The very first Righteous Brothers release was "Little Latin Lupe Lu" in '62. It has a slight rockabilly/surf feel, with the great vocals we came to expect, plus the immortal love song line, "She's My Mash Potato Baby"! In 1964, our frat friends The Kingsmen trashed the song, a la "Louie Louie." It's clubfooted, stiffarmed, not soulful, and great. We follow that up with two versions by TWO Dimensions! The first one from Chicago, with some tetanus tambo, and the second a NC band who waxed the track in 65, and it's a hot-footin' verzh fer sher. We also feature a hearsecore rendition from 66 by The Morticians and Mitch Ryder and The Detroit Wheels hit version, that you heard all about in "High Fidelity" - shake it shake it!!

The very first Righteous Brothers release was "Little Latin Lupe Lu" in '62. It has a slight rockabilly/surf feel, with the great vocals we came to expect, plus the immortal love song line, "She's My Mash Potato Baby"! In 1964, our frat friends The Kingsmen trashed the song, a la "Louie Louie." It's clubfooted, stiffarmed, not soulful, and great. We follow that up with two versions by TWO Dimensions! The first one from Chicago, with some tetanus tambo, and the second a NC band who waxed the track in 65, and it's a hot-footin' verzh fer sher. We also feature a hearsecore rendition from 66 by The Morticians and Mitch Ryder and The Detroit Wheels hit version, that you heard all about in "High Fidelity" - shake it shake it!!

The very first&nbsp;Righteous Brothers release was "Little Latin Lupe Lu" in '62. It has a slight rockabilly/surf feel, with the great vocals we came to expect, plus the immortal love song line, "She's My Mash Potato Baby"! In 1964, our frat friends&nbsp;The Kingsmen trashed the song, a la "Louie Louie." It's clubfooted, stiffarmed, not soulful, and great. We follow that up with two versions by TWO&nbsp;Dimensions! The first one from Chicago, with some tetanus tambo, and the second a NC band who waxed the track in 65, and it's a hot-footin' verzh fer sher. We also feature a hearsecore rendition from 66 by&nbsp;The Morticians and&nbsp;Mitch Ryder and The Detroit Wheels&nbsp;hit version, that you heard all about in "High Fidelity" - shake it shake it!!

Little Latin Lupe Lu

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Little Latin Lupe Lu

Little Latin Lupe Lu

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