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The "death" of an "era" with Gimme Shelter, the Maysles and Zwerin's account of the Stones' '69 US tour that ended in the only way it could.
Someday I may understand what Michelangelo Antonioni was saying in 1960's L'Avventura. That day is not today.
Watching Spike Lee's 1989 film about the racial tensions of a New York neighborhood seems timely. It always seems timely. I'd like for it to not seem timely. Let's work on that.
Douglas Sirk and Rock Hudson are back this week and this time they're teaming up with Unsolved Mysteries' Robert Stack and the late Lauren Bacall for a weird tale of sexual issues and surrogate sons. 1956's Written on the Wind is, once again, a big studio melodrama that Sirk tries to indue with some sort of deeper satire, though with varying results this time around.
Douglas Sirk made big studio melodramas that audiences ate up and critics hated. Until decades later when filmmakers like Quentin Tarantino and Rainer Werner Fassbinder decided he was awesome and now everyone's on board. All That Heaven Allows is a 1955 venture starring Jane Wyman as a rich widow who falls in love with her Thoreau-obsessed gardner, Rock Hudson. It's a beautiful film; Sirk and cinematographer Russell Metty craft perfect frames that tell the story better than the actual plot.
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