belter of a song, whilst as ever, respecting very much the original.

The post TPUSA 1.0 aka Charlie Kirk Had To Go appeared first on Lionel Nation.

31 MAR 2026.

=================

Olias of Sunhillow is a visionary solo work by Jon Anderson, and “13 (To the Runner)” captures its mystical core. Layered vocals, celestial textures, and flowing rhythms create a dreamlike journey that feels both spiritual and otherworldly. It is less a song than a passage, guiding the listener through Anderson’s imagined universe with a sense of wonder, innocence, and quiet transcendence that lingers long after it ends.

From Wikipedia: Olias of Sunhillow is a progressive rock concept album by Jon Anderson, the lead singer of the band Yes. Released in 1976, it was his first solo album and the most successful of Yes’ solo efforts, reaching #8 in the UK charts and breaking into the US Top 50.

The post No Kings, Just Clowns: How 3,300 Potluck Protests Exposed the Democrat Grievance Machine appeared first on Lionel Nation.