
Sign up to save your podcasts
Or


Mario Monicelli's spoofy 1958 heist film Big Deal on Madonna Street stands up even if you're not familiar with the films it's referencing, and Pat and I won't be for another two weeks as it's mostly taking the piss out of Rififi which Lost in Criterion will talk about two weeks from now. Maybe we should have waited? That seems like the professional thing to do. That's not in our bag.
Every Jacques Tati film we watch is my new favorite Jacques Tati film. This week it's his third M. Hulot film PlayTime (1967). Playing on the same anti-modernism themes of his earlier work, PlayTime is, well, even more playful. Massive, repetitive, dehumanizing sets, delightfully subtle comedic moments.
Jacques Tati's M. Hulot is the comedic character we've been missing all our lives, filling a hole we didn't even know existed to be filled.
From the publisher's feed

56,429 Listeners

14,000 Listeners

10,264 Listeners

5,702 Listeners

479 Listeners

15,908 Listeners

331 Listeners

105 Listeners