Lionel Nation

08 MAY 2025. The latest.

James O’Keefe has dropped what may be one of the most explosive exposés of his career, this time targeting none other than Prince Andrew. In newly released undercover footage, John Bryan, a former advisor tied to the Royal Family, claims that Prince Andrew had inappropriate relationships with minors and was far more deeply involved with Jeffrey Epstein than the public has been led to believe. According to Bryan, Andrew lied repeatedly about his connections, downplayed his friendship with Epstein and has dodged accountability under the cloak of royal privilege.

This revelation reignites global scrutiny on the Duke of York, whose previous legal settlement with Virginia Giuffre all but admitted guilt without a courtroom confession. The new footage paints a disturbing picture of protection, collusion and a power structure built on silence and insulation. O’Keefe’s latest move adds pressure to a royal institution already stained by scandal and secrecy.

As of now, there’s been no official response from Buckingham Palace. But the timing and content of these claims could force their hand. The world is watching. The questions that have lingered for years are now boiling to the surface again. And if O’Keefe is just getting started, the fallout could be seismic.

James O’Keefe and the O’Keefe Media Group have released a devastating new undercover video featuring former royal advisor John Bryan, who makes explosive claims about Prince Andrew’s ties to Jeffrey Epstein and underage sex trafficking. In the video, Bryan states plainly that Prince Andrew not only lied about his relationship with Epstein but was also involved with underage girls. The footage appears to have been captured during a candid conversation where Bryan, unfiltered and casual, drops truth bombs that reignite global scrutiny on the disgraced royal.

Bryan reveals that he was brought in to do damage control after Prince Andrew’s now-infamous 2019 BBC interview, during which the prince awkwardly claimed he had no recollection of meeting Virginia Giuffre and bizarrely explained he couldn’t sweat due to a war injury. According to Bryan, Prince Andrew “absolutely knew” what he was doing and had no business making such statements, especially since they were easily disprovable. He further alleges that Epstein had “blackmail” leverage on powerful individuals—including members of the royal family—and that Andrew’s involvement went much deeper than previously admitted.

The release of this footage could not come at a more sensitive time for the British monarchy, which has struggled to distance itself from scandal after scandal. With King Charles now facing his own credibility issues, the resurfacing of Prince Andrew’s alleged behavior and the royal family’s attempts to bury it add fuel to long-simmering public distrust.

This video isn’t just a PR disaster—it’s potentially a turning point. The mainstream media may try to ignore it, but O’Keefe’s footage is already spreading rapidly online. If the claims hold, this could trigger renewed calls for legal action and institutional accountability at the highest levels. The palace has yet to respond.

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Oscar Peterson was a Canadian jazz pianist celebrated for his extraordinary technique and swing feel. Born in Montreal in 1925, he began piano studies early and developed a virtuosic style influenced by classical training and jazz greats like Art Tatum. Peterson’s career spanned over six decades, during which he released more than 200 recordings and performed worldwide. He collaborated with numerous jazz legends and was known for his work in trios, notably with Ray Brown and Herb Ellis. His contributions to jazz earned him multiple Grammy Awards and a lasting legacy as one of the genre’s most influential pianists.

Live in Denmark,1964. Oscar Peterson on Piano Ray Brown on Bass Ed Thigpen on Drums

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02 MAY 2025. Horror on the Subway: The Disturbing Case That Has New York City Reeling

New York City’s subway system has always been a microcosm of the city itself—loud, unpredictable, gritty, and sometimes dangerous. But even by the most cynical New Yorker’s standards, what occurred aboard a downtown R train on April 9, 2025, has crossed a line into grotesque territory that most never imagined. The case involves allegations of necrophilia, public sexual assault, and a glaring failure of public safety that has shocked citizens and reignited debate over the state of law enforcement, mental health, and immigration enforcement in the Big Apple.

The Alleged Crime

According to reports from the NYPD and several national media outlets, 44-year-old Felix Rojas of Brooklyn was arrested and charged with first-degree rape for allegedly committing acts of necrophilia on the corpse of a man identified as 37-year-old Jorge Gonzalez. Surveillance footage obtained from subway security cameras shows Rojas engaging in repeated sexual acts with Gonzalez, who was apparently already deceased at the time. The train car, unusually empty for a midday route, provided Rojas a twisted sanctuary for his actions.

Witnesses say the incident occurred over a 30-minute span, with Rojas reportedly pausing his actions every time the train approached a station, only to resume once the coast was clear. The assault included both anal and oral acts, according to court documents, and was only discovered after a transit worker noticed suspicious behavior on the train’s security monitor.

Gonzalez is believed to have died of natural causes prior to the assault. An autopsy revealed no signs of trauma before death, though toxicology reports are pending. What is most horrifying is that his body lay unattended on a public train long enough for such a heinous act to be committed without interruption.

