Looks Like New

Looks Like New

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Looks Like New episodes

  • What stories do our machines tell and what do they remember?

    In this month’s episode of Looks Like New, hosted by MEDLab’s associate director Júlia Martins Rodrigues, we speak with Camila Galaz, an interdisciplinary artist, editor, and researcher whose work explores the intersections of technology, memory, and historical storytelling.

    Galaz is the founder of Structured Knowledge, a nonfiction narrative consultancy helping creatives and thinkers translate complex ideas into meaningful public-facing work. She is also co-creator of Our Friend the Computer, a globally ranked podcast uncovering underrepresented histories of computing; an editor at the Millennium Film Journal; and co-founder of Superkilogirls, a creative research lab examining the material infrastructures of computing and their entanglement with women’s labor.

    Her projects have been supported by the New Museum, the Nieuwe Instituut, Creative Australia, the National Gallery of Victoria, and the Media Archaeology Lab at the University of Colorado Boulder. In this episode, Galaz reflects on how storytelling, archives, and experimental media can reveal the hidden human histories behind our digital world.

    56 min
  • Who will own the future of gig work?

    Who will own the future of gig work? In this month's episode of Looks Like New, MEDlab Associate Director Júlia Martins speaks with Minsun Ji, Executive Director of the Rocky Mountain Employee Ownership Center, about empowering workers to reclaim control over their economic futures. Minsun and her team are pioneering efforts to democratize work ownership, including the launch of Colorado's first driver-owned ride-share cooperative. Together, they examine the unique challenges of competing in the ride-share market, the innovative strategies behind worker cooperatives, and why these models are essential for building resilient local economies.

    54 min
  • How are video games rewriting narratives?

    In this episode of Looks Like New, host Júlia Martins Rodrigues speaks with Warren Liu, a Media Studies doctoral student. Liu examines how video games shape culture—both by reflecting colonial legacies and by offering space to challenge them.

    Their conversation explores how games can spark decolonial thinking and open new paths for cultural exchange. From reclaiming narratives and traditions to reimagining design and player agency, they discuss how gaming can become a tool for inclusivity, empathy, and social change.

    54 min
  • Who gets to belong in the digital future?

    Who gets to participate in society—and how do we build systems that serve everyone, not just the privileged few?

    In this episode of Looks Like New, MEDLab's Júlia Martins Rodrigues speaks with Dr. Nicol Turner Lee, a leading expert at the intersection of technology and social justice, about what happens when entire communities are left behind in our rapidly digitizing world. As Director of the Center for Technology Innovation and founder of the AI Equity Lab, Turner Lee has dedicated her work to making AI and internet access more inclusive, ethical, and equitable—from the U.S. to the Global South. We explore insights from her groundbreaking book Digitally Invisible and discuss how we can rethink AI governance to create a more just digital future.

    53 min
  • Are you being trained?

    AI is advancing at lightning speed—so fast that questions of ownership and data use often get left behind. What control do we really have over our data in these massive language models? And how can we rethink governance for AI?

    On this episode of Looks Like New, MEDLab fellow Andy DiLallo speaks with Berlin-based artist, musician, and technologist Mat Dryhurst. Known for his work on collective ownership and digital governance. We hear how DIY music culture shaped Mat’s approach to technology, the importance of transparency in AI, and the role institutions can play in building ethical, trustworthy AI frameworks.

    55 min
  • Is anything new in influencer marketing?

    It’s easy to look at today’s pop culture and advertising and feel nostalgic for earlier generations—but were those eras really so different? What trends have remained consistent throughout our history?

    In this month’s episode of Looks Like New, hosted by MEDlab’s associate director Júlia Martins Rodrigues, we hear from Art Bamford, Ph.D., lecturer in Media Studies at the University of Colorado Boulder, a fellow at the Center for Media, Religion, and Culture, and co-author of Every Parent's Guide to Navigating Our Digital World.

    Art Bamford is currently researching the influence of Protestant revivalism on modern American advertising and public relations. In this episode, he shares fascinating insights into the historical relationship between celebrity, advertising, and scandal—and how these forces have shaped enduring trends in pop culture.

    39 min
  • Are our health apps negatively impacting us?

