
Sign up to save your podcasts
Or


On today’s date in 1837, Princess Cristina Belgiojoso-Trivulzio, scored the social coup of the season at her Parisian salon. Ostensibly, it was the culmination of a three-day fundraiser in aid of Italian political refugees, but it really was the artistic equivalent of a prize fight — the fists in question pummeling the piano keyboard, a digital confrontation of the two leading virtuoso pianists of the day, Sigismund Thalberg and Franz Liszt.
Thalberg was up first, playing his own Fantasy on Themes from Rossini’s opera, Moses. Liszt followed with one of his fantasias based on operatic themes. The music critic for the prestigious Journal des Debats was present, and he wrote, “Never was Liszt more controlled, more thoughtful, more energetic, more passionate. Never has Thalberg played with greater verve and tenderness. Each used every one of his resources. It was an admirable joust. The most profound silence fell over the noble crowd assembled, and, finally, Liszt and Thalberg were both proclaimed victors by this glittering and intelligent assembly. Thus: two victors and no vanquished.”
When asked for her verdict who had “won” the contest, the hostess, Princess Cristina replied with consummate diplomacy: “Thalberg is the first pianist in the world — Liszt is unique,” she said.
Sigismund Thalberg (1812-1871): Fantasy on Rossini’s ‘The siege of Corinth’; Francesco Nicolosi, piano; Marco Polo 8.223367
Franz Liszt (1811-1886): Fantasia on Italian Operatic Melodies; Andreas Pistorius, piano Capriccio 10076
By American Public Media4.7
176176 ratings
On today’s date in 1837, Princess Cristina Belgiojoso-Trivulzio, scored the social coup of the season at her Parisian salon. Ostensibly, it was the culmination of a three-day fundraiser in aid of Italian political refugees, but it really was the artistic equivalent of a prize fight — the fists in question pummeling the piano keyboard, a digital confrontation of the two leading virtuoso pianists of the day, Sigismund Thalberg and Franz Liszt.
Thalberg was up first, playing his own Fantasy on Themes from Rossini’s opera, Moses. Liszt followed with one of his fantasias based on operatic themes. The music critic for the prestigious Journal des Debats was present, and he wrote, “Never was Liszt more controlled, more thoughtful, more energetic, more passionate. Never has Thalberg played with greater verve and tenderness. Each used every one of his resources. It was an admirable joust. The most profound silence fell over the noble crowd assembled, and, finally, Liszt and Thalberg were both proclaimed victors by this glittering and intelligent assembly. Thus: two victors and no vanquished.”
When asked for her verdict who had “won” the contest, the hostess, Princess Cristina replied with consummate diplomacy: “Thalberg is the first pianist in the world — Liszt is unique,” she said.
Sigismund Thalberg (1812-1871): Fantasy on Rossini’s ‘The siege of Corinth’; Francesco Nicolosi, piano; Marco Polo 8.223367
Franz Liszt (1811-1886): Fantasia on Italian Operatic Melodies; Andreas Pistorius, piano Capriccio 10076

6,773 Listeners

38,915 Listeners

8,771 Listeners

9,202 Listeners

5,780 Listeners

927 Listeners

1,388 Listeners

1,287 Listeners

3,161 Listeners

1,975 Listeners

523 Listeners

183 Listeners

13,767 Listeners

3,083 Listeners

248 Listeners

28,135 Listeners

430 Listeners

5,470 Listeners

2,194 Listeners

14,142 Listeners

6,423 Listeners

2,515 Listeners

4,836 Listeners

574 Listeners

244 Listeners