Public Backlash and Safety Concerns

As news of the crime broke, New Yorkers and Americans across the country responded with outrage. Social media exploded with disbelief, disgust, and condemnation—not only of the crime itself, but of the system that allowed such a thing to happen on public transportation, in broad daylight, in the so-called greatest city in the world.

City officials, already under pressure due to rising subway crime, struggled to provide answers. “We are investigating all aspects of this case, including how the body went unnoticed for so long and what security measures failed,” said MTA Chairman Janno Lieber during a press conference. “This was an unspeakable act, and we must understand how it was allowed to happen.”

Indeed, in a city already grappling with crime spikes in its transit system—including stabbings, pushings, robberies, and random assaults—this case struck a new low. Safety, both real and perceived, is at an all-time crisis point for many commuters.

The Immigration Angle

The story took on a further political dimension when it was revealed that Rojas is an illegal immigrant, with multiple prior encounters with law enforcement and two immigration detainers that had previously been ignored by city authorities under New York’s sanctuary city policy.

ICE (Immigration and Customs Enforcement) confirmed that Rojas had been arrested on unrelated charges in 2019 and 2022 but was released both times without being turned over to federal authorities due to New York City’s non-cooperation policies. ICE issued a statement following Rojas’s arrest: “This individual should have been in ICE custody years ago. The city’s refusal to comply with lawful detainers has now resulted in a monstrous act that could have been prevented.”

Conservative voices in media and politics seized on the revelation. “This isn’t just a crime—it’s a product of progressive negligence,” said one Fox News host. “An illegal alien with a criminal record is allowed to roam free in New York, and what does he do? He rapes a dead man on the subway. And Mayor Adams is still trying to pretend everything is under control?”

On Capitol Hill, lawmakers called for investigations and even new legislation to punish sanctuary cities that ignore ICE detainers. Congressman Matt Gaetz tweeted, “Sanctuary policies don’t just fail—they kill, rape, and endanger. Enough.”

Legal Ramifications

Rojas turned himself in to NYPD on April 27, after reportedly being identified through the MTA’s facial recognition system. He is currently being held without bail at Rikers Island and faces multiple felony charges, including first-degree rape, public lewdness, and abuse of a corpse. Legal experts say he could face up to 25 years in prison if convicted.

“There’s no precedent for a case like this in New York criminal history,” said legal analyst Paul Callan. “It’s rare, disgusting, and disturbing—and the fact that it occurred in public, on public transit, adds layers of depravity and public endangerment that will certainly influence sentencing.”

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Lucky Peterson (1964–2020) was a powerhouse American blues musician known for his electrifying guitar work, masterful keyboard skills, and soulful vocals. Born Judge Kenneth Peterson in Buffalo, New York, he grew up surrounded by blues legends at his father’s club, The Governor’s Inn. A child prodigy, he gained national fame by the age of five after being discovered by Willie Dixon and appearing on major television shows. Throughout his career, Peterson developed a unique sound blending blues, soul, gospel, R&B, and rock. He released dozens of albums, earning a reputation for his passionate live performances and versatile musicianship. Over the years, he collaborated with icons like Etta James, Bobby “Blue” Bland, and Mavis Staples, while building a loyal international fanbase. Peterson’s music was both deeply rooted in tradition and refreshingly innovative, making him a standout figure in contemporary blues. He passed away in 2020, leaving behind a powerful, enduring legacy.

Provided to YouTube by Exceleration Music Six O’Clock Blues · Lucky Peterson Triple Play ℗ 1990 Alligator Records & Artist Mgmt., Inc Released on: 1990-11-06 Main Artist: Lucky Peterson Composer: Boylston Composer: Michel Lyricist: Boylston Lyricist: Michel Music Publisher: Perfect Heart c/o Bug Music Auto-generated by YouTube.

The post BREAKING: Illegal Alien Predator Caught on Video Sodomizing Dead Body on NYC Subway appeared first on Lionel Nation.

11 MAR 2024. It matters. Really.

The first to be arrested. pic.twitter.com/tc9AhGIHfK

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My favorite Jones song. In actuality.

Album: The Best of George Jones Utgitt: 1975 Låtskrivere: Billy Sherrill / Norris D Wilson Label: Musicor Records ‎ “The Door” is a song written by Billy Sherrill and Norro Wilson, and recorded by American country music artist George Jones. It was released in October 1974 as the first single from the album The Best of George Jones.

The post Trump’s Unstoppable Crusade: Crushing the Deep State and Corrupt Shadow Government Once and for All! appeared first on Lionel Nation.

