Little Gold Men

New critics’ awards and the upcoming Golden Globes give us lots of Oscar buzz to discuss. But first, we address the situation with Casey Affleck, whose best actor campaign doesn’t seem hampered by sexual assault allegations...but should it be?

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With a slew of critic’s groups and other groups handing out the first awards of the year, we take a look at what it all means, which titles have emerged on top, and how the box office might make more of  a difference than anything else. 

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As voting deadlines for various critic’s groups loom, a number of movies have finally revealed themselves, most notably Fences—a slam-dunk Oscar win for Viola Davis, and a possible coronation of Denzel Washington as an actor-turned-director genius.

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In the wake of the unexpected conclusion to the presidential election, we debate how Hollywood will react. Plus, updates on the state of the Harry Potter franchise and Manchester by the Sea, and a dispatch from Rebecca Keegan about the Governor’s Awards 

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This week we check in on new buzz surrounding Fences and the AFI Film Festival, then chalk up the awards chances of Netflix’s ultra-lavish new series The Crown. Finally, we accept the inevitable: Lin-Manuel Miranda is totally going to win an Oscar. 

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This week we catch up on lots of small developments in awards season, from the quixotic campaign for Sausage Party to the release of Mel Gibson's Hacksaw Ridge. We also share Richard’s interview with French actress Isabelle Huppert, star of Elle. 

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With the news confirmed that Viola Davis will be running as a supporting actress for Fences— the role that won her a lead actress Tony award— we talk about the perennial problem of category fraud, and why women are so much more likely to be considered supporting for roles that are actually leads. Plus we share our interview with Kelly Reichardt, director of Certain Women, and make bold predictions about who will win the best original screenplay Oscar.  

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Opening in theaters this week, Moonlight features stellar performances from everyone in its cast—but its unique structure makes it particularly challenging in the context of an Oscar campaign. We discuss the film that has us all swooning, and then talk to Moonlight’s director Barry Jenkins, who has a theory that if one of his actors were onscreen longer, he’d have the best supporting actor statue wrapped up already. 

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Looking at the performances from Emma Stone, Annette Bening, Natalie Portman, and more that have everybody buzzing. Plus a post-mortem on The Birth of a Nation’s box-office failure and some bold predictions about the best supporting actress race. 

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The star of the indie drama Other People talks about how she's been playing dramatic characters even since her SNL days--whether or not people noticed. Plus discussion of the new HBO drama Westworld and the state of the best supporting actor race. 

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