    In the digital age, it's hard to resist free conveniences—but are they really free? So much of our data is constantly being bought and sold without our knowledge, making it crucial to find safe alternatives to keep our private information truly private.

    On this month's episode of Looks Like New, hosted by MEDlab fellow Stephanie Abdalla, Anna Muller joins us all the way from Brazil to discuss the importance of data control, especially for individuals with uteruses.

    Anna Muller brings a wealth of knowledge to the conversation. She is a biomedical specialist in neuroscience and behavior, a health instructor focused on fertility, perception, and hormonal health, as well as a speaker and content producer specializing in menstrual education. Together, Stephanie Abdalla and Anna Muller dive into the world of fertility tracking apps, the risks and realities of data control, and possible safer alternatives—drawing from history, academic discourse, and personal insight.

    57 min
  • How is open-source software like magic?

    Writing code can be like casting a spell: magic words, written in a special language, bring new worlds into existence. But spells can have consequences. Who is responsible for how technology impacts society? This month on Looks Like New, MEDlab research fellow Adina Glickstein talked to Coraline Ada Ehmke. Who is dedicated to helping technologists make sense of – and take accountability for – the ethical implications of their work.

    Ehmke developed the Contributor Covenant, a code of conduct that is widely used across digital communities, as well as the Hippocratic License, a software license designed to protect human rights. She previously appeared on Looks Like New to explore why software development communities need ethical standards. This month, Ehmke returns to Looks Like New to talk about her work as a tech ethicist, experimental musician, and occult practitioner. As the Executive Director of the Organization for Ethical Source, Ehmke considers software’s real-world impacts and works to promote the fundamental rights and well-being of diverse communities affected by technology.

    Ehmke’s writing appeared in the MEDLab publication “Change is in the Cards,” a zine that explores open-source governance through the lens of tarot. The zine is freely available for download here

    Curious to hear more about Ehmke’s work as a tech ethicist? Listen to her previous appearance on Looks Like New here

    57 min
  • What if social media were under our control?

    Political discourse around social media has become increasingly significant, particularly during the recent presidential transition. Debates about TikTok’s viability, new censorship policies on Meta platforms, and the ongoing turbulence on X underscore the growing importance of decentralized media development.

    On this month's episode of Looks Like New, we're bringing you a conversation between guest mentors from MEDlab's Open Social Incubator, where community organizers from all over the world come together to explore alternatives to dominant corporate platforms. These innovators prioritize community building, safety features, and governance structures in their designs. The discussion featured Rudy Fraser, founder of BlackSky on Bluesky; Evan Henshaw-Plath also known as Rabble, a former Twitter developer now working on Nostr; and Christine Lemmer-Webber, a leading author of the ActivityPub protocol, software developer, and Executive Director of the Spritely Institute.

    These speakers, alongside audience questions, shared insights into the challenges and opportunities of creating open social software. They explored ways to prevent the re-centralization of power and ensure the protection of marginalized users.

    1 hr
  • How has racism held back economic democracy?

    How connected is the struggle for racial justice and the fight for a democratic economy? How has racism hindered the fight, and how can activists work together for a better future on both fronts? This month on, Looks Like New, MEDlab director Nathan Schneider hosted a group conversation of 100+ guests to understand these questions. This event hosted Jason Spicer, an assistant professor at Baruch College’s Marxe School of Public and International Affairs, and findings from his recently published book, Co-Operative Enterprise in Comparative Perspective: Exceptionally Un-American. This presentation is followed by a response from Jessica Gordon Nembhard of John Jay College, whose book Collective Courage is the definitive history of the African-American cooperative. This event seeks to broadcast just how much racism has actively held back the future of a democratic economy. Both Jason Spicer and Jessica Gordan Nembhard stress how important knowing the connection between a democratic economy and the struggle for racial justice is.

    55 min

About Looks Like New

From the publisher's feed

Looks Like New is the podcast that asks old questions about new technology. Each month, we speak with someone who works with technology in ways that challenge conventional narratives and dominant power structures. The name comes from the phrase “a philosophy so old that it looks like new,” repeated throughout the works of Peter Maurin, the French-American agrarian poet.