05 MAR 2025.

NPR and BBC. No problem. RT? What’s the difference? There are no gradations to truth. None. https://t.co/FvMYCSfgIP

Fanny was a groundbreaking all-female rock band formed in the late 1960s, making history as one of the first all-women groups to sign with a major label and achieve commercial success. Led by sisters June and Jean Millington, the band delivered a powerful mix of hard rock, blues, and pop, earning praise from legends like David Bowie. With hits like Charity Ball and Butter Boy, Fanny paved the way for future female rockers, proving that women could hold their own in a male-dominated industry. Their legacy remains influential, inspiring generations of female musicians to break barriers in rock and roll.

Provided to YouTube by Redeye Worldwide Ain’t That Peculiar (Live) · Fanny Live on Beat-Club ’71-’72 ℗ 2024 Real Gone Music Released on: 2024-06-07 Main Artist: Fanny Composer: Marvin Tarplin Composer: Smokey Robinson Composer: Warren Moore Composer: Robert Rogers Music Publisher: Radio Bremen Auto-generated by YouTube.

Remember.

The post Welcome to the Asylum. Tonight’s SOTU. And What No One Will Tell You. appeared first on Lionel Nation.

13 NOV 2024. This says it all.

Maybe there is a reason for having these freaks in our military. Think of how more likely a captured enemy soldier might be if this thing were allowed to interrogate said prisoner without the usualsafeguards. Capeesh? https://t.co/cRjxd7ZRsa

Tony Jackson, a talented country music singer, has made a significant mark with his rendition of “The Grand Tour,” originally a hit for George Jones. Jackson’s tribute to Jones captures the essence of the song, which is about the emotional journey through a home made lonely by the departure of a loved one. His performance has been well-received, earning him praise within the country music community for his soulful interpretation. This song has not only showcased his vocal prowess but also his ability to connect emotionally with audiences, making it a memorable part of his repertoire. Fans have particularly noted his tribute at various concerts, where he dedicated the song to special individuals, enhancing the personal connection of the performance.

Tony Jackson’s tribute to George Jones and the timeless classic “The Grand Tour”.

The post Starving the Media Jackals and Rewriting the Rules to Destroy the Enemy appeared first on Lionel Nation.

29 SEP 2024. This makes all the sense in the world. Sadly.

As is. This. pic.twitter.com/8KcoRwNRby

Brilliant. The “Dear Alcohol” remix, particularly the mega remix released in April 2024, features an ensemble of artists including Dax, Atlus, Kelsie Watts, Carly Pearl, and several others, collaboratively exploring themes of addiction, mental health, and the emotional complexities tied to alcohol use. This remix has been celebrated for its impactful lyrics and diverse musical contributions, aiming to resonate with listeners by sharing personal narratives around the struggle with alcohol, from the temporary escape it offers to the deeper, often painful realities it masks. The song’s success, marked by going platinum and amassing millions of streams, underscores its significance in contemporary music as a piece that not only entertains but also initiates conversations about addiction and recovery, fostering a sense of community and understanding among those affected.

Like, Comment, Share, and let’s make an IMPACT with music made FOR THE PEOPLE, spread BY THE PEOPLE…can’t wait to read what you all think about this ensemble of ABSOLUTELY AMAZING talent. ‘Dear Alcohol” is still making an IMPACT and its my pleasure to have all these phenomenal artists on this MEGA REMIX!

The post Kamala Hits the Border and America Screams in Laughter appeared first on Lionel Nation.

22 JUL 2024. Watch and brace for impact.

President Joe Biden “doubted” whether Kamala Harris can defeat Trump before he decided to step aside Sunday, according to a report.

And this.

American behavioural specialist Gregg Levoy said that for people who ramble on and on, speech can become ‘a barrier rather than a connector’.

Simply masterful.

June 13, 2016 by SURAYA MOHAMED * Sometimes big-name artists need special attention. But in this case, it wasn’t because they’ve been jazz pioneers and innovators since the 1960s and are considered to be founding fathers of jazz fusion, not to mention two of the most important jazz figures performing today.

The post Joe’s Double-Crossed Brutally As the Apotheosis for St. Kamala Begins in Earnest appeared first on Lionel Nation.

04 APR 2024. Great discussion.

Watch more here: https://bit.ly/3RCq6cc Is Speaker of the House Mike Johnson being blackmailed to do the bidding of the left? It certainly seems that way. His colleague, Marjorie Taylor Greene, explains. Subscribe to the new Tucker Carlson Network channel for more exclusive content: https://www.youtube.com/@TCNetwork/featured?sub_confirmation=1 Follow Tucker on X: https://x.com/TuckerCarlson Text “TUCKER” to 44055 for exclusive updates.

Watch this insanity and learn. What this dame won’t.

Three former Supreme Court justices, including Lady Hale and Lord Sumption, have joined more than 600 legal experts in urging the UK government to halt weapons sales to Israel. They argue that continuing to sell weapons would make the UK complicit in grave breaches of international law, including potential violations of the genocide convention.

“Tipping Point” is an album by Tears for Fears, released in February 2022. It marks the band’s first studio album in nearly 17 years since “Everybody Loves a Happy Ending” in 2004. The album “Tipping Point” represents a significant moment in Tears for Fears’ career, showcasing their evolution while maintaining the emotive and layered sound that has characterized their work since the 1980s.

The title track, “The Tipping Point,” reflects on themes of change, loss, and the critical moments that define the course of our lives. This album arrives as a result of years of work and personal reflection by band members Roland Orzabal and Curt Smith, who have navigated through personal challenges and changes in the music industry.

“Tipping Point” is notable for its exploration of contemporary issues and personal introspection, with the band members delving into their experiences and the world’s transformations. The sound blends the classic Tears for Fears style with modern production, appealing to long-time fans and new listeners alike. The album has been well-received for its poignant lyrics, sophisticated soundscapes, and the matured musicianship of Orzabal and Smith, reaffirming Tears for Fears’ place in the landscape of pop and rock music.

Warning: Contains flashing images Tears For Fears perform Tipping Point at Radio 2 in the Park 2023. Watch more highlights on BBC iPlayer: https://www.bbc.co.uk/iplayer/episodes/p0ft17vd/radio-2-in-the-park Listen to sets and highlights on BBC Sounds: https://www.bbc.co.uk/sounds/play/curation:m001qn9w Follow all on social @bbcradio2. #tearsforfears #tippingpoint #bbcradio2

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19 NOV 2023. This!

An estimated 30,000 people marched on the streets of Jerusalem Saturday to demand the government do more to address the Hamas hostage crisis.

Oscar Peterson and Louie Bellson were both highly acclaimed and influential musicians in the world of jazz.

Oscar Peterson, a Canadian jazz pianist and composer, was widely regarded as one of the greatest pianists in the history of jazz. Known for his virtuosic technique, brilliant improvisations, and extensive discography, Peterson’s career spanned over five decades. His collaborations with various jazz legends and solo performances contributed significantly to the genre.

Louie Bellson, an American jazz drummer, composer, and bandleader, was a trailblazer in the world of percussion. Renowned for his innovative drumming techniques, Bellson played a crucial role in the development of modern drumming. His collaborations with big bands and jazz orchestras, as well as his contributions to drumming education, solidified his legacy in the jazz world.

Together, these two artists made indelible marks on the history of jazz, showcasing their exceptional talents and leaving a lasting impact on the genre.

Piano – Oscar Peterson Bass – John Heard Drums – Louis Bellson Recorded live at The Royal Festival Hall London October 21 1978. Released on the 1979 Pablo album “Oscar Peterson, Louis Bellson, John Heard: The London Concert – Royal Festival Hall, 1978.”

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26 OCT 2023.

Who’s my go-to foreign policy expert. John Mearsheimer. The firebrand.  A distinguished American political scientist and international relations scholar, known for his expertise in offensive realism and his critical analysis of U.S. foreign policy. He gained prominence for his influential work on security studies, particularly on the theory of offensive realism. He has authored several significant books, including “The Tragedy of Great Power Politics” and “The Israel Lobby and U.S. Foreign Policy,” co-authored with Stephen Walt. Mearsheimer has also taught at the University of Chicago and is recognized for his contributions to the field of international relations theory. And you will never hear him on FNC.

CIS Executive Director Tom Switzer’s interview with Professor Mearsheimer on ABC Radio National. ______________________________________________________________________________________________ CIS promotes free choice and individual liberty and the open exchange of ideas. CIS encourages debate among leading academics, politicians, media and the public. We aim to make sure good policy ideas are heard and seriously considered so that Australia can prosper.

“Man in a Shed” is a song by the English singer-songwriter Nick Drake. It was released on his debut studio album, “Five Leaves Left,” in 1969. The song reflects Drake’s signature style, characterized by introspective lyrics, intricate guitar work, and his hauntingly soft vocal delivery. “Man in a Shed” showcases Drake’s poetic lyricism and melancholic sound, capturing the essence of his introspective and enigmatic musical persona. As one of the early tracks in Drake’s discography, it exemplifies his talent for blending folk and acoustic elements with introspective and emotive storytelling, establishing him as a revered figure in the folk and singer-songwriter genres.

Provided to YouTube by Universal Music Group Man In A Shed · Nick Drake Five Leaves Left ℗ 1969 Island Records, a division of Universal Music Operations Limited Released on: 1970-01-01 Associated Performer, Vocals, Acoustic Guitar: Nick Drake Associated Performer, Piano: Paul Harris Associated Performer, Double Bass: Danny Thompson Producer: Joe Boyd Studio Personnel, Engineer: John Wood Composer Lyricist: Nick Drake Auto-generated by YouTube.

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